Following the two-week marketing campaign for The Wayward Cloud (
Apart from the box office sales, Tsai is receiving other cash rewards. Last Thursday before the film's premiere, Kaohsiung City presented Tsai with NT$10 million because most of the film's scenes were shot in Kaohsiung.
Kaohsiung City set up the prize during Frank Hsieh's (
PHOTO COURTESY OF URBAN NOMAD
But the film's controversial content has led some Kaohsiung city citizens to begin questioning the policy. Last weekend at one Kaohsiung screening, a movie-goer walked out of the theater with angry sentiments: "Is it right to use us taxpayer's money to give to a film like this?"
This weekend, two mini film festivals will showcase more than 60 non-mainstream films.
Canadian Spring is a showcase of new and classic films from Canada (
PHOTO COURTESY OF SPOT
The Urban Nomad Film Fest (城市游牧影展), a showcase of independent shorts and animations will take place from tonight until Sunday night at Treasure Hill (寶藏巖), a community in south Taipei that has been revamped to be an open-air public space for contemporary arts events.
Two feature-length dramas by renowned director Denys Arcand will be the main focus at the Canadian Spring showcase. These include The Barbarian Invasion, which won the 2004 Oscar for best foreign language film, and the 1986 work The Decline of American Empire, which brought Arcand international fame.
Barbarian is a tragicomedy which has intense drama and vivid illustrations to tell the story of a free-spirited liberal professor facing the last days of his life and then looks at the different reactions and treatments from his friends and family.
PHOTO COURTESY OF URBAN NOMAD
Decline is an intriguing drama about four men and four women talking about sex, the female body and love affairs at one dinner party.
Besides the two dramas from Arcand, the opening film of Canadian Spring is worth checking out for its highly controversial topic. Casuistry: The Art of Killing a Cat scratches its way beneath the surface of an infamous Toronto animal cruelty case and deftly explores the opaque logic surrounding this macabre act, according to the Spot and e.bell Web sites.
Jesse Power, ex-vegetarian, was an art student when he conceived the act that inspired the film. In May 2001, he enlisted two friends, Anthony Wennekers and Matthew Kaczorowski, to help him kill a cat. The intention was to make a video that protested the unthinking consumption of factory-slaughtered animals by killing, cooking and eating a cherished domestic pet -- a feline posthumously named "Kensington" by animal-rights activists. Alerted by an outraged roommate, the police found the skinned and decapitated cat in the beer fridge. Kaczorowski fled and was apprehended in Vancouver two years later. All three eventually pleaded guilty to animal cruelty and mischief charges.
Coming into its fourth year, the Urban Nomad Film Festival presents a larger showcase this time with 50 short films. The event was organized by two expat journalists David Frazier and Sean Scanlan, and it looks to become a rare-find film festival in Taipei that preserves an underground spirit and a sense of raw creativity.
The independent films selected in the showcase are a mixture from four sources: US underground film scenes, Taiwanese film schools, overseas Taiwanese filmmakers and films made by expats in Taiwan. Genres include narrative, CG animation, experimental, surf videos, comedy, absurdity, documentary.
Nineteen-seventy-four is a 23-minute film that gives an amazing look at the seduction between a Taiwanese girl student and her English teacher. TC Lin (
There are also two documentaries that record ongoing international tragedies. The film Boom documents the civil war in Liberia and shows the heavy mortar shells and innocent people murdered. Those Left Behind looks at relief work in Sri Lanka one month after the devastating tsunami, as well as the political turmoil of the island nation.
There is also a CG animation about an innocent blow-up doll who gets abused by her new owner, titled Innocent Life.
The location of Urban Nomad also highlights an underground creativity. Finnish architect/designer Marco Cassagrande will help build an outdoor theater by the river by using bamboo and plastic sheets to make a tunnel above a short bridge. The audience will view the films sitting on the bridge. There will also be cases of Heineken provided.
For more program information check out the Urban Nomad blogsite, http://urbannomadfilmfest.blogspot.com.
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Stepping inside Waley Art (水谷藝術) in Taipei’s historic Wanhua District (萬華區) one leaves the motorcycle growl and air-conditioner purr of the street and enters a very different sonic realm. Speakers hiss, machines whir and objects chime from all five floors of the shophouse-turned- contemporary art gallery (including the basement). “It’s a bit of a metaphor, the stacking of gallery floors is like the layering of sounds,” observes Australian conceptual artist Samuel Beilby, whose audio installation HZ & Machinic Paragenesis occupies the ground floor of the gallery space. He’s not wrong. Put ‘em in a Box (我們把它都裝在一個盒子裡), which runs until Aug. 18, invites