The Sparkle in the Dark (黑道之無悔今生)
Set in Taiwan but largely a Hong Kong production, The Sparkle in the Dark tells the story of an orphan whose tragic and grisly loss and inability to adapt to subsequent home life leave him marooned in a world of hatred and drug abuse. Eventually he gets involved with gang members, among whom he finds support, animosity, romance and — judging by the trailer — no shortage of machete violence. Most of the songsters starring in this effort hail from Hong Kong, which isn’t likely to lend the movie any verisimilitude. That’s possibly the reason why this downbeat flick is being released in only one theater in Taipei (Vieshow Xinyi).
Eagle Eye
The big-budget release for this week is a chase film in which the pursued (Shia LeBeouf and Michelle Monaghan) are caught up in a plot involving government security forces, terrorism, a renegade supercomputer with a female voice and an FBI interrogator (Billy Bob Thornton). Eagle Eye has Steven Spielberg as executive producer, but that doesn’t necessarily lend it the trenchant worldview that marks his later films, such as Minority Report and A.I. Artificial Intelligence. Expect big explosions, crashing trucks and disposable paranoia instead. Also screening in IMAX format.
Igor
Produced by a French animation company, this US coproduction is a film for kids that explores the world of the title character who, like his fellow Igors, works for mad and bad scientists. Our Igor (John Cusack), however, makes the leap to mad scientist himself, creating new creatures for sinister ends — but with results that don’t quite live up to expectations. As usual for bigger budget animated features, Igor has a noteworthy cast of voice talent (Christian Slater, John Cleese, Steve Buscemi, Jay Leno, Arsenio Hall), but this time around the script and animation have resulted in a “mirthless,” “underimagined” and “strenuously unfunny” movie, according to Variety.
Fear Factors (恐懼元素)
Two short thrillers combine for this feature-length outing from Hong Kong — which the Hong Kong Movie DataBase’s review claims was shot on the cheap in unfinished Chinese office blocks. In the first yarn, a dying man and his female abductor are confined in a room as flashbacks paint a more complicated picture. The second has a meat vendor come upon an inheritance in the form of a factory — if he can survive an encounter with a knife-wielding lady wearing the obligatory white sheet. Perhaps released in Taiwan to take a bite out of 4bia’s slice of the box office pie, this undistinguished pairing might even struggle to make money on DVD, let alone in its limited theatrical release.
Three Monkeys
A real downer awaits audiences with this Turkish entry. A fatal accident prompts a politician to convince his driver to take the rap, but the reward he promises once the latter leaves jail doesn’t save anyone involved from deteriorating relationships with spouses, children and lovers. The title seems to refer to the act of shunning responsibility, and the moral of the tale leaves no way out, while some suggest that the scenario is a metaphor for Turkey as a whole. For this film, Nuri Bilge Caylan won the Best Director award at this year’s Cannes film festival.
Vow of Death
A couple of months ago the Thai film The Coffin taught us that lying in coffins when you’re not dead is an overrated tradition that can shorten one’s lifespan. In Vow of Death, also from Thailand, a bunch of teenagers clearly suffering from excessive parental expectations discover that a supernatural tree, which they hoped would help them with exams, has been ripped from the ground and wants them dead. More than a year-and-a-half since its home release, this one is entering theaters here with virtually no fanfare.
April 14 to April 20 In March 1947, Sising Katadrepan urged the government to drop the “high mountain people” (高山族) designation for Indigenous Taiwanese and refer to them as “Taiwan people” (台灣族). He considered the term derogatory, arguing that it made them sound like animals. The Taiwan Provincial Government agreed to stop using the term, stating that Indigenous Taiwanese suffered all sorts of discrimination and oppression under the Japanese and were forced to live in the mountains as outsiders to society. Now, under the new regime, they would be seen as equals, thus they should be henceforth
Last week, the the National Immigration Agency (NIA) told the legislature that more than 10,000 naturalized Taiwanese citizens from the People’s Republic of China (PRC) risked having their citizenship revoked if they failed to provide proof that they had renounced their Chinese household registration within the next three months. Renunciation is required under the Act Governing Relations Between the People of the Taiwan Area and the Mainland Area (臺灣地區與大陸地區人民關係條例), as amended in 2004, though it was only a legal requirement after 2000. Prior to that, it had been only an administrative requirement since the Nationality Act (國籍法) was established in
With over 80 works on display, this is Louise Bourgeois’ first solo show in Taiwan. Visitors are invited to traverse her world of love and hate, vengeance and acceptance, trauma and reconciliation. Dominating the entrance, the nine-foot-tall Crouching Spider (2003) greets visitors. The creature looms behind the glass facade, symbolic protector and gatekeeper to the intimate journey ahead. Bourgeois, best known for her giant spider sculptures, is one of the most influential artist of the twentieth century. Blending vulnerability and defiance through themes of sexuality, trauma and identity, her work reshaped the landscape of contemporary art with fearless honesty. “People are influenced by
The remains of this Japanese-era trail designed to protect the camphor industry make for a scenic day-hike, a fascinating overnight hike or a challenging multi-day adventure Maolin District (茂林) in Kaohsiung is well known for beautiful roadside scenery, waterfalls, the annual butterfly migration and indigenous culture. A lesser known but worthwhile destination here lies along the very top of the valley: the Liugui Security Path (六龜警備道). This relic of the Japanese era once isolated the Maolin valley from the outside world but now serves to draw tourists in. The path originally ran for about 50km, but not all of this trail is still easily walkable. The nicest section for a simple day hike is the heavily trafficked southern section above Maolin and Wanshan (萬山) villages. Remains of
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