Omar Faruk Tekbilek fits the romantic vision of a musician one might encounter on the Silk Road.
The Turkish-born multi-instrumentalist has performed on six continents, worked with many accomplished musicians, and seeks to promote peace through music. Then there is his spiritual journey: at a young age he studied to be an imam in a mosque, later immersed himself in Sufi mysticism, and now practices yoga, tai chi and qigong.
Tonight audiences in Taipei have the chance to imagine a musical encounter on the Silk Road — the theme of this year’s Taipei Traditional Arts Festival (2008台北市傳統藝術季), as Tekbilek appears with the Taipei Chinese Orchestra (台北市立國樂團).
PHOTO COURTESY OF TREE MUSIC
Tekbilek’s sound derives from a blend of classical Turkish, Arabic and Greek influences found in his hometown, Adana, a city on southern Turkey’s Mediterranean coast. He is considered a virtuoso on a number of instruments from the region: the zurna, a double reed instrument similar to the oboe; the oud, a Middle Eastern lute; the baglama, a long-necked lute; and the ney, a long bamboo flute.
For Tekbilek, “music is a prayer.” It is also joy. He beamed throughout a small press conference in Taipei on Wednesday, speaking enthusiastically about working with the orchestra, musical technique and Sufism.
Tekbilek was studying to become an imam at age 8 when he picked up his first instrument, the kaval, a wooden flute found in southeastern Europe and Turkey. This lured him away from the mosque, and he started playing music professionally at age 12. After moving to Istanbul to work as a session musician as an adult, Tekbilek became interested in Sufism, a set of mystical beliefs and practices in Islam.
The Sufi concept of unity of mind and body plays an important role in Tekbilek’s musical expression. “[A teacher taught me] when you play, you must have meaning, intention in your mind,” he said.
As a player of several wind instruments, Tekblilek focuses on breathing technique. He recalls another lesson from his Sufi teacher in playing the ney. The teacher told him to blow into the flute until the last of his breath was gone. “When there’s no breath left, you’re connected with God.” This concept led to Tekbilek’s interest in yoga, tai chi, and qigong, which he practices daily and considers a part of his music training.
Now based in the US, Tekbilek has enjoyed success on the world music scene. He won the Golden Belly musician of the year award in 1998 and 1999 and was nominated for a BBC Middle Eastern music award in 2003. He was also named a UNESCO Artist for Peace in 2005.
Past collaborators include legendary Pakistani singer Nusrat Fateh Ali Khan, jazz trumpeter Don Cherry, and drummer Ginger Baker, one of the founding members of Cream.
Tonight Tekbilek will play percussion, the baglama, and the ney with the orchestra, whose 50 members play traditional Chinese instruments. Also joining the orchestra is the Iranian percussion ensemble the Chemirani Trio, which will play a new composition written by conductor Yiu-Kwong Chung (鍾耀光). Chung says he looks forward to tonight’s concert, which will be in the “true spirit of Silk Road music.”
On the final approach to Lanshan Workstation (嵐山工作站), logging trains crossed one last gully over a dramatic double bridge, taking the left line to enter the locomotive shed or the right line to continue straight through, heading deeper into the Central Mountains. Today, hikers have to scramble down a steep slope into this gully and pass underneath the rails, still hanging eerily in the air even after the bridge’s supports collapsed long ago. It is the final — but not the most dangerous — challenge of a tough two-day hike in. Back when logging was still underway, it was a quick,
From censoring “poisonous books” to banning “poisonous languages,” the Chinese Nationalist Party (KMT) tried hard to stamp out anything that might conflict with its agenda during its almost 40 years of martial law. To mark 228 Peace Memorial Day, which commemorates the anti-government uprising in 1947, which was violently suppressed, I visited two exhibitions detailing censorship in Taiwan: “Silenced Pages” (禁書時代) at the National 228 Memorial Museum and “Mandarin Monopoly?!” (請說國語) at the National Human Rights Museum. In both cases, the authorities framed their targets as “evils that would threaten social mores, national stability and their anti-communist cause, justifying their actions
In the run-up to World War II, Admiral Wilhelm Canaris, head of Abwehr, Nazi Germany’s military intelligence service, began to fear that Hitler would launch a war Germany could not win. Deeply disappointed by the sell-out of the Munich Agreement in 1938, Canaris conducted several clandestine operations that were aimed at getting the UK to wake up, invest in defense and actively support the nations Hitler planned to invade. For example, the “Dutch war scare” of January 1939 saw fake intelligence leaked to the British that suggested that Germany was planning to invade the Netherlands in February and acquire airfields
The launch of DeepSeek-R1 AI by Hangzhou-based High-Flyer and subsequent impact reveals a lot about the state of the People’s Republic of China (PRC) today, both good and bad. It touches on the state of Chinese technology, innovation, intellectual property theft, sanctions busting smuggling, propaganda, geopolitics and as with everything in China, the power politics of the Chinese Communist Party (CCP). PLEASING XI JINPING DeepSeek’s creation is almost certainly no accident. In 2015 CCP Secretary General Xi Jinping (習近平) launched his Made in China 2025 program intended to move China away from low-end manufacturing into an innovative technological powerhouse, with Artificial Intelligence