If a weekend of imbibing alternative films and having a relaxed time quaffing beer with friends sounds intriguing, you need look no further than the Urban Nomad Film Fest (
Coming into its fifth year, the independent showcase presents a content-rich lineup of 40 works featuring surf and skateboard videos, short films, animations and documentaries made by underground talents from home and abroad.
Organized by the expat duo David Frazier and Sean Scanlan, Urban Nomad was set up with the aim of preserving underground creativity and demonstrating that the media is a democratic tool accessible to anyone who has something to say.
PHOTOS COURTESY OF URBAN NOMAD
"When people make films, they want the works to be seen. So we try to be more flexible about the deadline ... and screen as many of the submitted works as possible," co-founder Scanlan said.
As this year's focus is on alternative visions and documentaries, the festival offers an exciting mixture of works addressing political and social issues and subcultures from different regions, especially from the southeastern Asian countries including Singapore, Thailand, the Philippines and Malaysia.
One such film is Singapore Rebel. Banned in Singapore, the documentary is an emotionally-charged account of the political dissenter and opposition leader Chee Soon Juan, who, since 1992, has taken up the valiant mission to challenge the authoritarianism of the People's Action Party (PAP). He subsequently lost his job as a university professor, and was eventually forced into bankrupcy.
The film offers a rare chance for outsiders to see how the PAP uses oppressive methods to silence political opponents like Chee in the name of building a modern Asian society.
As co-founder and organizer Frazier said alternative film scenes in southeastern Asian countries have enjoyed strong growth in recent years. And as a young and growing alternative venue, Urban Nomad has reached out this year to fringe film festivals and curators in Thailand and the Philippines to bring out new underground voices.
"Ideally, we want Urban Nomad to become part of the underground network in Southeast Asia. Kids and young people in different places should understand each other through alternative media as opposed to big film festivals or dominant TV channels," Frazier said.
Representing the promising future of the local film community is Respire (
Highly stylish and poetically shot, the low-budget film is an inspiring example of how a work of art can be produced despite certain limitations. It was shot with old, sometimes even moldy, film rolls collected from commercial production houses in Taipei.
If you missed the opening film Surviving Beijing (
Idealistic and optimistic at first, the group settles down in the now bulldozed "Tree Village" in the suburb of Beijing, a legendary settlement of rock musicians and social drop-outs.
The film follows the failing attempts of the Malaysian rockers to get gigs and mingle with the tough crowds, and gives audiences an insight into the urban tribe of rockers who don't fit in to the fast-changing society and choose to live in poverty and make music as a social protest against China's rapid development toward capitalism.
For those who feel the three-hour-long programs of experimental film is just too much, there is a chill-out space for visitors to walk around, sip beer and enjoy a good chat with friends or strangers. At Urban Nomad, visitors will not find dark, confining theaters, but a film party where people are free to share their thoughts and feelings with other individuals.
Festival notes
What: Urban Nomad Film Fest (城市游牧影展)
Where: Huashan Cultural Center (華山文化園區), 1, Bade Rd Sec 1, Taipei (臺北市八德路一段1號)
When: Tonight beginning at 7:30pm; tomorrow and Sunday at 7pm.
Tickets: NT$200 for one day; NT$500 for a four-day festival pass.
For more information on films to be screened, visit www.urbannomadfilmfest.blogspot.com
March 24 to March 30 When Yang Bing-yi (楊秉彝) needed a name for his new cooking oil shop in 1958, he first thought of honoring his previous employer, Heng Tai Fung (恆泰豐). The owner, Wang Yi-fu (王伊夫), had taken care of him over the previous 10 years, shortly after the native of Shanxi Province arrived in Taiwan in 1948 as a penniless 21 year old. His oil supplier was called Din Mei (鼎美), so he simply combined the names. Over the next decade, Yang and his wife Lai Pen-mei (賴盆妹) built up a booming business delivering oil to shops and
Indigenous Truku doctor Yuci (Bokeh Kosang), who resents his father for forcing him to learn their traditional way of life, clashes head to head in this film with his younger brother Siring (Umin Boya), who just wants to live off the land like his ancestors did. Hunter Brothers (獵人兄弟) opens with Yuci as the man of the hour as the village celebrates him getting into medical school, but then his father (Nolay Piho) wakes the brothers up in the middle of the night to go hunting. Siring is eager, but Yuci isn’t. Their mother (Ibix Buyang) begs her husband to let
The Taipei Times last week reported that the Control Yuan said it had been “left with no choice” but to ask the Constitutional Court to rule on the constitutionality of the central government budget, which left it without a budget. Lost in the outrage over the cuts to defense and to the Constitutional Court were the cuts to the Control Yuan, whose operating budget was slashed by 96 percent. It is unable even to pay its utility bills, and in the press conference it convened on the issue, said that its department directors were paying out of pocket for gasoline
On March 13 President William Lai (賴清德) gave a national security speech noting the 20th year since the passing of China’s Anti-Secession Law (反分裂國家法) in March 2005 that laid the legal groundwork for an invasion of Taiwan. That law, and other subsequent ones, are merely political theater created by the Chinese Communist Party (CCP) to have something to point to so they can claim “we have to do it, it is the law.” The president’s speech was somber and said: “By its actions, China already satisfies the definition of a ‘foreign hostile force’ as provided in the Anti-Infiltration Act, which unlike
RSS