Sonic Youth. Brutal backyard wrestling matches in suburban Southern California. American Indians getting kicked off their land — in the 21st century. Documentaries on these subjects are among the highlights of Urban Nomad Film Fest (城市游牧影展), which runs through May 9 at Taipei Artist Village, Paris Night Club and Nanhai Gallery.
Urban Nomad is an annual festival for experimental and digital film founded in 2002 by Taipei-based journalists David Frazier and Sean Scanlan. Much of the content is light-hearted shorts submitted by Taiwanese directors, while a significant portion of the international documentaries treat social and political topics. Each evening has two programs: a series of (mostly) Taiwanese shorts, and one international feature.
Last year more than 2,000 people attended Urban Nomad-related events, says Frazier, and the fest is becoming an important forum for young Taiwanese filmmakers, much as Spring Scream (春天吶喊) established itself as a rite of passage for up-and-coming bands, according to Tony Wu (吳俊輝), an experimental filmmaker and professor at Shi Hsin University.
“What young Taiwanese filmmakers do now is often very experimental,” says Wu, whose films have screened at each Urban Nomad since 2002 and more recently has helped produce festival segments. “Urban Nomad attracts young directors because most film festivals in Taiwan, such as Golden Horse and Taipei Film Festival, focus on narrative films and feature documentaries.”
One of the biggest draws this year is Sonic Youth: Sleeping Nights Awake, a 2008 documentary about indie-music legends Thurston Moore and Kim Gordon shot by a group of high school students given complete access to a concert in Reno, Nevada. It will show on May 2 at Taipei Artist Village, followed by a concert with Golden Horse nominees KbN (凱比鳥), and again on May 8 at Nanhai Gallery.
Tonight’s program at Taipei Artist Village begins at 7:30pm with Here Comes Greatness (2009), made by a couple of directors who spent seven years filming amateur backyard wrestling leagues in the Los Angeles area, where teenagers throw each other against barbed wire in makeshift rings littered with broken fluorescent lightbulbs and thumbtacks, and the blood and pile-drives are real.
Tomorrow’s program combines the serious (political documentaries from Singapore, China and Hong Kong and a panel on how Asian filmmakers hope to effect change, from 2pm at Taipei Artist Village) with the strange (Heavy Metal Jr, a documentary about a preteen Scottish metal band and their parents, then a party headlined by “Mississippi delta punk blues” one-man band Bob Log III, at Paris Night Club from 7:30pm and 10pm, respectively).
On Sunday at Taipei Artist Village, Wholphin editor-in-chief Brent Hoff will talk about what he looks for in short films and how his DVD magazine is creating a market for them. Hoff’s talk is at 3pm and will be followed by a viewing of American Outrage, which tells the story of elderly Shoshone sisters who have been fighting the US government and gold mining corporations over attempts to expropriate land from their ranch.
Also this Sunday: a Q&A with Hong Kong’s Fredie Chan (陳浩倫) and a screening of his film about a group of citizen journalists detained by Japanese authorities en route to protest the 2008 G8 Summit. Rounding out the evening will be a nightcap of eight shorts.
And that’s just the beginning. Check the Web site at urbannomadfilmfest.blogspot.com for comprehensive information in English and Chinese about the movies, bands and other events. All films at Urban Nomad are subtitled for English and Chinese speakers.
Dec. 16 to Dec. 22 Growing up in the 1930s, Huang Lin Yu-feng (黃林玉鳳) often used the “fragrance machine” at Ximen Market (西門市場) so that she could go shopping while smelling nice. The contraption, about the size of a photo booth, sprayed perfume for a coin or two and was one of the trendy bazaar’s cutting-edge features. Known today as the Red House (西門紅樓), the market also boasted the coldest fridges, and offered delivery service late into the night during peak summer hours. The most fashionable goods from Japan, Europe and the US were found here, and it buzzed with activity
During the Japanese colonial era, remote mountain villages were almost exclusively populated by indigenous residents. Deep in the mountains of Chiayi County, however, was a settlement of Hakka families who braved the harsh living conditions and relative isolation to eke out a living processing camphor. As the industry declined, the village’s homes and offices were abandoned one by one, leaving us with a glimpse of a lifestyle that no longer exists. Even today, it takes between four and six hours to walk in to Baisyue Village (白雪村), and the village is so far up in the Chiayi mountains that it’s actually
These days, CJ Chen (陳崇仁) can be found driving a taxi in and around Hualien. As a way to earn a living, it’s not his first choice. He’d rather be taking tourists to the region’s attractions, but after a 7.4-magnitude earthquake struck the region on April 3, demand for driver-guides collapsed. In the eight months since the quake, the number of overseas tourists visiting Hualien has declined by “at least 90 percent, because most of them come for Taroko Gorge, not for the east coast or the East Longitudinal Valley,” he says. Chen estimates the drop in domestic sightseers after the
US Indo-Pacific Commander Admiral Samuel Paparo, speaking at the Reagan Defense Forum last week, said the US is confident it can defeat the People’s Republic of China (PRC) in the Pacific, though its advantage is shrinking. Paparo warned that the PRC might launch a “war of necessity” even if it thinks it could not win, a wise observation. As I write, the PRC is carrying out naval and air exercises off its coast that are aimed at Taiwan and other nations threatened by PRC expansionism. A local defense official said that China’s military activity on Monday formed two “walls” east