The Hwa Kang Museum is up Yangmingshan, Taipei, in a corner of the Chinese Culture University campus. Established in 1971 by the university's founder Zhang Qi-yun (
This four-floor building has approximately 549m2 of
exhibition space.
PHOTO: Courtesy of the Hwa Kang Museum
The first floor gallery is open for exhibitions to both campus artists and members of the public. The third floor is set to display pieces from the museum's
permanent collections of folk arts and Chinese ceramics. The fourth floor exhibition area is designated for large-scale, semester-long thematic presentations of fine arts. The museum's permanent
collection of modern and
contemporary Chinese paintings and calligraphy contains more than 4,000 masterpieces by Chinese artists. Big-name artists include Wang Yang-ming (
In its Chinese ceramics
collection, porcelain and pottery objects are covered through the ages, from the Neolithic Yang-shao culture to the Ming and Qing dynasties.
The folk art and woodblock print collections range from aged furniture, to embroidery, woodblock prints, temple and
monastery art and Aboriginal
cultural artifacts. All these remarkable collections require at least a half-day trip for serious art lovers.
Currently on the fourth floor, curator Margaret Chen (
The late Zhang Shu-qi never set foot in Taiwan in his lifetime and is thus unknown to the general public. Yet, his outstanding skill at drawing pigeons has been lauded by the late Xu Bei-hong (
Born in 1900, Zhang painted the 3m x 3m Hundred Doves in 1941, when China was being attacked by the Japanese. Applying olive trees and azalea flowers as a background, the painting vividly depicts 100 or more doves, each with different expressions. The painting suggests the artist's desire for peace at a time when the clouds of war were gathering.
The painting was subsequently presented to former US president Franklin D. Roosevelt as a gift in commemoration of his third
presidential inauguration. It was displayed in the White House and later became part of the permanent collection of the former president's library.
Zhang was a talented landscape and birds-and-flower painter. One daring approach that Zhang adopted was to use colored Chinese painting papers, instead of normal white ones, for many of his works done in the US.
"He developed a preference for using powdered lead white and red pigment on colored paper. His colors thus became extremely eye-catching," Margaret Chen said. Fang Yi-min
(方亦民), widow of Zhang Shu-qi, donated 40 of her late husband's works to the university in 1969, after Zhang passed away in 1957.
Zhang Shu-qi expresses his desire for peace through painting doves.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
President William Lai’s (賴清德) March 13 national security speech marked a turning point. He signaled that the government was finally getting serious about a whole-of-society approach to defending the nation. The presidential office summarized his speech succinctly: “President Lai introduced 17 major strategies to respond to five major national security and united front threats Taiwan now faces: China’s threat to national sovereignty, its threats from infiltration and espionage activities targeting Taiwan’s military, its threats aimed at obscuring the national identity of the people of Taiwan, its threats from united front infiltration into Taiwanese society through cross-strait exchanges, and its threats from
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at