A fading genre that pales before testosterone-charged gangster and martial art flicks, romances are hard to find these days in Chinese-language cinema. For those with a soft spot for a genuine love story, Happy Birthday (生日快樂) is a wish come true. And to those who look down upon such films as no more than chick flicks, this film merits appreciation for its quality filmmaking.
Adapted from a novella by singer and actress Rene Liu (劉若英), who apparently is a versatile talent, the film tells of a decade-long love story between Mi (played by Liu) and Nam (played by Louis Koo, 古天樂). A piano major in college, Mi gives her heart to Nam but struggles to keep a distance from the wealthy woman magnet, who is crazy about the baffling Mi.
The two part after graduation, yet the love between them remains. Mi believes that their story will have a happy ending after she gains more self-confidence and overcomes the fear of losing the love of her life.
PHOTOS COURTESY OF APPLAUSE FILM
The dream shatters when a text message from Nam says he will soon marry another girl. Years later, Mi still receives Nam's messages sent on her birthday and trusts that their love will last till the end of time.
Directed by award-winning cinematographer and director Jingle Ma (馬楚成), the technically accomplished film is an eye-pleasing visual treat in which the pure and innocent aura of romance is accented by lyrical lighting. The editing is smooth and stylish.
An early sequence made up of intercut shots of the grown-up Mi, flashbacks of Mi's mom thumping downstairs and Nam tersely explaining the character's deeply rooted fear of losing her loved ones is a demonstration of how a narrative can be enhanced through thoughtful editing.
Part of the film's merits also go to the finely adapted screenplay (director Silvia Chang (張艾嘉) is one of the screen writers). Love and romance are manifested in seemingly trivial details of daily life, in subtle gestures and exchanges of gaze rather than words and set-piece performances. The delicate touch of the narration saves the film from excessive sentimentalism with the revelation of Nam's death.
The film benefits from its trust in its actors, who are given a rare freedom to bring their talents into full play. Award-winning actress Liu grips the heart with her superb portrait of one of the strongest female characters that have come out of Chinese-language cinema in recent years. Echoing Chang's emotionally complicated female leads in Tempting Heart (心動, 1999) and 20, 30, 40 (2004), Mi is an independent modern woman who is kind and strong but insecure and unable to open her heart to love.
Graced by fine performances, intelligent storytelling and elegant simplicity, Happy Birthday offers an enjoyable 90 minutes of escape from the all too cynical world where love has lost its simplest meaning.
On the Chinese Internet, the country’s current predicament — slowing economic growth, a falling birthrate, a meager social safety net, increasing isolation on the world stage — is often expressed through buzzwords. There is tangping, or “lying flat,” a term used to describe the young generation of Chinese who are choosing to chill out rather than hustle in China’s high-pressure economy. There is runxue, or “run philosophy,” which refers to the determination of large numbers of people to emigrate. Recently, “revenge against society” attacks — random incidents of violence that have claimed dozens of lives — have sparked particular concern.
Some people will never forget their first meeting with Hans Breuer, because it occurred late at night on a remote mountain road, when they noticed — to quote one of them — a large German man, “down in a concrete ditch, kicking up leaves and glancing around with a curious intensity.” This writer’s first contact with the Dusseldorf native was entirely conventional, yet it led to a friendly correspondence that lasted until Breuer’s death in Taipei on Dec. 10. I’d been told he’d be an excellent person to talk to for an article I was putting together, so I telephoned him,
With raging waters moving as fast as 3 meters per second, it’s said that the Roaring Gate Channel (吼門水道) evokes the sound of a thousand troop-bound horses galloping. Situated between Penghu’s Xiyu (西嶼) and Baisha (白沙) islands, early inhabitants ranked the channel as the second most perilous waterway in the archipelago; the top was the seas around the shoals to the far north. The Roaring Gate also concealed sunken reefs, and was especially nasty when the northeasterly winds blew during the autumn and winter months. Ships heading to the archipelago’s main settlement of Magong (馬公) had to go around the west side
From an anonymous office in a New Delhi mall, matrimonial detective Bhavna Paliwal runs the rule over prospective husbands and wives — a booming industry in India, where younger generations are increasingly choosing love matches over arranged marriage. The tradition of partners being carefully selected by the two families remains hugely popular, but in a country where social customs are changing rapidly, more and more couples are making their own matches. So for some families, the first step when young lovers want to get married is not to call a priest or party planner but a sleuth like Paliwal with high-tech spy
RSS