A man tests a set of radio frequency-triggered, color-changing light bulbs. A woman adjusts a small clock that looks like three electric sockets. Another man puts the finishing touches on a roach trap made from traditional paper cutting techniques to resemble the miniature houses used in ceremonies to comfort the spirits of the dead. These three were among several dozen designers putting the finishing touches on their displays for the second annual Taiwan Designers’ Week (台灣設計師週), which opened last Saturday and runs through Friday.
This year’s main exhibition is divided into eight sections at the Xinyi Public Assembly Hall (信義公民會館). There are also one exhibition section each at Taipei Artist Village (台北國際藝術村) and at the XueXue Institute (學學文創志業) in Neihu.
The all-volunteer event was initiated last year by Taiwan Designers’ Web (台灣設計師連線, TWDW), a network of designers from across the country, many of whom work as industrial designers making products for large business and feel their creativity is stifled at work.
PHOTO COURTESY OF TAIWAN DESIGNERS’ WEB
With more than 250 participating groups and individual designers and 10 exhibition sections this year, compared to 100 entrants and seven sections last year, Taiwan Designers’ Week is clearly expanding. Last year’s fair only featured works by industrial and lifestyle product designers, but this year’s includes fashion and jewelry designers and film directors, as well as visual and graphic designers. Each of the 10 sections is curated by a loosely organized group and organized around concepts such as “On and Off,” “The Wall,” and “The Scholar’s Study.”
“Some [of this year’s] designs cost NT$100,000 or NT$300,000 [to make],” said Joyce Chou (周湘雲) the event’s executive director and a design researcher for Pega Design & Engineering. Many designers keep their participation a secret from their employers, she noted. Some took time off from work to prepare; others have bosses who would rather not see their employees’ energies divided between work and side projects.
One of last year’s products, a collection of benches created under the aegis of the design collective Dian Shin Refreshment (點心設計), received an iF product design award and has since been featured at the prestigious International Furniture Fair of Milan.
PHOTO COURTESY OF TAIWAN DESIGNERS’ WEB
This year, Dian Shin Refreshment (點心設計) has invited 50 designers to make stationary inspired by the aesthetics of China’s Song and Qing dynasties. The results include a pen holder-cum-sundial that also tells your fortune for the day, and a bookshelf that looks like a window frame from a pre-modern wooden house.
The On and Off concept was conceived of as an attempt to get participating designers thinking out of the box, as it were.
“We try to answer the question of whether or not we can escape from binary logic and create designs that are more in tune with the nuanced changes in human emotions and senses,” explained Harry Wu (吳佳勳), the On and Off section’s curator and a designer for Pega Design and Engineering.
PHOTO COURTESY OF TAIWAN DESIGNERS’ WEB
Items in this section include Tech Tap, a faucet-shaped device that pours light instead of water into two “cups” and emits music that sounds like trickling water. The glasses are rigged with LED lights and “receive” the music and light as if they were tangible materials. Another interesting invention is a keyboard bearing the unintelligible characters of a “Martian language” (火星文). Visitors can type messages that are displayed on a monitor and can be printed out as a sticker.
The Wall section — the underlying concept of which was to get designers into the habit of thinking not in terms of discrete designs but relationships with space and the environment — includes a project titled Hang Up, which is a phone that only hangs up when it’s hung on a wall, and a selection of stickers that transform ugly cracks on a wall into works of art.
For exhibit curator Alan Huang (黃偉倫), Taiwan Designers’ Week offers a much-needed chance for local designers to develop their own individual identities.
PHOTO COURTESY OF TAIWAN DESIGNERS’ WEB
“The world of design needs stars — stars with strong personal viewpoints,” said Huang, adding that the design industry in Taiwan is still immature but will hopefully explode onto the international stage in the near future.
From July 7 to July 9, guided tours will be available for the eight sections at the Xinyi Public Assembly Hall. These include Xrange (十 一事務所), Asus and Opening United (打開聯合).
For those who want to take one of the designs home, several popular items from last year’s exhibition are available for purchases at 7-Eleven stores. For more information, go to the event’s bilingual site at www.designersweek.tw.
PHOTO COURTESY OF TAIWAN DESIGNERS’ WEB
PHOTO COURTESY OF TAIWAN DESIGNERS’ WEB
PHOTO COURTESY OF TAIWAN DESIGNERS’ WEB
On Sept. 1, President William Lai (賴清德) said “If it is for the sake of territorial integrity, why doesn’t [China] take back the lands occupied by Russia that were signed over in the treaty of Aigun? Russia is now at its weakest, right?” “You can ask Russia [for the land back] but you don’t. So it’s obvious they don’t want to invade Taiwan for territorial reasons,” he added. Lai was referencing an 1858 treaty under which, along with an 1860 convention, Russia annexed about one million square kilometers of Manchurian Qing territory in Outer Manchuria, including Haishengwei — today known as
This month Taiwan received a brutal Christmas present as the Chinese Nationalist Party (KMT) passed all three of its desired amendments, making recalls of elected officials more difficult, gutting the Constitutional Court and altering the budgetary allocations to local governments. The nation at present has no ultimate authority to determine the constitutionality of government actions, and the local governments, largely controlled by the KMT, have much greater funding. We are staring into an abyss of chaos. The amendments to the Act Governing the Allocation of Government Revenues and Expenditures (財政收支劃分法), if they become law (as of this writing President William Lai
Dec. 30 to Jan. 5 Premiering on Jan. 4, 1956, Xue Pinggui and Wang Baochuan (薛平貴與王寶釧) unexpectedly packed theaters for the next 27 days. Taiwan’s first 35mm Hoklo-language (commonly known as Taiwanese) movie beat out the top Hollywood blockbuster, Land of the Pharaohs, and the Mandarin-language Peach Blossom River (桃花江) in box office sales, kicking off a craze that lasted until around 1970. More than 800 Hoklo-language films were made despite government attempts to promote Mandarin. The Chinese Nationalist Party (KMT) owned the nation’s three major production houses, mostly creating Mandarin films filled with anti-communist messages and patriotic propaganda. But most
Charges have formally been brought in Taiwan People’s Party (TPP) Chairman Ko Wen-je’s (柯文哲) bribery, corruption and embezzling of campaign funds cases. Ko was briefly released on bail by the Taipei District Court on Friday, but the High Court on Sunday reversed the decision. Then, the Taipei District Court on the same day granted him bail again. The ball is in dueling courts. While preparing for a “year ahead” column and reviewing a Formosa poll from last month, it’s clear that the TPP’s demographics are shifting, and there are some indications of where support for the party is heading. YOUNG, MALE
RSS