Killshot
Shot a few years ago, this was barely released in the US last year, despite stars Diane Lane and Mickey Rourke, director John Madden (Shakespeare in Love, Mrs Brown) and source material by Elmore Leonard. Rourke is a hitman who takes an obnoxious apprentice (Joseph Gordon-Levitt), but the pair are spotted as they go about their business by Lane and her husband (Thomas Jane). Thus the hunt begins to erase the inadvertent witnesses. Like Rourke, Lane is enjoying a late career surge, but this film won’t help much — unless the DVD takes off.
Whatever Lola Wants
Rule of thumb: If a movie is about dancing, it will be screened in Taiwan. Whatever Lola Wants is a more interesting example of the dance flick because it transports a lovesick American woman to Egypt to “find herself”; to be precise, she finds herself belly dancing and competing with the locals. Moroccan director Nabil Ayouch is enthusiastic about the possibilities of the story and has made a film that is friendly to all comers. North African tourism ministers should jump on this one.
Fit Lover (愛情左右)
Not a sex film despite the title, this Chinese romantic comedy about a reality TV show host sifting through a dozen young men with different zodiac signs has a regional cast: lead actress Karena Lam (林嘉欣, Claustrophobia) has Taiwanese connections, and her possible suitors are a mix of Chinese, Taiwanese and a Japanese. It’s all very naive and jolly; stronger material with this theme can be found in the older Taiwanese feature The Personals (徵婚啟事) starring Rene Liu (劉若英). The full Chinese title — not used for the Taiwan release — says that this is a sequel to 2007’s Call for Love (愛情呼叫轉移), but viewers won’t need to have seen it.
Partners
The movie version of the popular, sophisticated Japanese TV series pits underutilized and underpromoted ace detective Yutaka Mizutani and his youthful partner against a deadly foe who targets the Tokyo marathon after leaving a string of bodies around the capital. Like a lot of serial killers, this one leaves a code behind that challenges the cops to identify him. Fun for fans of detective stories, and helped immeasurably by the rapport between the lead sleuths.
Ghost Mother
In Asia, if you see a female specter with black hair hanging over her face and wearing a white sheet, then you would run like hell — if you don’t suffer cardiac arrest first. In the case of the 2007 Thai horror flick Ghost Mother, however, the ghost is a matronly young woman who channels her undead energies into bloody vengeance against the drug-dealing tormentors targeting her family. One central conceit borrows from The Sixth Sense. Sounds like a good ghost to have on your side.
The Best Romance
A young reporter accidentally stabs a young policeman at a South Korean night market with a wooden skewer; naturally the cop has a terrible fear of sharp implements and faints, while she milks the incident for all a journalist’s worth. What else but romance could follow (eventually)? The subplot includes drug-dealing baddies, but the main draw is the two stars, who came from almost nowhere and made a good impression with Korean audiences. This 2007 feature is also known as The Perfect Couple. Starts tomorrow at Ximending’s Baixue grindhouse.
Most heroes are remembered for the battles they fought. Taiwan’s Black Bat Squadron is remembered for flying into Chinese airspace 838 times between 1953 and 1967, and for the 148 men whose sacrifice bought the intelligence that kept Taiwan secure. Two-thirds of the squadron died carrying out missions most people wouldn’t learn about for another 40 years. The squadron lost 15 aircraft and 148 crew members over those 14 years, making it the deadliest unit in Taiwan’s military history by casualty rate. They flew at night, often at low altitudes, straight into some of the most heavily defended airspace in Asia.
Taiwan’s democracy is at risk. Be very alarmed. This is not a drill. The current constitutional crisis progressed slowly, then suddenly. Political tensions, partisan hostility and emotions are all running high right when cool heads and calm negotiation are most needed. Oxford defines brinkmanship as: “The art or practice of pursuing a dangerous policy to the limits of safety before stopping, especially in politics.” It says the term comes from a quote from a 1956 Cold War interview with then-American Secretary of State John Foster Dulles, when he said: ‘The ability to get to the verge without getting into the war is
Like much in the world today, theater has experienced major disruptions over the six years since COVID-19. The pandemic, the war in Ukraine and social media have created a new normal of geopolitical and information uncertainty, and the performing arts are not immune to these effects. “Ten years ago people wanted to come to the theater to engage with important issues, but now the Internet allows them to engage with those issues powerfully and immediately,” said Faith Tan, programming director of the Esplanade in Singapore, speaking last week in Japan. “One reaction to unpredictability has been a renewed emphasis on
Beijing’s ironic, abusive tantrums aimed at Japan since Japanese Prime Minister Sanae Takaichi publicly stated that a Taiwan contingency would be an existential crisis for Japan, have revealed for all the world to see that the People’s Republic of China (PRC) lusts after Okinawa. We all owe Takaichi a debt of thanks for getting the PRC to make that public. The PRC and its netizens, taking their cue from the Chinese Communist Party (CCP), are presenting Okinawa by mirroring the claims about Taiwan. Official PRC propaganda organs began to wax lyrical about Okinawa’s “unsettled status” beginning last month. A Global
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