For a testament to the presence of underground amateur film talent in Taipei, as well as to the concept that almost anyone can make movies now with a Guanghua-market PC and a cheap handycam, look no further than the Urban Nomad film festival, which starts today and runs through Sunday. The event screens a selection of short films by expat and local filmmakers that, while often extravagantly lo-fi in their production, are a refreshing break from the earnestness of Taipei's other film festivals.
This year, the organizers have tightened up their programming to cut down on the genuinely bad movies that have marred previous Urban Nomads and selected the choice cuts from among the movies submitted. They also solicited films from abroad and at colleges in Taiwan. So, this year's lineup of movies will try to balance the quirkiness of amateur alternative film with some near-professional level films to make the audience feel like their NT$200 wouldn't have been better spent on the latest Hollywood schlock flick.
A sneak preview of a handful of the scheduled movies shows plenty of promise. Tomorrow's digital shorts category will include former Taipei resident Jay Spieden's gory animation Choppy the Chimp and Les Arthur's Street Pong. In this second movie, two ping-pong players wheel their table through the streets of Taiwan to play in some random locations like in front of a Family Mart and eventually end up on a beach with the tide coming to add tension to their dramatic match point. It's not brilliant, but it's fun.
PHOTO COURTESY OF URBAN NOMAD
Norman Szabo's Dignity, which also screens tomorrow in the same category, enjoys some surprisingly good acting from local expats, as does TC Lin's spy thriller Clay Soldiers. Lin's film was submitted to the ladyxfilms.com film project that collects amateur spy flicks from around the world, and, in keeping with the genre's tradition, there are mysterious and ravishing ladies, a secret disc and a high-speed chase with bullets flying.
In tonight's program, two of the films previewed that are worth cheking out are The Locust, which is basically a music video for the LA band by the same name, and The Varieties of Romantic Experience, a short by Northwestern University film student Dan Freed shot with professional actors.
The highlight of the festival will be Sunday's screening of Aza Jakob's feature film Nobody Needs to Know, which has a synopsis on the film's own Web site that is entirely incomprehensible, but suggests a theme that explores the notion of the camera -- both the closed-circuit and the film kind -- as a tool of control. Part of the festival's program will be a free workshop tomorrow at Huashan Arts District by Ulead software company to tutor amateur filmmakers in its editing software.
PHOTO COURTESY OF URBAN NOMAD
PHOTO COURTESY OF URBAN NOMAD
March 24 to March 30 When Yang Bing-yi (楊秉彝) needed a name for his new cooking oil shop in 1958, he first thought of honoring his previous employer, Heng Tai Fung (恆泰豐). The owner, Wang Yi-fu (王伊夫), had taken care of him over the previous 10 years, shortly after the native of Shanxi Province arrived in Taiwan in 1948 as a penniless 21 year old. His oil supplier was called Din Mei (鼎美), so he simply combined the names. Over the next decade, Yang and his wife Lai Pen-mei (賴盆妹) built up a booming business delivering oil to shops and
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For the past century, Changhua has existed in Taichung’s shadow. These days, Changhua City has a population of 223,000, compared to well over two million for the urban core of Taichung. For most of the 1684-1895 period, when Taiwan belonged to the Qing Empire, the position was reversed. Changhua County covered much of what’s now Taichung and even part of modern-day Miaoli County. This prominence is why the county seat has one of Taiwan’s most impressive Confucius temples (founded in 1726) and appeals strongly to history enthusiasts. This article looks at a trio of shrines in Changhua City that few sightseers visit.
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