A child of Taiwan's New Wave cinema, award-winning cinematographer En Chen (陳懷恩) has been a long-term collaborator of Hou Hsiao-hsien (侯孝賢) and has worked with acclaimed directors such as Chang Tso-chi (張作驥) and Cheng Wen-tang (鄭文堂) since the 1980s.
After more than 20 years of working at the center of Taiwan's film industry, the veteran cinematographer has decided to tell a story of his own with a scanty government subsidy and lots of supports from friends and money of his own. The end result is his feature debut Island Etude (練習曲), a road movie about Taiwan's past and present, it's beauty and sorrow and the stories of its inhabitants.
With guest appearances by novelist, playwright and filmmaker Wu Nien-jen (吳念真), theater veterans Deng An-ning (鄧安寧) and Yang Li-ying (楊麗音), TV personality Hsu Hsiao-shun (許效舜), musician Kimbo Hu (胡德夫) and others, the film is centered on a hearing-impaired college student named Ming-hsiang and the people and their stories he encounters during his seven-day, round-the-island bike trip. He travels through the scenic seaside landscape in Hulien (花蓮) and along the western coastal highway, passes through the Matsu pilgrimage (媽祖遶境) and a protest by elderly female workers protesting the unannounced closure of the factory in which they had worked for lifetime. The film takes audiences deep into the corners of the country and presents intimate portraits of people from different cultural, social and ethnic backgrounds, all of whom have their own stories to tell.
PHOTO: COURTESY OF CHI FEI FILM
As the writer, cinematographer and director, Chen makes a genuine effort to share his affection for the island and its people. The narrative is carried through Ming-hsiang's travels through different places, with the natural environment playing an important role and give the piece an unique rhythm and texture. In tune with the New Wave look and spirit, the travelogue ingenuously mixes history, myth, folk memories and contemporary issues of the country and its people.
Though some sections of the film seem over-produced and some less than articulate and rather dull, director Chen pulls off a human story about this diverse country. As the real-life round-the-island biker who inspired Chen to make the film said: "there is something that if you don't do it now, you will never do it for the rest of your life." Chen has certainly grasped the chance to realize his dream and has done a commendable job.
PHOTO: COURTESY OF CHI FEI FILM
The Democratic Progressive Party (DPP), Chinese Nationalist Party (KMT), and the country’s other political groups dare not offend religious groups, says Chen Lih-ming (陳立民), founder of the Taiwan Anti-Religion Alliance (台灣反宗教者聯盟). “It’s the same in other democracies, of course, but because political struggles in Taiwan are extraordinarily fierce, you’ll see candidates visiting several temples each day ahead of elections. That adds impetus to religion here,” says the retired college lecturer. In Japan’s most recent election, the Liberal Democratic Party lost many votes because of its ties to the Unification Church (“the Moonies”). Chen contrasts the progress made by anti-religion movements in
Taiwan doesn’t have a lot of railways, but its network has plenty of history. The government-owned entity that last year became the Taiwan Railway Corp (TRC) has been operating trains since 1891. During the 1895-1945 period of Japanese rule, the colonial government made huge investments in rail infrastructure. The northern port city of Keelung was connected to Kaohsiung in the south. New lines appeared in Pingtung, Yilan and the Hualien-Taitung region. Railway enthusiasts exploring Taiwan will find plenty to amuse themselves. Taipei will soon gain its second rail-themed museum. Elsewhere there’s a number of endearing branch lines and rolling-stock collections, some
Last week the State Department made several small changes to its Web information on Taiwan. First, it removed a statement saying that the US “does not support Taiwan independence.” The current statement now reads: “We oppose any unilateral changes to the status quo from either side. We expect cross-strait differences to be resolved by peaceful means, free from coercion, in a manner acceptable to the people on both sides of the Strait.” In 2022 the administration of Joe Biden also removed that verbiage, but after a month of pressure from the People’s Republic of China (PRC), reinstated it. The American
Chinese Nationalist Party (KMT) legislative caucus convener Fu Kun-chi (傅?萁) and some in the deep blue camp seem determined to ensure many of the recall campaigns against their lawmakers succeed. Widely known as the “King of Hualien,” Fu also appears to have become the king of the KMT. In theory, Legislative Speaker Han Kuo-yu (韓國瑜) outranks him, but Han is supposed to be even-handed in negotiations between party caucuses — the Democratic Progressive Party (DPP) says he is not — and Fu has been outright ignoring Han. Party Chairman Eric Chu (朱立倫) isn’t taking the lead on anything while Fu