The Cloud Gate Dance Theater (雲門舞集) started out in a studio above a Taiwanese noodle shop. Now, 33 years later, it's a world-renowned modern dance company with performances already booked into 2008.
The man who founded the company and still runs it, Lin Hwai-min (林懷民), said he has evolved over the years -- from a topdown choreographer who dictated the dancers' moves to a leader who collaborates with his performers. He said he now tries to draw the material from their movements.
``Everything comes from their bodies. Therefore, very organic,'' he said in an interview.
PHOTO: TAIPEI TIMES FILE
The former dancer and writer also said he became less rigid as he grew older.
``When I was young I thought things were clear-cut. Things had to be straightforward. Now I'm not this way,'' Lin said in a Hong Kong hotel room, where he sat barefoot, cross-legged on a sofa chair while clutching a pillow.
Cloud Gate has graced presti-gious stages like the Kennedy Center in Washington, DC, and Lin was named Choreographer of the 20th Century by Dance Europe magazine. Among his projects this year is a solo for French ballet star Sylvie Guillem, who performed with the Paris Opera Ballet and Royal Ballet of London.
Since founding Cloud Gate in 1973, Lin also set a goal of promoting modern dance in rural Taiwan. Today, he's almost synon-ymous with Chinese modern dance.
Lin, who turns 59 today, said he hasn't done any serious dance workouts since last performing some 23 years ago, but he still looks like a dancer: short, muscular, his robust torso stretching his black shirt.
Lin sprinkled English sentences and phrases into a mostly Chinese exchange, gesturing wildly when demonstrating a dance move.
He said Cloud Gate is in a rarefied state -- focusing on culti-vating the expressiveness of the body instead of telling stories through dance. The company has abandoned pure technical training in favor of encouraging dancers to gain full awareness of their bodies.
``Our teachers tell our students the human body is 90 percent water, so your movement has to resemble water, be as loose as water,'' Lin explained. Cloud Gate's instructors now encompass such varied disciplines as tai chi, martial arts, ballet and calligraphy.
Cloud Gate's latest work reflects its new philosophy. The Cursive trilogy is inspired by Chinese brush calligraphy.
In Cursive I, dancers in simple black costume perform kung fu-like moves on an undecorated stage in a flowing style, taking the ferocious edge off what resemble fighting routines. In one section, a cluster of performers kneel and rise up while raising their arms like hawks.
``It's not just about characters,'' Lin said of Chinese calligraphy. ``It's about the energy ... it has a very good rhythm and it's a sense of musical composition.''
But Lin points out that pure form must be backed up by strong fundamentals.
``If you're not strong in technique, you can be carried by the story, by costumes,'' but not in pure dance, Lin said.
Blending traditional Chinese elements and modern dance is Cloud Gate's trademark, largely the vision of Lin, a writer-turned-dancer educated in Taiwan and at the University of Iowa Writers' Workshop.
Fellow dancer Tom Brown said Lin is a rarity in the modern dance world in that he singularly devoted more than three decades to mold a group of dancers, whereas turnover and mobility is high in companies in the West and few choreographers command the focus of Lin.
The result is a very centered, physical style unique to Cloud Gate.
``European modern dance and even US modern dance quite often is about gesture. It's gesture-driven, if you will, and the thing that I find interesting about his work is that it's driven from something in the core of the body,'' said Brown, associate dean of dance at the Hong Kong Academy for Performing Arts.
Brown attributed Lin's appeal to his liberal arts training method.
``He gives them things to read. They have improvisation sections. They talk about painting,'' he said. ``Whether or not he pays them richly ... the experience itself is completely compelling and completely demanding.''
Despite Cloud Gate's status as a world-class company, Lin said finding funding is still a struggle. While the Taiwanese government chips in, Cloud Gate still needs to tour heavily to galvanize interest among potential donors.
``It's always a battle from New Year's Day to New Year's Eve,'' he said.
``Doing a good job running these three organizations (two dance companies and a dance school) only leaves me with half a life,'' Lin joked.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern
RSS