The 10 year-old musical Rent has gained a new lease on life and is now touring Asia. It will tack up a sign and take to the stage of the International Convention Center on Feb. 7 through Feb. 12.
Based on Giacomo Puccini's 1896 opera, La Boheme, Rent tells of one year in the life a group of friends living a Bohemian life in New York's East Village in 1990, struggling to succeed as artists, haunted by the specter of HIV, ravaged and rewarded by their relationships, and of course trying hard to pay the rent.
"Five hundred twenty-five thousand six hundred minutes," are Rent's opening lines. "How do you measure, measure a year? In daylights, in sunsets, in midnights in cups of coffee. In inches, in miles in laughter in strife. In five hundred twenty-five thousand six hundred minutes. How do you measure a year in the life?"
PHOTOS COURTESY OF BROKER BROTHERS
For the show's co-creator, Jonathan Larson, the answer was to "measure it in love ... seasons of love."
In 1989, he teamed up with playwright Billy Aronson and wrote the music and lyrics for the show. Originally set in New York's Upper West Side, Aronson moved the action to New York's downtown area, where Larson himself lived. From there, the story began to more closely reflect Larson's own life, where he and friends kept an apartment in a derelict building with only an illegal wood-burning stove -- and each other's company -- to keep warm.
Like the show's lead character, the filmmaker Mark, Larson had an on-again, off-again relationship with a dancer who ultimately left him for a woman. His own roommate became the inspiration for Mark's roommate, the HIV-positive musician and former junkie Roger. Larson's childhood friend became the inspiration for Angel, Rent's HIV-positive drag queen street musician.
Other characters that round out the script tell of the turmoil in the lives of a generation of artists confronted with HIV: Angel's boyfriend is a computer whiz who is also living with HIV. Roger's girlfriend, Mimi, is also an HIV-positive drug addict S&M dancer. And Taye is the group's former friend who married for money and became their landlord and the anti-thesis of everything they held dear.
For the Asian touring company, many of these roles will be played by members of the original Broadway cast, putting to rest the notion that Taiwan gets only third-rate production
companies.
The show's Broadway alumni Jeremy Kushnier, John Eric Parker, Trey Ellet, Danielle Lee Greaves, Andy Senor and Caren Lyn Manuel are all reprising their original roles.
But for local audiences, the biggest draw may well be Karen Mok (莫文蔚) playing the drug addicted S&M dancer Mimi. Reviews of the show's dates in Singapore, Hong Kong, Beijing and Shanghai have focused largely on Mok's performance, calling it everything from solid to outstanding, and getting better with each show date.
Mok had only two weeks' preperation time and four rehearsals with the cast before the Singapore premiere.
Like many of the characters in the heart-wrenching story, Larson's own life came to a tragic end. After struggling with the show through years of workshops and rewrites, Larson died of an aortic aneurysm the night before Rent's off-Broadway premiere. He was 35.
Following rave reviews, the show moved to the Nedelander Theater on Broadway. It opened 10 years ago this coming April and went on to earn four Tony awards, including Best Musical, Best Book of a Musical and Best Score of a Musical, as well as the New York Drama Critics' Circle Award for Best Musical. It also earned Larson a posthumous Pulitzer Prize for Drama.
For your information :
WHAT: Rent, starring the show's Broadway cast and Karen Mok
WHERE: The International Convention Center, in Taipei (
WHEN: From Feb. 7 to Feb. 12
TICKETS: Available now through the ERA Ticketing system, tickets cost between NT$1,000 and NT$6,000.
Call (02) 2341 9898 for details.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Mongolian influencer Anudari Daarya looks effortlessly glamorous and carefree in her social media posts — but the classically trained pianist’s road to acceptance as a transgender artist has been anything but easy. She is one of a growing number of Mongolian LGBTQ youth challenging stereotypes and fighting for acceptance through media representation in the socially conservative country. LGBTQ Mongolians often hide their identities from their employers and colleagues for fear of discrimination, with a survey by the non-profit LGBT Centre Mongolia showing that only 20 percent of people felt comfortable coming out at work. Daarya, 25, said she has faced discrimination since she
RSS