There is a fairy tale that tells of two quarreling gods who settle a dispute between them by making works of art out of haystacks. Jenju community
(
Jenju (which means "pearl") in Tungshan Township (
PHOTO COURTESY OF JENJU COMMUNITY DEVELOPMENT ASSOCIATION
The Jenju story begins in the mists of time with disputes arising from competition between two rival local temples, the Chinshing Divine Palace (
"My idea was fairly simple at the time," said Huang, who is in his 30s. "Since the adherents of these two temples used to boycott each other's religious activities, I figured that if I put their worshiping gods side by side, the followers would have to come together and participate in the same event."
This artistic display seemed to defuse the ancient antagonism overnight and now these two painted haystack gods have become landmarks for Jenju. The hay art festival is held from July to September every year and features such crafts as hay painting, hay-pulp masks, hay dolls, hay knitting and more.
"You see, we specialize in hay art from the standpoint of seeking community harmony. Huang's bold move has given his fellow residents a great opportunity to explore something creative in art. This goes far beyond what any farmer could have imagined in the past," said Lee Hou-zine (
One example of how people have benefited practically is the pulp-mask business, where straw is ground into powder and made into masks with a machine. This small enterprise now brings in an income of NT$2 million a year through sales to tourists. Another popular craft is cutting the hay into small sections, which are dyed and then glued onto wood panels to create paintings.
The Jenju community was created in February 1994 in an area that was formally inhabited by one of the 36 Pingpu Kuvalan tribes (
The 2.5km2 community relies primarily on rice and vegetable cultivation and is helped in this respect by the 24km-long Tungshan River which flows through it. A census accounted for 250 people in the area in 1810 and there are now 1,851, with a population increase of 10 percent in recent years, due perhaps to the community's success in providing jobs for its residents.
The river is used for many large-scale international water sport events and one of the most popular cultural activities in Taiwan, the International Children's Folklore and Folkgame Festival (
The Ilan County Government plans to launch a water bus project a few years from now by using solar-powered ferryboats to link Jenju Community, Chingshuei Park and other popular visitor points along the river. Its overarching aim is to set up a national waterfront recreation area to boost local tourism even further.
The Jenju community, however, is just one example of the many independent villages which have adapted to changes in the farming ecomomy. Other examples include Ilan's White Rice Community (
Under the 10-year-old Integrated Community Development Project (
If you do have the chance to visit Jenju, do not miss a pumpkin meal or baked pumpkin pie. Local resident Lee Chi-sen (
Lee, who is in his 60s, is an art-crazy farmer as well. He enjoys making carvings, in the shape of a Chinese dragon or other animals, on the skin of his pumpkins that hang from canopies of leaves in the garden.
There are many untold stories in the country's village communities and the story of one man bringing peace to a village through hay art is just one of them.
Last week saw the appearance of another odious screed full of lies from the People’s Republic of China (PRC) Ambassador to Australia, Xiao Qian (肖千), in the Financial Review, a major Australian paper. Xiao’s piece was presented without challenge or caveat. His “Seven truths on why Taiwan always will be China’s” presented a “greatest hits” of the litany of PRC falsehoods. This includes: Taiwan’s indigenous peoples were descended from the people of China 30,000 years ago; a “Chinese” imperial government administrated Taiwan in the 14th century; Koxinga, also known as Cheng Cheng-kung (鄭成功), “recovered” Taiwan for China; the Qing owned
When 17-year-old Lin Shih (林石) crossed the Taiwan Strait in 1746 with a group of settlers, he could hardly have known the magnitude of wealth and influence his family would later amass on the island, or that one day tourists would be walking through the home of his descendants in central Taiwan. He might also have been surprised to see the family home located in Wufeng District (霧峰) of Taichung, as Lin initially settled further north in what is now Dali District (大里). However, after the Qing executed him for his alleged participation in the Lin Shuang-Wen Rebellion (林爽文事件), his grandsons were
I am kneeling quite awkwardly on a cushion in a yoga studio in London’s Shoreditch on an unseasonably chilly Wednesday and wondering when exactly will be the optimum time to rearrange my legs. I have an ice-cold mango and passion fruit kombucha beside me and an agonising case of pins and needles. The solution to pins and needles, I learned a few years ago, is to directly confront the agony: pull your legs out from underneath you, bend your toes up as high as they can reach, and yes, it will hurt far more initially, but then the pain subsides.
A jumbo operation is moving 20 elephants across the breadth of India to the mammoth private zoo set up by the son of Asia’s richest man, adjoining a sprawling oil refinery. The elephants have been “freed from the exploitative logging industry,” according to the Vantara Animal Rescue Centre, run by Anant Ambani, son of the billionaire head of Reliance Industries Mukesh Ambani, a close ally of Prime Minister Narendra Modi. The sheer scale of the self-declared “world’s biggest wild animal rescue center” has raised eyebrows — including more than 50 bears, 160 tigers, 200 lions, 250 leopards and 900 crocodiles, according to