Scott Prairie and Mia Hsieh (
"It involves finding your own improvisational ideas, but then having a point of contact," Prairie explained, then demonstrated by tapping Hsieh on the arm.
PHOTOS COURTESY OF ALBERTO BUZZOLA
"It's about energy following reasoning," Hsieh said, picking up where Prairie left off.
If you don't follow the reasoning, don't worry, it's easier to follow Hsieh and Prairie's energy.
What started as a bump at that New York City workshop blossomed into a friendship, a creative collaboration, a marriage and, more recently, A Moving Sound (
The sound it serves up is best described by its ingredients. Prairie trained in classical music on the French horn but gave it up for psychology. Hsieh came to singing and dancing by way of theater administration. By the time Prairie met Hsieh, he had already gone back to music and bought a bass guitar that he'd retuned to get the effect he wanted. By the time she met Prairie, Hsieh had already stopped administering theater troupes in Taiwan to explore her own creativity in New York as part of a Fulbright scholarship.
Prairie tells of how Hsieh found her voice at a vocalization workshop at New York City's CBGB, after which the workshop organizers held an impromptu contest.
"The contest was yodeling," Prairie said. "Somebody dragged Mia on stage with all these crazy vocalists taking their turn. And when it came her turn she said `What is yodeling?' ... So somebody yodeleheehooed -- put it in her ear. She just let it fly and won the contest."
Her prize, she learned later, was six weeks of voice lessons with a contemporary of Meredith Monk, the pioneer of "extended vocal technique," whose work intersects music and movement.
"Before that, most of my experience was dance" in Taiwan, Hsieh said.
Like Monk, Hsieh became interested in the combination of voice and movement. Her interest was the seed that later sprouted into her and Prairie's sister project, A Moving Sound Theater. In their musical collaborations, Hsieh will construct a vocal narrative to melodies that Prairie has written, Several of Little Universe's tracks are sung in a language Hsieh has improvised, though you have to listen closely before realizing as much. Movement is used to help move the narrative, or else to involve the audience, give them instruments or get them dancing.
But they're hardly alone in their collaboration, be it for music or theatre. A Moving Sound is joined by percussionists Alex Wu (
The quintet actually finished recording Little Universe in November of last year (It was reviewed in Taipei Times' May 9 issue of this year under its original title, Pacu's Trip) In the past year, they toured the album through several US cities -- including Los Angeles, Seattle, Portland, New York and Pittsburgh, as well as performing at the Asian Acoustic Music Festival back in Taiwan and regular appearances at the Red Theater and Wisteria Tea House, to name a few.
Their sound combines a world of elements. It's Indian-spiced and Middle-Eastern flavored. It employs African rhythms and often has the texture of Taiwanese Aboriginal music. It's eclectic, but has a universality that keeps you humming along with it.
"We like to experiment with new combinations," Prairie said. An example?
"We have one girl joining us for next week's show who is a trained circus performer who's here studying Chinese opera. She'll perform while hanging from the ceiling on a piece of cloth."
A MOVING SOUND'S LITTLE UNIVERSE
TAIPEI
Thursday, Dec. 16 @ 7:30pm
Red Theater, 10 Chengdu Rd, Ximending, Taipei (紅樓劇場 北市成都路10號). Tickets NT$400, available at the door.
TAINAN
Saturday, Dec. 18 @ 4:30pm
Eslite Bookstore Square, Tainan (台南誠品書店戶外廣場 南市東區長榮路一段181號)
Free admission
Saturday, Dec. 18 at 7:26pm, 726 Art Space, Hai-an Rd. and Hopin St, Tainan (台南七二六劇場/台南市海安路&和平街口)
Free Admission
KAOHSIUNG
Sunday, Dec. 19 at 2pm, Eslite Bookstore, 21 Sanduo Fourth Rd, 17F, Kaohsiung (高雄誠品大遠百店/高雄市苓雅區三多四路21號17F)
Free admission
Sunday, Dec. 19 at 4pm, Pier 2 Art Districts, 1 Tayung Rd, Yencheng District, Kaohsiung (高雄駁二藝術特區高雄市鹽埕區大勇路1號).
Free Admission
Last week saw the appearance of another odious screed full of lies from the People’s Republic of China (PRC) Ambassador to Australia, Xiao Qian (肖千), in the Financial Review, a major Australian paper. Xiao’s piece was presented without challenge or caveat. His “Seven truths on why Taiwan always will be China’s” presented a “greatest hits” of the litany of PRC falsehoods. This includes: Taiwan’s indigenous peoples were descended from the people of China 30,000 years ago; a “Chinese” imperial government administrated Taiwan in the 14th century; Koxinga, also known as Cheng Cheng-kung (鄭成功), “recovered” Taiwan for China; the Qing owned
In Taiwan’s politics the party chair is an extremely influential position. Typically this person is the presumed presidential candidate or serving president. In the last presidential election, two of the three candidates were also leaders of their party. Only one party chair race had been planned for this year, but with the Jan. 1 resignation by the currently indicted Ko Wen-je (柯文哲) of the Taiwan People’s Party (TPP) two parties are now in play. If a challenger to acting Chairman Huang Kuo-chang (黃國昌) appears we will examine that race in more depth. Currently their election is set for Feb. 15. EXTREMELY
Jan. 20 to Jan. 26 Taipei was in a jubilant, patriotic mood on the morning of Jan. 25, 1954. Flags hung outside shops and residences, people chanted anti-communist slogans and rousing music blared from loudspeakers. The occasion was the arrival of about 14,000 Chinese prisoners from the Korean War, who had elected to head to Taiwan instead of being repatriated to China. The majority landed in Keelung over three days and were paraded through the capital to great fanfare. Air Force planes dropped colorful flyers, one of which read, “You’re back, you’re finally back. You finally overcame the evil communist bandits and
They increasingly own everything from access to space to how we get news on Earth and now outgoing President Joe Biden warns America’s new breed of Donald Trump-allied oligarchs could gobble up US democracy itself. Biden used his farewell speech to the nation to deliver a shockingly dark message: that a nation which has always revered its entrepreneurs may now be at their mercy. “An oligarchy is taking shape in America of extreme wealth, power and influence that literally threatens our entire democracy, our basic rights and freedoms,” Biden said. He named no names, but his targets were clear: men like Elon Musk
RSS