meets the Carry On gang gives some idea as to the character of this rough diamond of a Chilean flick that was first released in 2003 and which has found its way circuitously through several minor film festivals to Taiwan.
Lovely young schoolteacher Luisa is eager to introduce sex education into her classes of youngsters and so brings parents together to discuss this project. It turns out that the adults are in need of sex education as much as the children. The couples who meet in the class discussion group all have their own romantic and sexual problems, not least Luisa herself, who is two-timing her artist boyfriend with the much older Jorge, a prominent sexologist and the father of one of her students.
The set up is obviously absurd from the get go, but the rumbustious and raunchy delight that director Boris Quercia dives into the project carries the audience along. And quite apart from the sex, and there is a lot of it, Sex With Love (Sexo con Amor) has heart. On the fringes of the sexual comedy are the children (Luisa’s students), who stand as a constant reminder of what may happen when adult lust gets out of hand.
Quercia doesn’t try to make any big points, but is happy to explore sex as something that can be both wonderful, especially when mixed with a modicum of love, or hilarious, when lust appears as a ridiculous bug-eyed and salivating monster. There is a refreshing frankness in dealing both with the beauty and ugliness of the human body, as Querica allows his camera to linger lovingly (and lustfully) over buttocks, crotches and cleavages of an absolutely gorgeous cast of women, but never airbrushes away the imperfections, from moles, to body hair, to pubic crabs.
Both men and woman are observed with a cool eye for comedy, and the director puts himself right in the firing line playing Emilio, a grumpy butcher whose frantic lovemaking has all but made his wife frigid. A scene involving a spin-dryer was one of many that had the audience at the press screening almost falling out of their seats with laughter.
Although the cinematography is a little rough and ready and the narrative almost falls apart under the strain of so many couples have so much sex in so many different ways, Sexo With Love has more than its share of laugh-out-loud moments, and it is this raucous comedy, though neither subtle or even particularly original, but full of joy, that drives the film forward.
A brilliant soundtrack, a strangely evocative coupling of disco and grunge by the Alvaro Henriquez-fronted Chilean rock band Pettinellis, works particularly well and is an additional pleasure.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern
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