Open to ridicule ... The Hills Have Eyes 2. They've also got one hell of a cheek, forcing this nonsense on us again: a sequel to last year's remake of the 1978 Wes Craven original. Once again, we are out in the middle of nowhere. It's an eerie, isolated stretch of New Mexico desert where nuclear testing half a century ago created a feral gang of mutant hillbillies hiding out in their own underground network of tunnels, killing innocent incomers and raping the womenfolk to perpetuate their deplorable race.
Now a group of US National Guardspersons, an elite group of the very best looking young men and women, are sent out there to accompany some civilian scientists: they arrive to find the brainiacs all dead and soon they too are being picked off, one by one. One of the group is pigheaded; another is a total babe; another has a temper; another is a bit of an anti-war pinko who thinks the president "lied" — leaving us to wonder who will turn out to have the most gutsy resourcefulness and military grit. The satirical content is more or less forgotten. Pure genre-pic boredom.
PHOTO: COURTESY OF FOX
The 1990s were a turbulent time for the Chinese Nationalist Party’s (KMT) patronage factions. For a look at how they formed, check out the March 2 “Deep Dives.” In the boom years of the 1980s and 1990s the factions amassed fortunes from corruption, access to the levers of local government and prime access to property. They also moved into industries like construction and the gravel business, devastating river ecosystems while the governments they controlled looked the other way. By this period, the factions had largely carved out geographical feifdoms in the local jurisdictions the national KMT restrained them to. For example,
The remains of this Japanese-era trail designed to protect the camphor industry make for a scenic day-hike, a fascinating overnight hike or a challenging multi-day adventure Maolin District (茂林) in Kaohsiung is well known for beautiful roadside scenery, waterfalls, the annual butterfly migration and indigenous culture. A lesser known but worthwhile destination here lies along the very top of the valley: the Liugui Security Path (六龜警備道). This relic of the Japanese era once isolated the Maolin valley from the outside world but now serves to draw tourists in. The path originally ran for about 50km, but not all of this trail is still easily walkable. The nicest section for a simple day hike is the heavily trafficked southern section above Maolin and Wanshan (萬山) villages. Remains of
With over 100 works on display, this is Louise Bourgeois’ first solo show in Taiwan. Visitors are invited to traverse her world of love and hate, vengeance and acceptance, trauma and reconciliation. Dominating the entrance, the nine-foot-tall Crouching Spider (2003) greets visitors. The creature looms behind the glass facade, symbolic protector and gatekeeper to the intimate journey ahead. Bourgeois, best known for her giant spider sculptures, is one of the most influential artist of the twentieth century. Blending vulnerability and defiance through themes of sexuality, trauma and identity, her work reshaped the landscape of contemporary art with fearless honesty. “People are influenced by
Ten years ago, English National Ballet (ENB) premiered Akram Khan’s reimagining of Giselle. It quickly became recognized as a 21st-century masterpiece. Next month, local audiences get their chance to experience it when the company embark on a three-week tour of Taiwan. Former ENB artistic director Tamara Rojo, who commissioned the ballet, believes firmly that if ballet is to remain alive, works have to be revisited and made relevant to audiences of today. Even so, Khan was a bold choice of choreographer. While one of Britain’s foremost choreographers, he had never previously tackled a reimagining of a classical ballet, so Giselle was
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