They came, nearly 40,000 people saw them, and they rocked.
Fans of Linkin Park began lining up early Friday morning for the best spots on the field and in the stands at Zhongshan Football Stadium (中山足球場), for what organizers touted as Taiwan's highest-selling foreign concert since Michael Jackson.
Despite light drizzle and a start that was delayed by 40 minutes, people arrived chanting "Linkin Park, Linkin Park," and when the California nu-metal band finally took to the stage, the 38,000 mostly young fans in attendance broke into a frenzy of cheers and shouts.
The chanting continued throughout the concert, with rhythm guitarist Mike Shinoda - who was clearly the crowd favorite - in the front, and singer Chester Bennington bouncing around the stage shouting vocals in a heavy-metal rasp. Linkin Park played electronica, rapcore and heavy metal numbers during their 100-minute show and had fans begging for more. Their stellar performance, combined with the fact that tickets sold out, will hopefully make Taipei a more enticing destination for other international acts.
Meanwhile, across town at the Crown Theater (皇冠藝文中心), LAN Creators (嵐創作體) were making a little music of their own, though to a noticeably smaller audience and theater. I Love You, You're Perfect, Now Change, which opened Nov. 3 to great reviews and continues until Nov. 30, is a musical that you don't want to miss.
The Weekender watched a performance in the first week that, though the singing was top notch and the acting quite good, suffered from many technical problems (the crew could be seen for much of the performance) that served to distract the audience. But these glitches were ironed out by the second week when technical staff were hidden, as they should be, and the actors were feeling more comfortable with their roles. Of particular note was the hip and live musical score. Tickets for the remaining performances are NT$750 and NT$1,500 and are available through NTCH ticketing or online at www.artsticket.com.tw.
Over at Taipei's Novel Hall (新舞台), Rainbow Skirt and Feather Robe (霓裳羽衣), which opened last Thursday for two performances, won rapturous applause from audiences there to see virtuoso nanguan singer Wang Xinxin (王心心) perform a nanguan arrangement based on the libretto of Hong Sheng's (洪昇) Qing dynasty masterpiece The Hall of Longevity (長生殿).
Wang commanded the stage as the story's narrator, and to a large extent made the mimed drama that accompanied the music irrelevant. The additional dramatic cast, brought in from Quanzhou (泉州), China to complement the musical performance with a visual and dramatic element, was at no stage an integral part of the performance, and while not unattractive to look at, did not add much to the impact of Wang's own performance.
Singing accompanied only by a pipa and Chinese flute, Wang had magnificent presence on stage, and presented the songs with all the formal beauty that one expects from nanguan. Li Yaling (李雅玲), who performed the role of Lady Yang, did some lovely poses, but served more as a clothes rack for the costumes. At rehearsals before the show, Wang said that it was necessary to incorporate diverse elements if new audiences were to be won over to the ancient art of nanguan, but this process of integration still has some way to go to become truly effective.
Not many R 'n' B acts can pull off giant magnifying glasses, ballet and outfits inspired by bumblebees, but the Beyonce Experience did all that and more.
After a low-key beginning for Monday's concert at Zhongshan Football Stadium, during which the diva walked onstage and asked if the audience was ready, her all-female band kicked it with recent hits like Beautiful Liar, Check on It and Deja Vu, as well as songs from Beyonce's previous group Destiny's Child, including Survivor, Independent Woman and Bills, Bills, Bills.
Every stage of Beyonce's fashion parade - which included a shiny red trench coat with a magnifying glass, a black belly dancing outfit with body jewelry and a leotard with gold sequins on the derriere - glittered. To keep the crowd entertained while she was changing costumes, there was a spoof of Chicago's Jailhouse Tango, a ballet, the usual drum, piano and saxophone solos, and a little striptease by three male dancers - the only men to appear onstage - who proved that quality is more important than quantity.
In a rare encore, Beyonce sported a black-and-yellow bumblebee costume to sing Happy Birthday to everyone celebrating their B'day. Though there were plenty of seats left in the stands, the 95th, and last, show of Beyonce's tour was still a big hit.
Last week saw the appearance of another odious screed full of lies from the People’s Republic of China (PRC) Ambassador to Australia, Xiao Qian (肖千), in the Financial Review, a major Australian paper. Xiao’s piece was presented without challenge or caveat. His “Seven truths on why Taiwan always will be China’s” presented a “greatest hits” of the litany of PRC falsehoods. This includes: Taiwan’s indigenous peoples were descended from the people of China 30,000 years ago; a “Chinese” imperial government administrated Taiwan in the 14th century; Koxinga, also known as Cheng Cheng-kung (鄭成功), “recovered” Taiwan for China; the Qing owned
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They increasingly own everything from access to space to how we get news on Earth and now outgoing President Joe Biden warns America’s new breed of Donald Trump-allied oligarchs could gobble up US democracy itself. Biden used his farewell speech to the nation to deliver a shockingly dark message: that a nation which has always revered its entrepreneurs may now be at their mercy. “An oligarchy is taking shape in America of extreme wealth, power and influence that literally threatens our entire democracy, our basic rights and freedoms,” Biden said. He named no names, but his targets were clear: men like Elon Musk
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