What do you get when a group of boundary-breaking artists mixes traditional Taiwanese opera with rock 'n' roll, Japanese manga and a story from 18th-century Italy? Hou pei la (胡撇仔) reinvigorated; a plebeian theatrical form that prevailed in Taiwan under Japanese rule.
The Taiwanese pronunciation of "opera," hou pei la, came along as a linguistic and artist hybrid when local culture was suppressed and Western influences took hold. Modern theaters joined Taiwanese operatic sounds with the saxophone and jazz drum to accompany pop songs. Stories inspired by pop culture were set to this music and performed by actors in kimonos or carrying samurai swords.
The form's whimsical, custom-defying nature is the basis of Formosa-Zephyr Opera Troupe (台灣春風歌劇團), a four-year-old Taiwanese group founded by graduates from National Taiwan (國立台灣大學) and National Taiwan Normal (國立台灣師範大學) universities. They searched for new possibilities by pushing the limits of the old art form.
PHOTO: COURTESY OF ZEPHYR OPERA
The company's latest experiment examines the marriage between hou pei la and commedia dell'arte, an improvisational theater that enjoyed great popularity in Italy from the 15th to 18th centuries. Performed by traveling artists, the Italian folk theater form was characterized by clowns, rogues, lovers and doctors, a rough storyline and an open structure freely adjusted to current events and regional tastes, all of which share similarities in form with its Taiwanese operatic twin.
Following the storyline of Venetian playwright Carlo Goldoni's 1747 comedy of the same title, The Venetian Twins tells of a story of twin brothers separated at birth. The grown-up twins accidentally cross paths in Venice, leading to a series of comic farces.
Transplanted to contemporary Taiwan, the renaissance Venetian characters become taike (台客), gangster, zhainan (宅男) (computer nerd), and funu (腐女), a word imported from Japan for straight girls who like gay male romance films and comics. Tricks and aerobatics, in the tradition of Italian theater, are localized and updated in the form of jazz dance, fencing moves and martial-arts kicks and punches.
The show's discipline-bending music is provided by four rockers who blast out bass and electric guitar tunes alongside side a traditional ensemble that plays operatic tunes, rock sounds and a few genres in between.
The venetian Twins is at the NTU Theater tonight at 7:30pm; Saturday at 2:30pm and 7:30pm; Sunday at 2:30pm. On the Net: www.zephry-opera.org.tw.
Nov. 11 to Nov. 17 People may call Taipei a “living hell for pedestrians,” but back in the 1960s and 1970s, citizens were even discouraged from crossing major roads on foot. And there weren’t crosswalks or pedestrian signals at busy intersections. A 1978 editorial in the China Times (中國時報) reflected the government’s car-centric attitude: “Pedestrians too often risk their lives to compete with vehicles over road use instead of using an overpass. If they get hit by a car, who can they blame?” Taipei’s car traffic was growing exponentially during the 1960s, and along with it the frequency of accidents. The policy
While Americans face the upcoming second Donald Trump presidency with bright optimism/existential dread in Taiwan there are also varying opinions on what the impact will be here. Regardless of what one thinks of Trump personally and his first administration, US-Taiwan relations blossomed. Relative to the previous Obama administration, arms sales rocketed from US$14 billion during Obama’s eight years to US$18 billion in four years under Trump. High-profile visits by administration officials, bipartisan Congressional delegations, more and higher-level government-to-government direct contacts were all increased under Trump, setting the stage and example for the Biden administration to follow. However, Trump administration secretary
The room glows vibrant pink, the floor flooded with hundreds of tiny pink marbles. As I approach the two chairs and a plush baroque sofa of matching fuchsia, what at first appears to be a scene of domestic bliss reveals itself to be anything but as gnarled metal nails and sharp spikes protrude from the cushions. An eerie cutout of a woman recoils into the armrest. This mixed-media installation captures generations of female anguish in Yun Suknam’s native South Korea, reflecting her observations and lived experience of the subjugated and serviceable housewife. The marbles are the mother’s sweat and tears,
In mid-1949 George Kennan, the famed geopolitical thinker and analyst, wrote a memorandum on US policy towards Taiwan and Penghu, then known as, respectively, Formosa and the Pescadores. In it he argued that Formosa and Pescadores would be lost to the Chine communists in a few years, or even months, because of the deteriorating situation on the islands, defeating the US goal of keeping them out of Communist Chinese hands. Kennan contended that “the only reasonably sure chance of denying Formosa and the Pescadores to the Communists” would be to remove the current Chinese administration, establish a neutral administration and