It's not an inventive name for a restaurant but Calcutta Indian Food does what it says well. The brother-sister owners are Taiwanese from the West Bengal city and opened the restaurant in Ximending a couple of months ago. Hou Yong-tian (侯勇添) used to be the chef at Spice Shop in Tianmu, so the kitchen has pedigree.
Foreigners, including Indians, form a large portion of the pair's clientele, but locals are being lured in by competitively priced set meals in the week. These range from NT$190 for the vegetarian curry and NT$280 for the lamb, including a salad, soup or drink, nan bread or rice.
Most of the Indian subcontinent's better-known dishes are listed on the menu ("hot and spicy vindaloo," bhuna and madras) but the spicy hot lamb curry mass kolhapuri (a Marathi dish) was a surprise and there is an emphasis on creamy flavors such as pasanda and murgi malai. Side dishes are plentiful and the fiery laccha, a "Delhi-spice salad" is worth trying. Rice is saffron colored and there is a selection of nan breads.
PHOTO: JULES QUARTLY, TAIPEI TIMES
I've visited five or six times and the food has always been of a good standard. It is North Indian in character, according to the owners, tending toward stronger flavors. An example of this was the chicken tandoori, bright orange and baked until it was ever-so-slightly charred. The chicken was good quality and far removed in taste from some of the fake tandooris served up in this city.
Other highlights of previous meals included the iced Darjeeling tea, lemon soda, daal soup and a refreshing homemade milk rice dessert called firni. The channa masala, a chickpea dish with a sweetness balanced by a firm but fair chili kick, come recommended. The raita yogurt is a favorite with many Taiwanese, we were informed, and teased the taste buds. The worst crime as far as Indian food is concerned, is being boring.
The decor will be familiar to lovers of Indian food around the world: Colonial-period, patterned wallpaper in a deep ochre red, a mini chandelier, a few brass fittings and a couple of India-themed pictures. In addition to the usual "fortune cat" (招財貓) waving his paw at the cash desk there is a brass statue of Ganesh the elephant god. Service is informal and friendly.
In Taiwan there are two economies: the shiny high tech export economy epitomized by Taiwan Semiconductor Manufacturing Co (TSMC, 台積電) and its outsized effect on global supply chains, and the domestic economy, driven by construction and powered by flows of gravel, sand and government contracts. The latter supports the former: we can have an economy without TSMC, but we can’t have one without construction. The labor shortage has heavily impacted public construction in Taiwan. For example, the first phase of the MRT Wanda Line in Taipei, originally slated for next year, has been pushed back to 2027. The government
July 22 to July 28 The Love River’s (愛河) four-decade run as the host of Kaohsiung’s annual dragon boat races came to an abrupt end in 1971 — the once pristine waterway had become too polluted. The 1970 event was infamous for the putrid stench permeating the air, exacerbated by contestants splashing water and sludge onto the shore and even the onlookers. The relocation of the festivities officially marked the “death” of the river, whose condition had rapidly deteriorated during the previous decade. The myriad factories upstream were only partly to blame; as Kaohsiung’s population boomed in the 1960s, all household
Allegations of corruption against three heavyweight politicians from the three major parties are big in the news now. On Wednesday, prosecutors indicted Hsinchu County Commissioner Yang Wen-ke (楊文科) of the Chinese Nationalist Party (KMT), a judgment is expected this week in the case involving Hsinchu Mayor Ann Kao (高虹安) of the Taiwan People’s Party (TPP) and former deputy premier and Taoyuan Mayor Cheng Wen-tsan (鄭文燦) of the Democratic Progressive Party (DPP) is being held incommunicado in prison. Unlike the other two cases, Cheng’s case has generated considerable speculation, rumors, suspicions and conspiracy theories from both the pan-blue and pan-green camps.
Stepping inside Waley Art (水谷藝術) in Taipei’s historic Wanhua District (萬華區) one leaves the motorcycle growl and air-conditioner purr of the street and enters a very different sonic realm. Speakers hiss, machines whir and objects chime from all five floors of the shophouse-turned- contemporary art gallery (including the basement). “It’s a bit of a metaphor, the stacking of gallery floors is like the layering of sounds,” observes Australian conceptual artist Samuel Beilby, whose audio installation HZ & Machinic Paragenesis occupies the ground floor of the gallery space. He’s not wrong. Put ‘em in a Box (我們把它都裝在一個盒子裡), which runs until Aug. 18, invites