| Compiled by Martin Williams | |
 | Chaotic Ana
Director Julio Medem, best known for his 2001 hit Sex and Lucia, creates another story that lives up to its title. Cave-raised Ana (Manuela Velles) is a young artist who accepts an offer to move to Madrid and join a commune. She then suffers mental problems after being attracted to a young painter, and is diagnosed by a hypnotist as channeling the oppression of women through the ages - which she then relives, climaxing in a messy scene that will enrage US neo-cons. Stylish, confusing and deeply personal, of all the films bravely opening against Indiana Jones this week, this is the one that screams "anti-Hollywood." |
 | Kids
The concept for this Japanese film is quite grim, even if the treatment is more upbeat. A strange youth has the power to transport injuries between bodies, including his own. He makes friends with another boy, a victim of domestic abuse, and the pair set about healing their friends and acquaintances by moving their wounds to the latter's despised father, now hospitalized. A sequel of sorts to last year's Calling You, this is based on the book by Otsu-ichi, which is part of a series exploring friendship. |
 | Art of the Devil 3
Drill-to-the-head torture and tongue-cutting on the big screen amid voodoo babble? Ah, it must be the Art of the Devil franchise from Thailand, ready to disgust all over again. Napakpapha Nakprasitte returns in this hit prequel as the schoolteacher from hell who wreaks bodily disaster on anyone standing in her way, with a little help from black magic of the grisliest kind. Unfortunately, her lust for vengeance seems to have extended to the film's official Web site, which is offline. Original Thai title: Long Khong 2. |
 | Gone for a Dance
In this Belgian film, a college professor relates the story of three men who devote themselves to their passion for dance at a cost to their personal lives. Humorous, romantic and filled with dance sequences, this French-language film has yet to make it to English-language markets. Stars Cecile de France (Haute Tension, Around the World in 80 Days) and veteran actor Jean-Pierre Cassel. |
 | Raging Inferno
This is trumpeted in local ads as a film released in the US and Germany by Warner Bros. But don't let the grindhouse-distributor hype or the extra theater bookings in Taipei and Taichung fool you; it's actually a German TV movie called Inferno: Das Flammen uber Berlin dressed up for theatrical release. Set in a modern-looking tower that is engulfed by flames, it stars Silke Bodenbender, which can't be a bad thing. Starts tomorrow. |
Nov. 11 to Nov. 17 People may call Taipei a “living hell for pedestrians,” but back in the 1960s and 1970s, citizens were even discouraged from crossing major roads on foot. And there weren’t crosswalks or pedestrian signals at busy intersections. A 1978 editorial in the China Times (中國時報) reflected the government’s car-centric attitude: “Pedestrians too often risk their lives to compete with vehicles over road use instead of using an overpass. If they get hit by a car, who can they blame?” Taipei’s car traffic was growing exponentially during the 1960s, and along with it the frequency of accidents. The policy
Hourglass-shaped sex toys casually glide along a conveyor belt through an airy new store in Tokyo, the latest attempt by Japanese manufacturer Tenga to sell adult products without the shame that is often attached. At first glance it’s not even obvious that the sleek, colorful products on display are Japan’s favorite sex toys for men, but the store has drawn a stream of couples and tourists since opening this year. “Its openness surprised me,” said customer Masafumi Kawasaki, 45, “and made me a bit embarrassed that I’d had a ‘naughty’ image” of the company. I might have thought this was some kind
What first caught my eye when I entered the 921 Earthquake Museum was a yellow band running at an angle across the floor toward a pile of exposed soil. This marks the line where, in the early morning hours of Sept. 21, 1999, a massive magnitude 7.3 earthquake raised the earth over two meters along one side of the Chelungpu Fault (車籠埔斷層). The museum’s first gallery, named after this fault, takes visitors on a journey along its length, from the spot right in front of them, where the uplift is visible in the exposed soil, all the way to the farthest
The room glows vibrant pink, the floor flooded with hundreds of tiny pink marbles. As I approach the two chairs and a plush baroque sofa of matching fuchsia, what at first appears to be a scene of domestic bliss reveals itself to be anything but as gnarled metal nails and sharp spikes protrude from the cushions. An eerie cutout of a woman recoils into the armrest. This mixed-media installation captures generations of female anguish in Yun Suknam’s native South Korea, reflecting her observations and lived experience of the subjugated and serviceable housewife. The marbles are the mother’s sweat and tears,
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