Huang Chun-ming (黃春明), who published his first story in 1956 and has since established himself as a major proponent of Taiwan's "nativist literature movement" (鄉土文學), will lead a production of Strawmen and Sparrows (稻草人與小麻雀), which opens tonight at the National Theater in Taipei.
In this production, based on a script written by Huang in 1993, the main characters are sparrows. These mischievous little birds prey on the rice fields of an old farmer, a role played by Huang himself. To stop the sparrows eating his crop, the farmer puts out 10 scarecrows. The sparrows convince the scarecrows that they are actually useful, saying that while they do feed on crops, they also eat insects that damage the crops. The scarecrows, convinced by this argument, proceed to act as an early warning system for the sparrows, alerting them when the farmer approaches.
Huang's work has always shown a strong sense of Taiwanese identity. As a child of rural Taiwan, Huang - who wrote, directs and performs in this play - has been lauded for his portrayal of the joys and many sorrows of Taiwan's Everyman, and for his sharp ear for the local vernacular. But it is his humanism that ensures his longevity.
PHOTO: COURTESY OF NTCH
As an early proponent of environ-mental issues in Taiwan, it's no surprise that Huang's most recent theater production offers more than just entertainment value, but is also a cheerful meditation on the relationship between humans and the natural world. This concern for community and nature provides depth that makes his dramas entertaining for adults as well as children.
The actors in the play are part of Huang's Big Fish Children's Theater (黃大魚兒童劇團), which is currently based in the director's home county of Ilan. The group is different from most other children's groups in that it is children, rather than adults, performing for children. The production has a cast of over 30 singers and dancers, including the Lan Yang Dancers (蘭陽舞蹈團).
Though best known as a novelist, Huang has gravitated toward children's literature in later life. His most famous story, Erzi de Dawan'ou (兒子的大玩偶), was adapted by director Hou Hsiao-hsien (侯孝賢) for the 1983 film The Sandwich Men.
PHOTO: COURTESY OF NTCH
JUNE 30 to JULY 6 After being routed by the Japanese in the bloody battle of Baguashan (八卦山), Hsu Hsiang (徐驤) and a handful of surviving Hakka fighters sped toward Tainan. There, he would meet with Liu Yung-fu (劉永福), leader of the Black Flag Army who had assumed control of the resisting Republic of Formosa after its president and vice-president fled to China. Hsu, who had been fighting non-stop for over two months from Taoyuan to Changhua, was reportedly injured and exhausted. As the story goes, Liu advised that Hsu take shelter in China to recover and regroup, but Hsu steadfastly
On Sunday, President William Lai (賴清德) delivered a strategically brilliant speech. It was the first of his “Ten Lectures on National Unity,” (團結國家十講) focusing on the topic of “nation.” Though it has been eclipsed — much to the relief of the opposing Chinese Nationalist Party (KMT) and Taiwan People’s Party (TPP) — by an ill-advised statement in the second speech of the series, the days following Lai’s first speech were illuminating on many fronts, both domestic and internationally, in highlighting the multi-layered success of Lai’s strategic move. “OF COURSE TAIWAN IS A COUNTRY” Never before has a Taiwanese president devoted an entire speech to
Small, fuzzy and baring sharp teeth, Chinese toymaker Pop Mart’s Labubu monster dolls have taken over the world, drawing excited crowds at international stores and adorning the handbags of celebrities such as Rihanna and Cher. Beijing-based Pop Mart is part of a rising tide of Chinese cultural exports gaining traction abroad, furry ambassadors of a “cool” China even in places associated more with negative public opinion of Beijing such as Europe and North America. Labubus, which typically sell for around US$40, are released in limited quantities and sold in “blind boxes,” meaning buyers don’t know the exact model they will receive. The dolls
Focus Taiwan reported last week that government figures showed unemployment in Taiwan is at historic lows: “The local unemployment rate fell 0.02 percentage points from a month earlier to 3.30 percent in May, the lowest level for the month in 25 years.” Historical lows in joblessness occurred earlier this year as well. The context? Labor shortages. The National Development Council (NDC) expects that Taiwan will be short 400,000 workers by 2030, now just five years away. The depth of the labor crisis is masked by the hundreds of thousands of migrant workers which the economy absolutely depends on, and the