A feature debut by director Cheng Hsiao-tse (程孝澤), Miao Miao (渺渺) is the latest addition to the adolescent romance genre that has become a staple of contemporary Taiwanese cinema. What sets it apart from the pack is its big-name production team — Jet Tone Films (澤東電影), founded by Wong Kar-wai (王家衛), producers Stanley Kwan (關錦鵬) and Jacky Pang (彭綺華), editor William Chang Suk-ping (張叔平) and cinematographer Kwan Pun-leung (關本良).
The payoff of working with the heavyweights is a piece of well-executed, technically polished pop art that should prove popular with the youth market.
Ai (Sandrine Pinna), a sassy high school girl, meets Miao Miao (Ke Jia-ya, 柯佳嬿), the new exchange student from Japan, and is immediately attracted to the quiet, gentle newcomer. The two become best friends, palling around after school, sharing each other’s secrets and baking cakes together. Life is sweet, for a little while.
It doesn’t take long for Miao Miao to find first love in the form of sullen record store owner Chen Fei (Fan Chih-wei, 范植偉), who shuts out the world with a pair of headphones. Miao Miao enlists Ai’s help in stealing into the taciturn man’s life and winning his affections. Jealous and frustrated, Ai finds her feelings for her best pal go beyond friendship.
Miao Miao tells a solid story about friendship and first love. The well-cast Ke and Eurasian actress Pinna are keys to the film’s authenticity, as the rapport between them feels real and heart-felt. Pinna particularly stands out with her seemingly effortless performance. The sole male lead, Fan, however, struggles with a role that requires nothing more than a sulky face.
On the technical side, Chang’s smooth editing means the narrative structure is sound and clean-cut. The tasteful cinematography by Kwan Pun-leung (2046 and The Postmodern Life of My Aunt, 姨媽的後現代生活) lends a glossy look with an atmospheric palette of greens, purples, oranges and yellows. The urban landscapes of Taipei appeal lyrically, are saturated and rich in detail and stand in pleasing contrast to the clear and transparent hues of suburban life.
The script, however, doesn’t live up to the big names behind the film. Plot cliches are cloyingly overused and narrative devices intended to develop the characters sometimes feel manufactured and forced. And the film’s occasional tone of literary pomposity eats away at the realism generated by the “slices-of-life” acting and dialogue.
In other words, when the leads start citing Jack Kerouac’s On the Road and The Little Prince, the goose bumps the audience gets aren’t the kind the scriptwriters intended.
A jumbo operation is moving 20 elephants across the breadth of India to the mammoth private zoo set up by the son of Asia’s richest man, adjoining a sprawling oil refinery. The elephants have been “freed from the exploitative logging industry,” according to the Vantara Animal Rescue Centre, run by Anant Ambani, son of the billionaire head of Reliance Industries Mukesh Ambani, a close ally of Prime Minister Narendra Modi. The sheer scale of the self-declared “world’s biggest wild animal rescue center” has raised eyebrows — including more than 50 bears, 160 tigers, 200 lions, 250 leopards and 900 crocodiles, according to
They were four years old, 15 or only seven months when they were sent to Auschwitz-Birkenau, Bergen-Belsen, Buchenwald and Ravensbruck. Some were born there. Somehow they survived, began their lives again and had children, grandchildren and even great grandchildren themselves. Now in the evening of their lives, some 40 survivors of the Nazi camps tell their story as the world marks the 80th anniversary of the liberation of Auschwitz-Birkenau, the most notorious of the death camps. In 15 countries, from Israel to Poland, Russia to Argentina, Canada to South Africa, they spoke of victory over absolute evil. Some spoke publicly for the first
Due to the Lunar New Year holiday, from Sunday, Jan. 26, through Sunday, Feb. 2, there will be no Features pages. The paper returns to its usual format on Monday, Feb. 3, when Features will also be resumed. Kung Hsi Fa Tsai!
When 17-year-old Lin Shih (林石) crossed the Taiwan Strait in 1746 with a group of settlers, he could hardly have known the magnitude of wealth and influence his family would later amass on the island, or that one day tourists would be walking through the home of his descendants in central Taiwan. He might also have been surprised to see the family home located in Wufeng District (霧峰) of Taichung, as Lin initially settled further north in what is now Dali District (大里). However, after the Qing executed him for his alleged participation in the Lin Shuang-Wen Rebellion (林爽文事件), his grandsons were
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