Taiwan's contemporary art scene is active and international with many opportunities for local artists to participate in exhibitions abroad while holding dialogues with foreign artists at local exhibitions.
Young Taiwanese artist Wu Chi-Tsung (
Wu, whose work is noteworthy for its exploration of imagery via video, photography and mechanical instal-lation, is currently exhibiting his art for the first time in the UK at the Artes Mundi exhibition that ends on May 7.
PHOTOS COURTESY OF THE ARTIST
The eight selected artists -- from India, Finland, South America, Europe and Taiwan -- are regarded as having made significant contributions to the world's understanding about the human condition. The prize will be awarded to one of the selected artists on March 31.
In 2004, New York-based Chinese artist Xu Bing received the first award for his work Where Does The Dust Collect Itself, made from dust collected from the streets in Manhattan after Sept. 11.
Besides the US$40,000 prize money, the winning artist's work will be exhibited at a major show and purchased for national collections.
Currently on view at the German Cultural Center in Taipei is a modest, yet poignant exhibition of German and Taiwanese artists titled Intimate Relations. Curator/artist Andreas Walther is no stranger to Taiwan as he has been living, exhibiting and cura-ting here for several years and is therefore familiar with lifestyles both in Cologne and Taipei.
The videos, photographs and drawings explore the theme of closeness between people and provocatively ask if there are cultural differences between Western and Eastern personal relationships.
Some of the art on view seems to act like a sociology experiment. This is most notable in Andreas Walther's riveting video Family Portraits, in which a video camera runs for 10 minutes, while the invited family members (who were instructed not to speak to each other while seated in the studio facing a large mirror) fidget, giggle, and non-verbally interact with each other.
PHOTO COURTESY OF THE ARTIST
Sometimes with conceptual art, a background explanation is required in order to comprehend the art. To fully understand Chen Ting-yu's He Cried it is necessary to read about his concept beforehand. There are two see-mingly identical photos of a close-up of a man's face wiping away tears from his eyes. Chen photographed himself crying, as this was part of his experience of being involved in an intimate love relationship. Then he photographed his boyfriend mimicking his action.
However, his boyfriend couldn't fake the tears.
Chen's two portraits show that even with an intimate partner we can achieve simulations of closeness but achieving actual oneness is nearly impossible.
Another conceptual work is Cologne-based artist Cony Theis' Familienportrait. With her mother, sister and two nieces, the five female family members painted a series of watercolors together.
Chen Shun-chu's (陳順築) Journeys in Time is a photographic series where he uses the family snapshot in a similar way to the Proustian madeleine to recapture the idyllic past of his childhood.
Juergen Heiter's film The Place in the Woods is interesting, but due to its German soundtrack there are limits for the audience. The architecture of Rome and Paris serves as a backdrop to tell a story about modernity, while in the foreground couples try to make relationships work even though intimacy is glaringly absent.
Art Notes:
What: Intimate Relations
Where: German Cultural Center, 12F, 20 Heping W Rd, Sec 1, Taipei (
When: To April 20
Tel: (02) 2365 7294
Taiwanese chip-making giant Taiwan Semiconductor Manufacturing Co (TSMC) plans to invest a whopping US$100 billion in the US, after US President Donald Trump threatened to slap tariffs on overseas-made chips. TSMC is the world’s biggest maker of the critical technology that has become the lifeblood of the global economy. This week’s announcement takes the total amount TSMC has pledged to invest in the US to US$165 billion, which the company says is the “largest single foreign direct investment in US history.” It follows Trump’s accusations that Taiwan stole the US chip industry and his threats to impose tariffs of up to 100 percent
On a hillside overlooking Taichung are the remains of a village that never was. Half-formed houses abandoned by investors are slowly succumbing to the elements. Empty, save for the occasional explorer. Taiwan is full of these places. Factories, malls, hospitals, amusement parks, breweries, housing — all facing an unplanned but inevitable obsolescence. Urbex, short for urban exploration, is the practice of exploring and often photographing abandoned and derelict buildings. Many urban explorers choose not to disclose the locations of the sites, as a way of preserving the structures and preventing vandalism or looting. For artist and professor at NTNU and Taipei
March 10 to March 16 Although it failed to become popular, March of the Black Cats (烏貓進行曲) was the first Taiwanese record to have “pop song” printed on the label. Released in March 1929 under Eagle Records, a subsidiary of the Japanese-owned Columbia Records, the Hoklo (commonly known as Taiwanese) lyrics followed the traditional seven characters per verse of Taiwanese opera, but the instrumentation was Western, performed by Eagle’s in-house orchestra. The singer was entertainer Chiu-chan (秋蟾). In fact, a cover of a Xiamen folk song by Chiu-chan released around the same time, Plum Widow Missing Her Husband (雪梅思君), enjoyed more
Last week Elbridge Colby, US President Donald Trump’s nominee for under secretary of defense for policy, a key advisory position, said in his Senate confirmation hearing that Taiwan defense spending should be 10 percent of GDP “at least something in that ballpark, really focused on their defense.” He added: “So we need to properly incentivize them.” Much commentary focused on the 10 percent figure, and rightly so. Colby is not wrong in one respect — Taiwan does need to spend more. But the steady escalation in the proportion of GDP from 3 percent to 5 percent to 10 percent that advocates
RSS