Indie bands seem to pop up like weeds nowadays, but at least some of their predecessors are still keeping it real. Tizzy Bac and Wonfu (旺福), two long-established and beloved groups in the non-mainstream rock scene, perform in Taipei tonight.
The bands, which are both signed to Wonder Music (彎的音樂), have managed to enjoy a measure of success without getting lured into the Mando-pop manufacture trap.
Tizzy Bac, whose show at The Wall (這牆) tonight is already sold out, first made a splash in 1999 at Spring Scream. The group, a trio of a keyboardist, bassist, and drummer, stood out among a sea of bands for its guitar-less pop rock. Since then, they’ve won the battle of the bands at the Ho-Hai-Yan Rock Festival (海洋音樂祭) in 2002, opened for the Beastie Boys at a Tibetan Freedom Concert in 2003 and played Fuji Rock Festival in 2005.
Tonight Tizzy Bac presents debut performances of songs from its upcoming album due next month, tentatively titled If I See Hell, I Won’t Fear the Devil (如果看見地獄,我就不怕魔鬼). The new album marks a new direction both sound-wise and lyrically, according to lead vocalist and pianist Chen Hui-ting (陳惠婷). She says the band has been experimenting with unusual instruments like the musical saw, while her lyrics have shifted in focus from beyond “oneself” to “other peoples’” stories and how they observe the world.”
Missed out on advance tickets for Tizzy Bac’s show? The group plays again at the Wall on Jan. 18. Meanwhile, cheer yourself up by catching comedy rockers Wonfu’s show at Witch House (女巫店). The band, also veterans from the early days of Spring Scream, plays everything from surf rock and punk to disco and mando-pop ballads — and plays it all well while making audiences laugh with their silly but infectious humor. They remain a favorite on the college circuit and were nominated for best band at last year’s Golden Melody Awards.
Wonfu’s set tonight is “unplugged” in keeping with the intimate vibe at Witch House. But expect the unexpected from this four-piece, who are known to dress in wacky costumes that have ranged from Japanese kimonos to retro-disco outfits, and whose onstage banter is often as entertaining as the songs. The group, which is planning to release a new album later this year, has billed tonight’s show as Simple Live, perhaps a tongue-in-cheek reference to last month’s popular Urban Simple Life (簡單生活節) festival.
Nov. 11 to Nov. 17 People may call Taipei a “living hell for pedestrians,” but back in the 1960s and 1970s, citizens were even discouraged from crossing major roads on foot. And there weren’t crosswalks or pedestrian signals at busy intersections. A 1978 editorial in the China Times (中國時報) reflected the government’s car-centric attitude: “Pedestrians too often risk their lives to compete with vehicles over road use instead of using an overpass. If they get hit by a car, who can they blame?” Taipei’s car traffic was growing exponentially during the 1960s, and along with it the frequency of accidents. The policy
While Americans face the upcoming second Donald Trump presidency with bright optimism/existential dread in Taiwan there are also varying opinions on what the impact will be here. Regardless of what one thinks of Trump personally and his first administration, US-Taiwan relations blossomed. Relative to the previous Obama administration, arms sales rocketed from US$14 billion during Obama’s eight years to US$18 billion in four years under Trump. High-profile visits by administration officials, bipartisan Congressional delegations, more and higher-level government-to-government direct contacts were all increased under Trump, setting the stage and example for the Biden administration to follow. However, Trump administration secretary
In mid-1949 George Kennan, the famed geopolitical thinker and analyst, wrote a memorandum on US policy towards Taiwan and Penghu, then known as, respectively, Formosa and the Pescadores. In it he argued that Formosa and Pescadores would be lost to the Chine communists in a few years, or even months, because of the deteriorating situation on the islands, defeating the US goal of keeping them out of Communist Chinese hands. Kennan contended that “the only reasonably sure chance of denying Formosa and the Pescadores to the Communists” would be to remove the current Chinese administration, establish a neutral administration and
A “meta” detective series in which a struggling Asian waiter becomes the unlikely hero of a police procedural-style criminal conspiracy, Interior Chinatown satirizes Hollywood’s stereotypical treatment of minorities — while also nodding to the progress the industry has belatedly made. The new show, out on Disney-owned Hulu next Tuesday, is based on the critically adored novel by US author Charles Yu (游朝凱), who is of Taiwanese descent. Yu’s 2020 bestseller delivered a humorous takedown of racism in US society through the adventures of Willis Wu, a Hollywood extra reduced to playing roles like “Background Oriental Male” but who dreams of one day