It's official! Perfect Hong Kong couple Gigi Leung (
The model ex-couple even broke up in a graceful way, stressing that the break-up didn't involve a third party nor hard feelings between them. Some gossip insiders believe distance was the reason for the split, as Leung often travels abroad for work and Cheng spends most of the time playing computer games at home. Others think Cheng's contin-uing close relationship with his previous girlfriend, sexy star Maggie Siu (
Either way, the prince-and-princess-living-happily-ever-after fairly tale has once again, proved unattainable in real life.
After a failed attempt to woo Patty Hou (
When asked to comment on the story, Jay Chou (
According to the Liberty Times, Lau Wai-keung (
Chou exposed his shy side to Jet Li (
At the press conference held to announce the movie's theme song, Li said he was a bit worried to learn that Chou was responsible for the tune, as "his beats are even faster than my kicks."
Li did however express his pleasure at the outcome.
Li also spoke favorably of Chou's directorial talent and asked the Mando-pop king not to forget to cast him in his films when he becomes a director one day.
And his majesty's response? Nervous and almost speechless on meeting with his life-long idol Li, Chou said he would not dare to direct the action hero.
Winning the first place on the Mando-pop bill board in the first month of this year, Wang Lee-hom's (王力宏) new album Unparalleled Hero (蓋世英雄) has already sold 1 million copies across Asia. The key to his success? Apart from his pretty face, Wang creatively combines Chinese traditional music with hip hop beats to create a new fusion style called "chinked-out" music.
As one of Pop Stop's showbiz informers pointed out, "chink" was and is a racial slur referring to Chinese people. By turning the negative connotation upside-down, Wang said the term would be given a new meaning in relation to a musical style that is international and Chinese at the same time.
Judging from the success of Wang's new sound, the word "chink" will soon become a moniker of cool like "taike" has.
In Taiwan there are two economies: the shiny high tech export economy epitomized by Taiwan Semiconductor Manufacturing Co (TSMC, 台積電) and its outsized effect on global supply chains, and the domestic economy, driven by construction and powered by flows of gravel, sand and government contracts. The latter supports the former: we can have an economy without TSMC, but we can’t have one without construction. The labor shortage has heavily impacted public construction in Taiwan. For example, the first phase of the MRT Wanda Line in Taipei, originally slated for next year, has been pushed back to 2027. The government
July 22 to July 28 The Love River’s (愛河) four-decade run as the host of Kaohsiung’s annual dragon boat races came to an abrupt end in 1971 — the once pristine waterway had become too polluted. The 1970 event was infamous for the putrid stench permeating the air, exacerbated by contestants splashing water and sludge onto the shore and even the onlookers. The relocation of the festivities officially marked the “death” of the river, whose condition had rapidly deteriorated during the previous decade. The myriad factories upstream were only partly to blame; as Kaohsiung’s population boomed in the 1960s, all household
Allegations of corruption against three heavyweight politicians from the three major parties are big in the news now. On Wednesday, prosecutors indicted Hsinchu County Commissioner Yang Wen-ke (楊文科) of the Chinese Nationalist Party (KMT), a judgment is expected this week in the case involving Hsinchu Mayor Ann Kao (高虹安) of the Taiwan People’s Party (TPP) and former deputy premier and Taoyuan Mayor Cheng Wen-tsan (鄭文燦) of the Democratic Progressive Party (DPP) is being held incommunicado in prison. Unlike the other two cases, Cheng’s case has generated considerable speculation, rumors, suspicions and conspiracy theories from both the pan-blue and pan-green camps.
Stepping inside Waley Art (水谷藝術) in Taipei’s historic Wanhua District (萬華區) one leaves the motorcycle growl and air-conditioner purr of the street and enters a very different sonic realm. Speakers hiss, machines whir and objects chime from all five floors of the shophouse-turned- contemporary art gallery (including the basement). “It’s a bit of a metaphor, the stacking of gallery floors is like the layering of sounds,” observes Australian conceptual artist Samuel Beilby, whose audio installation HZ & Machinic Paragenesis occupies the ground floor of the gallery space. He’s not wrong. Put ‘em in a Box (我們把它都裝在一個盒子裡), which runs until Aug. 18, invites