Fuego Fantastico's (迷火佛朗明哥舞坊) large-scale performance of Love Me or Die -- A Taiwanese Flamenco Theater (台北地圖之尋找潘金蓮) marks the first flamenco theater performance in the world adapted from classic Chinese literature and sung in Chinese, and demonstrates just how localized the art of flamenco dance can be.
Led by the founders of Fuego Fantastico, Lee Shin (李昕) and Lin Keng (林耕) and joined by renowned musical actor Wang Po-sen (王柏森), there will be four performances at The Chungshan Hall (中山堂) from 2:30pm tomorrow, incorporating live music, singing and a large amount of flamenco dance.
PHOTO COURTESY FUEGO FANTASTICO
Taipei-based Just Music Philharmonic Orchestra (宙斯愛樂管弦樂團) -- made up of harp, violins, flute, percussion and of course clappers -- will be playing live on stage. The music is composed by Joe Lee (李哲藝), music director and harpist of the orchestra. Flamenco guitarist Chan Che-hsiung (詹哲雄) will also join the orchestra adding more flamenco flavors.
If Carmen is traditionally the key female figure in most flamenco stories, what Lee Shin and Lin Keng have tried to do is transform the character of Carmen into a Chinese character personified by Pan Chin-lien (潘金蓮) -- or rather, the leading woman in 17the century Chinese erotic literature, The Golden Lotus (金瓶梅).
"Like Carmen, Pan Chin-lien is a woman who dares to express her desire and body, and who is not afraid at all about love and death," said Lee Shin about adapting Chinese literature to the flamenco stage.
In ancient literature, Pan was a woman who was involved with three men: Wu Ta-lang (武大郎), her husband, whom she kills; Hsih-Men Ching (西門慶) the lecherous lover of Pan; and Wu Sung (武松), Wu Ta-lang's younger brother, whom Pan tries and fails to seduce.
The image of Pan in Chinese culture is frowned upon. She is seen as lascivious, and evil. But here, Lee tries to spin a feminist angle.
"She is passionate, pursuing her own happiness and wanting to be the master of her own destiny. In the West, Carmen is considered a goddess, whereas in Chinese culture Pan Chin-lien is seen as a vicious woman," Lee said.
In Love Me or Die, Lee portrays the role of Pan. Twenty of her students from the dance studio will also dance together with her, sometimes portraying the critical voices condemning Pan, and other times showing the different desires inside Pan's heart.
Wang, a familiar face in the musicals of Godot Theater (果陀劇場), portrays the womanizer Hsih-Men Ching. Lin Keng, the art director of Fuego Fantastico, is in charge of choreography and is also another leading man in the performance, playing Wu Sung, Pan's righteous brother-in-law. Lin is one of the few outstanding male flamenco dancers based in Taiwan.
"Flamenco is about an inner force, a repressed yet very powerful desire and feeling. So, we think it is an art form most suitable to illustrate the story of Pan Chin-lien," said both Lee and Lin.
The Cuadro Flamenco Fuego Fantastico studio was set up in 1994 by Lee Shin and Lin Keng. It is the first private flamenco studio in Taipei. Over 3,000 students have enrolled in the past five years and it has expanded into three schools (two in Taipei, one in Taichung).
Performance notes:
What: Love Me or Die -- A Taiwanese Flamenco Theater.
When: 2:30pm to 4pm, June 19 and June 20; 7:30pm to 9pm, June 19 and June 20.
Where: Chungshan Hall, Taipei City, 98 Yenping S Rd, Taipei City
Tickets: NT$400 to NT$1400, available at ERA ticketing outlets.
Last week the State Department made several small changes to its Web information on Taiwan. First, it removed a statement saying that the US “does not support Taiwan independence.” The current statement now reads: “We oppose any unilateral changes to the status quo from either side. We expect cross-strait differences to be resolved by peaceful means, free from coercion, in a manner acceptable to the people on both sides of the Strait.” In 2022 the administration of Joe Biden also removed that verbiage, but after a month of pressure from the People’s Republic of China (PRC), reinstated it. The American
Chinese Nationalist Party (KMT) legislative caucus convener Fu Kun-chi (傅?萁) and some in the deep blue camp seem determined to ensure many of the recall campaigns against their lawmakers succeed. Widely known as the “King of Hualien,” Fu also appears to have become the king of the KMT. In theory, Legislative Speaker Han Kuo-yu (韓國瑜) outranks him, but Han is supposed to be even-handed in negotiations between party caucuses — the Democratic Progressive Party (DPP) says he is not — and Fu has been outright ignoring Han. Party Chairman Eric Chu (朱立倫) isn’t taking the lead on anything while Fu
Feb 24 to March 2 It’s said that the entire nation came to a standstill every time The Scholar Swordsman (雲州大儒俠) appeared on television. Children skipped school, farmers left the fields and workers went home to watch their hero Shih Yen-wen (史艷文) rid the world of evil in the 30-minute daily glove puppetry show. Even those who didn’t speak Hoklo (commonly known as Taiwanese) were hooked. Running from March 2, 1970 until the government banned it in 1974, the show made Shih a household name and breathed new life into the faltering traditional puppetry industry. It wasn’t the first
US President Donald Trump’s threat of tariffs on semiconductor chips has complicated Taiwan’s bid to remain a global powerhouse in the critical sector and stay onside with key backer Washington, analysts said. Since taking office last month, Trump has warned of sweeping tariffs against some of his country’s biggest trade partners to push companies to shift manufacturing to the US and reduce its huge trade deficit. The latest levies announced last week include a 25 percent, or higher, tax on imported chips, which are used in everything from smartphones to missiles. Taiwan produces more than half of the world’s chips and nearly all