For the past two centuries, Yingge has been known as the ceramics center of Taiwan. The town’s cobblestone-lined Yingge Old Street (鶯歌陶瓷老街), Japanese colonial-era architecture and world-class ceramics museum are all especially picturesque in the autumn sunshine.
According to local tradition, the seeds of Yingge’s flagship industry were planted when a potter from Guangzhou Province, Wu An
(吳鞍), settled in the area 200 years ago. The abundant forests and ample coal deposits around Yingge provided plenty of fuel for kilns and the city is still known for the manufacture of plumbing fixtures and cable insulators, as well as the abundance of ceramic dishware, fine-art pieces and kitsch available for tourists to purchase.
It takes about 30 minutes to arrive by train from Taipei Main Station, and most attractions are located within a 10-minute walk of Yingge’s train station on Wunhua Road (文化路), including Yingge Old Street, the heart of the town’s tourist district. As you walk westwards down Wunhua Road (sidewalks are in distressingly short supply, even among the busiest of Yingge’s streets, so stay alert, especially at corners), look to your left for the elaborate facades of several brick buildings constructed during Japanese colonial rule. The slightly derelict condition of the old Wang Yang (汪洋居) and Cheng Fa (成發居) residences only add to their ghostly charm.
To get to Yingge Old Street, continue down Wunhua Road until it splits off into Guocing Street (國慶街). Keeping an eye out for vehicles, cross the street and make a right on the footpath under the railway overpass. Hang a left on Jianshanbu Road (尖山埔路, Yingge Old Street’s official name), and follow the cluster of tourists up the hill.
Yingge Old Street is lined with more than 80 shops selling ceramic objects at a wide variety of price points. Teacups can be had for as little as NT$20, but Peter Wang (王淳興), an art supply store and studio owner who has worked in Yingge’s ceramic industry for 30 years, cautions that many of the goods are cheap imports from China.
“Tourists come to Yingge and sometimes they don’t have a positive impression about the quality of the items here. They come just expecting to find cheap bargains,” says Wang. He advises quality-minded shoppers to bypass stores stuffed with a mishmash of knickknacks and dishware and instead look for places that specialize in a particular type or style of ceramics. One such store that we saw as we strolled under the palms shading Yingge Old Street is Tai-Hwa Pottery (臺華窯) at 27 Jianshanbu Rd (尖山埔路27號), tel: (02) 8678-1600. The elegant, modern gallery exclusively carries ceramic pieces by Taiwanese artists.
No trip to Yingge is complete without a visit to the exceedingly photogenic Yingge Ceramics Museum (臺北縣立鶯歌陶瓷博物館) at 200 Wunhua Rd (文化路200號), tel: (02) 8677-2727, a marvel of modern architecture that has done the city proud since it opened in 2000. Admission is NT$100 for adults or NT$70 for students. Start with an informative and surprisingly entertaining exhibit on the history of ceramics in Yingge, and then head upstairs to see the four galleries of the Taiwan Ceramics Biennale, which runs through Dec. 7 and features 114 pieces from artists around the world. The artistic and technical mastery in the sculpture, which range from literal interpretations of the human form to abstract installations, will please ceramic connoisseurs and serves as an eye-opening introduction to the versatility of pottery as a fine art medium for neophytes.
The expansive park behind Yingge Ceramics Museum is also home to one of the most impressive (and effective) ploys to get children into a fine arts museum that I have ever seen: a giant, multi-level wading pool complete with gumball-like spherical sculptures and sprinklers, through which several very giddy kids were running during our recent visit.
While ceramic dinnerware is obviously in no short supply at Yingge, the city’s food scene is somewhat less bountiful. For lunch, we headed to the jam-packed Grandma’s Sushi (阿婆壽司) at 63 Jhongjheng 1st Rd (中正一路,63號), tel: (02) 2670-9345. The upstairs dining room was crowded with about 60 diners on a Sunday afternoon, while families posed for photos underneath the restaurant’s sign outside.
We picked up a mixed sushi plate (綜合壽司, NT$50) and a large serving of garlic-flavored cold noodles (蒜味涼麵, NT$35 or NT$50 depending on size). Despite the evident popularity of Grandma’s Sushi, we were underwhelmed by the sushi. Seafood is relatively sparse and ingredients consisted mostly of items like rou song (肉鬆, dried shredded pork), pickled vegetables and egg, which would have tasted fine had the rolls been made to order. Instead, all sushi is pre-made and packed into plastic containers. The cold noodles, which come with half of a preserved salty duck egg, were better.
If you get peckish on the way to the Ceramics Museum, stop by Yilanshi Bao Cun (宜蘭土包仔) at 128 Wunhua Rd (文化路128號), tel: (02) 8677-6498. A long line of people snaked out the front of the modest storefront, waiting patiently for fragrant buns and mantou stuffed with meat, veggies, red beans or sweet sesame paste. For dinner, we had beef noodles and three-cup chicken (三杯雞) at Taozhilu (陶之綠), which sits on the end of Yingge Old Street at 125 Jianshanbu Rd (尖山埔路125號), tel: (02) 8677-6498. Prices were a tad high — we paid a total of NT$200 for two meals with small cups of iced tea and a bowl of broth with a single, lonely meatball — but portions were hearty and palatable.
If a day spent looking at the work of master ceramic artisans leaves you feeling inspired, consider making a trip to Wang’s store, EZ Paint (輕鬆畫), at 207 Wunhua Rd (文化路207號), tel: (02) 2679-0486, near the train station. Wang originally ran a ceramics factory, but turned his business into a do-it-yourself studio and ceramics supply shop eight years ago. You can pick from a selection of 400 blank, unglazed ceramic pieces and paint them at home or at the studio. When your masterpiece is done, EZ Paint will coat your artwork in a chip-proof, non-toxic glaze and fire the piece for you, a process that takes about a week (the finished ceramic can be delivered to you).
Blank ceramics range in price from NT$35 for a simple teacup to NT$10,000 for a large, heavy vase attached to a rotating base. An additional, reasonable fee is charged for finishing. If you want to work on your piece at EZ Paint, NT$100 will buy you a full day at the shop’s comfortable cafe, with paints and brushes supplied.
The peaceful ambiance of the store is what attracted regular Stephanie Lai (賴秋吟) to it, and perhaps points to why Yingge continues to attract serious artists even as certain parts of it turn into tourist traps. Lai, who lives in nearby Sanxia and has been patronizing EZ Paint for two years, says that painting ceramics is a stress relief from her busy job as a corporate headhunter. On the day we visited, she was working on several pieces, including two mugs in a beautiful ombre rainbow pattern.
“Working on ceramics is very soothing and relaxing. I come away with a feeling of accomplishment,” says Lai.
April 14 to April 20 In March 1947, Sising Katadrepan urged the government to drop the “high mountain people” (高山族) designation for Indigenous Taiwanese and refer to them as “Taiwan people” (台灣族). He considered the term derogatory, arguing that it made them sound like animals. The Taiwan Provincial Government agreed to stop using the term, stating that Indigenous Taiwanese suffered all sorts of discrimination and oppression under the Japanese and were forced to live in the mountains as outsiders to society. Now, under the new regime, they would be seen as equals, thus they should be henceforth
Last week, the the National Immigration Agency (NIA) told the legislature that more than 10,000 naturalized Taiwanese citizens from the People’s Republic of China (PRC) risked having their citizenship revoked if they failed to provide proof that they had renounced their Chinese household registration within the next three months. Renunciation is required under the Act Governing Relations Between the People of the Taiwan Area and the Mainland Area (臺灣地區與大陸地區人民關係條例), as amended in 2004, though it was only a legal requirement after 2000. Prior to that, it had been only an administrative requirement since the Nationality Act (國籍法) was established in
With over 80 works on display, this is Louise Bourgeois’ first solo show in Taiwan. Visitors are invited to traverse her world of love and hate, vengeance and acceptance, trauma and reconciliation. Dominating the entrance, the nine-foot-tall Crouching Spider (2003) greets visitors. The creature looms behind the glass facade, symbolic protector and gatekeeper to the intimate journey ahead. Bourgeois, best known for her giant spider sculptures, is one of the most influential artist of the twentieth century. Blending vulnerability and defiance through themes of sexuality, trauma and identity, her work reshaped the landscape of contemporary art with fearless honesty. “People are influenced by
The remains of this Japanese-era trail designed to protect the camphor industry make for a scenic day-hike, a fascinating overnight hike or a challenging multi-day adventure Maolin District (茂林) in Kaohsiung is well known for beautiful roadside scenery, waterfalls, the annual butterfly migration and indigenous culture. A lesser known but worthwhile destination here lies along the very top of the valley: the Liugui Security Path (六龜警備道). This relic of the Japanese era once isolated the Maolin valley from the outside world but now serves to draw tourists in. The path originally ran for about 50km, but not all of this trail is still easily walkable. The nicest section for a simple day hike is the heavily trafficked southern section above Maolin and Wanshan (萬山) villages. Remains of
RSS