They gave out Oscars during previous recessions. Heck, they even gave out Academy Awards during each year of the Great Depression.
But the way Madison Avenue is behaving toward the 81st annual Academy Awards, to be broadcast by ABC today [tomorrow Taiwan time], one could be excused for believing that the ceremony was actually for the Razzie Awards, which mock the worst Hollywood movies.
Several Oscar sponsors from last year — among them General Motors, L’Oreal and the Bertolli food line sold by Unilever — are forgoing the program.
Other brands like Philadelphia cream cheese, sold by Kraft Foods, and the Culver’s fast-food chain are running commercials in shows before the ceremony, some on networks like E! rather than ABC.
And many marketers that bought commercial time during the Oscars are behaving as if they had been placed in the witness protection program, declining to identify themselves or discuss their ad plans before the show.
That behavior is of course related to the economy, as consumers change their attitude toward conspicuous displays of spending. Something similar happened before Super Bowl XLIII on Feb. 1 as several sponsors of the NBC coverage toned down or eliminated the pregame publicity for their commercials.
Executives at ABC, part of Walt Disney Co, are taking a cue from the silent sponsors. In recent years, network officials talked to reporters before each show to discuss demand and rates for commercial time. This week, no one from ABC was available for such interviews.
Trade publications have reported that ABC was cutting prices as a result of reduced demand. The sluggishness was partly because of the economy and partly because of the record low ratings for the show last year.
It is estimated that ABC is charging about US$1.4 million to US$1.7 million for each 30 seconds of commercial time on Sunday, or as much as 20 percent less than last year. By comparison, the most recent rates were estimated at US$1.8 million for 2008 and US$1.7 million for 2007.
Still, do not expect to see many public service announcements during the show. The Academy Awards is still prized by many marketers for several reasons, including:
The show is one of the few so-called big TV events each year that viewers still prefer to watch live — commercials and all.
“It’s awards. It’s the red carpet; we’re absolutely happy we’re there,” said Carolyn Resar, vice president for marketing at TTI Floor Care North America in Glenwillow, Ohio, part of Techtronic Industries.
The company’s Hoover brand will make its first Oscar appearance with a spot by the Martin Agency in Richmond, Virginia, part of the Interpublic Group of Companies. The humorous spot promotes a line of six new products called the Hoover Platinum Collection.
As more of the prime-time TV schedule is turned over to reality series, which many advertisers disdain for their questionable or even sketchy content, the Academy Awards remains an appealing venue for blue-chip brands that want to be associated with programming they consider prestigious.
“It’s a great environment for us,” said Kevin McKeon, partner and executive creative director at the New York office of StrawberryFrog. The agency produced three commercials for the show for the True North line of nuts sold by the Frito-Lay division of PepsiCo.
“When people watch the Oscars, they’re watching the best films of the year, the best stories of the year, the most inspiring,” McKeon said. “It’s the right place for this brand to be.”
The True North commercials present everyday Americans who, according to Regan Ebert, a vice president and general manager at Frito-Lay North America in Plano, Texas, “have found their true north, their true passion, and inspire others.”
One spot will reveal the winner of an essay contest sponsored by True North, which Ebert said had drawn 2,300 entries. The spot was directed by the actress (and Oscar winner) Helen Hunt.
The show is an effective way to reach female consumers. It is often referred to as “the Super Bowl for women” because in many years, more women watch the Academy Awards than the Super Bowl.
“The audience is a good fit with our target,” said Caren Pasquale Seckler, group director for low-calorie colas at the Coca-Cola North America unit of the Coca-Cola Company in Atlanta, which will advertise the female-friendly brand Diet Coke with commercials from Wieden & Kennedy in Portland, Oregon.
One Diet Coke spot, featuring the supermodel Heidi Klum, promotes heart health for women. The other features Tom Colicchio of the reality series Top Chef. The spots bring back the slogan “Just for the taste of it,” which helped introduce Diet Coke in 1982.
In addition to the spots for Diet Coke, there will be three commercials for Coca-Cola, also by Wieden & Kennedy.
Hoover, too, is counting on the large female audience to respond to the Platinum Collection line, said Danny Robinson, senior vice president and creative director at Martin. “This is a big launch,” he added. “We needed to find a big venue.”
All six commercials that J.C. Penney Co intends to run during the Oscars will be for new clothing lines aimed at women.
The spots, by Saatchi & Saatchi in New York, part of the Publicis Groupe, promote labels that include Allen B., from Allen B. Schwartz; Fabulosity, from Kimora Lee Simmons; and Nicole, from Nicole Miller.
In a nod to the economy, the spots will play up the prices for the clothing lines, which Mike Boylson, chief marketing officer at Penney in Plano, described as affordable.
The Oscar show attracts more educated, affluent viewers than most television programs.
“It gets us to an audience we’ve been trying to get to for some time,” said Joel Ewanick, vice president for marketing at Hyundai Motor America in Fountain Valley, California, part of the Hyundai Motor Co.
To appeal to those viewers, one of the eight commercials for Hyundai Motor America — the sole automotive sponsor during the broadcast — will feature the cellist Yo-Yo Ma (馬友友). The spot promotes the 2010 Hyundai Genesis coupe.
Among the other Hyundai commercials is one, which runs 60 seconds, that is centered on Hyundai Motor’s operations in the US and, in another nod to the economy, discusses the company’s employment of tens of thousands of Americans.
The Hyundai commercials were created by Goodby, Silverstein & Partners in San Francisco, part of the Omnicom Group.
For the first time, movie studios are being allowed to run commercials during the Oscars after the Academy of Motion Picture Arts and Sciences changed its policy that banned such spots.
Among the studios buying commercials are Paramount, for The Soloist, and Touchstone, part of Disney, for The Proposal.
Also See: 標題
Dec. 16 to Dec. 22 Growing up in the 1930s, Huang Lin Yu-feng (黃林玉鳳) often used the “fragrance machine” at Ximen Market (西門市場) so that she could go shopping while smelling nice. The contraption, about the size of a photo booth, sprayed perfume for a coin or two and was one of the trendy bazaar’s cutting-edge features. Known today as the Red House (西門紅樓), the market also boasted the coldest fridges, and offered delivery service late into the night during peak summer hours. The most fashionable goods from Japan, Europe and the US were found here, and it buzzed with activity
During the Japanese colonial era, remote mountain villages were almost exclusively populated by indigenous residents. Deep in the mountains of Chiayi County, however, was a settlement of Hakka families who braved the harsh living conditions and relative isolation to eke out a living processing camphor. As the industry declined, the village’s homes and offices were abandoned one by one, leaving us with a glimpse of a lifestyle that no longer exists. Even today, it takes between four and six hours to walk in to Baisyue Village (白雪村), and the village is so far up in the Chiayi mountains that it’s actually
These days, CJ Chen (陳崇仁) can be found driving a taxi in and around Hualien. As a way to earn a living, it’s not his first choice. He’d rather be taking tourists to the region’s attractions, but after a 7.4-magnitude earthquake struck the region on April 3, demand for driver-guides collapsed. In the eight months since the quake, the number of overseas tourists visiting Hualien has declined by “at least 90 percent, because most of them come for Taroko Gorge, not for the east coast or the East Longitudinal Valley,” he says. Chen estimates the drop in domestic sightseers after the
It’s a discombobulating experience, after a Lord of the Rings trilogy that was built, down to every frame and hobbit hair, for the big screen, to see something so comparatively minor, small-scaled and TV-sized as The Lord of the Rings: The War of the Rohirrim. The film, set 183 years before the events of The Hobbit, is a return to Middle-earth that, despite some very earnest storytelling, never supplies much of an answer as to why, exactly, it exists. Rohirrim, which sounds a little like the sound an orc might make sneezing, is perhaps best understood as a placeholder for further cinematic
RSS