If you notice an influx of teenage girls in the capital this weekend, you can thank Mayday (五月天), the punk rock pack-cum-pop idols that will be playing the Taipei Athletic tomorrow night.
A favorite of Taiwan's nascent rock scene in the mid to late-1990s, Mayday catapulted to fame following their Golden Melody nomination for Best Band in 2000. Though they lost the award that year, a contract they inked with Rock Records, the nation's largest label for rock music, gave them the marketing muscle they needed to start selling records on the same scale as perennially favorite pop stars like Lee Hom Wong (王力宏), Eason Chan (陳奕迅) and David Tao. They've since become one of Taiwan's only million-selling rock bands, behind Wu Bai and China Blue, and they've taken home their own Golden Melody awards for Best Band and Best Video and even had a Taipei City Honor award bestowed on them by Mayor Ma Ying-jeou (馬英九).
PHOTO: TAIPEI TIMES
But along with fame came a change in the style of the band's music. Songs that once had a harder edge to them softened, started fitting a more standard three-minute format and generally became more KTV-friendly. Their love ballad Chun-chiao and Chih-ming (春嬌與志明) was the No. 1 most-requested song in the nation's KTVs for over 50 weeks following their 2000 Golden Melody nod, according to their label.
Their lyrics now typically deal with love, where they once sang about teen angst and even gay rights -- a topic their music hasn't broached in recent years. Their more melodic pop sound has garnered them comparisons with the early Beatles -- one of Mayday's admitted idols. They even emulated the Fab Four's famous Apple Studios rooftop gig, playing a few songs atop EMI studios in downtown Taipei in December of 2003.
It was a far cry from their early gigs played in smoky Taipei pubs or in the fields of Spring Scream in the late 1990s, where they came up with bands like Sticky Rice (糯米團) and Luantan (亂彈). Some say the changes they've undergone over the past five years are tantamount to selling out, others dispute the charge. For their part, the band is now concerned with selling out in a much different meaning of the term.
In August of 2003, Mayday broke a Taiwan concert attendance record long held by Michael Jackson, surpassing the gloved-one's 40,000-ticket benchmark. Three months later, David Tao broke that record again by selling 50,000 tickets.
Reached by phone earlier this week, Mayday's publicity agent seemed confident the band would again get 40,000 fans into the house, but explained that it wouldn't be possible to get any more.
"We can't sell any more than 40,000 because that's the capacity of the Taipei Athletic Stadium," she said. "But I'm sure we'll sell out."
She suggested that anyone trying to get a ticket at the door arrive as early as possible. Alternatively, tickets are still being sold at the National Concert Hall (兩廳院), the only outlet which hasn't sold out. Nosebleed seats cost NT$500 and sitting front-row-center will set you back NT$1,500.
Performance notes:
What: Mayday concert
Where: The Taipei Athletic Stadium (
When: Tomorrow night, 7:30pm
Tickets: NT$500 to NT$1,500, at the door or at National Concert Hall (兩廳院)
Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance. The ceremony Sunday, which also saw Michael B. Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar. But “One Battle
In Kaohsiung’s Indigenous People’s Park (原住民主題公園), the dance group Push Hands is training. All its members are from Taiwan’s indigenous community, but their vibe is closer to that of a modern, urban hip-hop posse. MIXING CULTURES “The name Push Hands comes from the idea of pushing away tradition to expand our culture,” says Ljakuon (洪濬嚴), the 44-year-old founder and main teacher of the dance group. This is what makes Push Hands unique: while retaining their Aboriginal roots, and even reconnecting with them, they are adamant about doing something modern. Ljakuon started the group 20 years ago, initially with the sole intention of doing hip-hop dancing.
What was the population of Taiwan when the first Negritos arrived? In 500BC? The 1st century? The 18th? These questions are important, because they can contextualize the number of babies born last month, 6,523, to all the people on Taiwan, indigenous and colonial alike. That figure represents a year on year drop of 3,884 babies, prefiguring total births under 90,000 for the year. It also represents the 26th straight month of deaths exceeding births. Why isn’t this a bigger crisis? Because we don’t experience it. Instead, what we experience is a growing and more diverse population. POPULATION What is Taiwan’s actual population?
You would never believe Yancheng District (鹽埕) used to be a salt field. Today, it is a bustling, artsy, Kowloon-ish “old town” of Kaohsiung — full of neon lights, small shops, scooters and street food. Two hundred years ago, before Japanese occupiers developed a shipping powerhouse around it, Yancheng was a flat triangle where seawater was captured and dried to collect salt. This is what local art galleries are revealing during the first edition of the Yancheng Arts Festival. Shen Yu-rung (沈裕融), the main curator, says: “We chose the connection with salt as a theme. The ocean is still very near, just a
RSS