The Novel Hall Dance series is celebrating its 10th anniversary this year with an eclectic program that spans the world music and dance genres.
It was always going to be hard to top last year’s program — the astounding visit by the Paul Taylor Dance Company in October — but for sheer diversity, this series’ line-up may excel. There is a pair of New York-based Japanese modern dancers working with a troupe of young Cambodian artists, an award-winning British choreographer’s fast-moving dance troupe and a very young (13) flamenco prodigy.
“Mr Lin [Hwai-min (林懷民), founder and artistic director of Cloud Gate Dance Theatre and Novel Hall Dance] said the focus this year was on ‘young, new and tomorrow,’” said Elaine Huang (黃麗宇), public relations manager of Novel Hall in a telephone interview. “So the Cambodian students with Eiko and Koma represent the young, Wayne McGregor represents the new and El Yiyo will certainly have many tomorrows.”
Huang also said it was appropriate to open this year’s series with the renowned performance duo Eiko Otake and Takashi Koma Otake, since they had been in the series’ inaugural program.
Eiko and Koma have been breaking barriers since they met as university students in Tokyo when they joined the Tatsumi Hijikata company in 1971 and left their law and political science studies behind.
They quickly formed an exclusive partnership and began performing in Tokyo before moving to Germany to study modern dance with Manja Chmiel. They used Amsterdam as a base to tour Europe for a few years before settling down in New York. Over their careers they have incorporated video, musicians, paintings and landscape into their works, and developed a reputation for outdoor performances, all in an effort to break through the confines of traditional theater and reach a wider audience.
They have collected numerous fellowships, performance awards and other honors and in 1996 they became the first partnership to be awarded one of the MacArthur Foundation “genius” fellowships.
In 2004, Eiko and Koma began what has become a very fruitful collaboration with students and graduates of the Reyum Institute of Arts and Culture in Phnom Penh, Cambodia, a nongovernmental organization. They had been invited to the school after one of its founders saw them perform in New York.
A month-long workshop at the school led to the creation of Cambodian Stories: An Offering of Painting and Dance, which premiered in 2006, and Cambodian Stories Revisited in 2007.
In Cambodian Stories, the pair perform with young Cambodian painters and dancers to a score by Cambodian-American musician Sam-Ang Sam that mixes Cambodian popular songs and instrumental music.
The piece opens with a bare stage covered in sand, decorated with panels of traditional Cambodian dancers and strung with blank canvases. The young dancer/artists create their own landscape as they tell a story about their lives, love and painting.
From Cambodia, the Novel Hall Dance series moves to contemporary British dance, with McGregor’s Random Dance troupe performing Entity from May 22 to May 24, and finishes up with El Yiyo in New Flamenco Generation from June 5 to June 7.
Last week the State Department made several small changes to its Web information on Taiwan. First, it removed a statement saying that the US “does not support Taiwan independence.” The current statement now reads: “We oppose any unilateral changes to the status quo from either side. We expect cross-strait differences to be resolved by peaceful means, free from coercion, in a manner acceptable to the people on both sides of the Strait.” In 2022 the administration of Joe Biden also removed that verbiage, but after a month of pressure from the People’s Republic of China (PRC), reinstated it. The American
Chinese Nationalist Party (KMT) legislative caucus convener Fu Kun-chi (傅?萁) and some in the deep blue camp seem determined to ensure many of the recall campaigns against their lawmakers succeed. Widely known as the “King of Hualien,” Fu also appears to have become the king of the KMT. In theory, Legislative Speaker Han Kuo-yu (韓國瑜) outranks him, but Han is supposed to be even-handed in negotiations between party caucuses — the Democratic Progressive Party (DPP) says he is not — and Fu has been outright ignoring Han. Party Chairman Eric Chu (朱立倫) isn’t taking the lead on anything while Fu
There is a Chinese Communist Party (CCP) plot to put millions at the mercy of the CCP using just released AI technology. This isn’t being overly dramatic. The speed at which AI is improving is exponential as AI improves itself, and we are unprepared for this because we have never experienced anything like this before. For example, a few months ago music videos made on home computers began appearing with AI-generated people and scenes in them that were pretty impressive, but the people would sprout extra arms and fingers, food would inexplicably fly off plates into mouths and text on
Feb 24 to March 2 It’s said that the entire nation came to a standstill every time The Scholar Swordsman (雲州大儒俠) appeared on television. Children skipped school, farmers left the fields and workers went home to watch their hero Shih Yen-wen (史艷文) rid the world of evil in the 30-minute daily glove puppetry show. Even those who didn’t speak Hoklo (commonly known as Taiwanese) were hooked. Running from March 2, 1970 until the government banned it in 1974, the show made Shih a household name and breathed new life into the faltering traditional puppetry industry. It wasn’t the first