"I am not highly educated. I just use my camera to observe people and things. It doesn't have to appear `artistic,'" was Chang Tsai's (張
The 71 works in Classic Chang Tsai -- the Unreleased Photos, (遺
PHOTO COURTESY OF TIVAC
A series of photos of egrets taken in Taipei's Guandu at sunset are the most beautiful works in the exhibition. According to Chang Tsai's son, the two set out from their home before every sunset and rode to the water front with their Leica and several makeshift lenses, which were unsuited for wildlife photography, and spent a good few hours patiently waiting for their subjects.
Chang always captured them in their most serene and confident posture against a background of amazingly geometrical tree branches. These small-format prints have acquired a sense of mystique over time, as flood water and moisture made white marks on the paper that look like passing clouds or reflections on rivers.
Tao Aborigines on Orchid Island are the subjects of another enduring series taken in the 1940s. At a time well before the commercialization of their pristine environment, Tao men and women let Chang record their daily life and take their portraits, sometimes in exchange for just a few Taiwan-made cigarettes. They look diligent yet contented with their lifestyle. A photo of a lone Tao man carrying a small pot of drinking water to his shed implies the Tao's easy-going attitude to life that is worlds away from the current tourism-driven islands.
Chang was one of the first generation of Taiwanese photographers with an academic background. At 18, Chang went to Tokyo to study photo portraiture. Five years later, he opened his photo studio in Taipei. In 1942, Chang and his newly-formed family went to do business in Shanghai. Chang's photgraphy career did not really take off until he returned to Taipei with his first solo exhibition in what is now Zhongshan Hall in Taipei. Since then, Chang has organized exhibitions and published photography journals in Taiwan and exhibited abroad.
His series of portraits of Tao Aborigines near Jade Mountain remains the highest-acclaimed. One of Chang's favorites from the series -- the imperturbable and dignified face of a Tao prince -- is also on show.
Classic Chang Tsai -- the Unreleased Photo Works, runs through Feb. 18 at Taiwan International Visual Arts Center, 29, Ln 45, Liaoning St, Taipei. (台
There is a Chinese Communist Party (CCP) plot to put millions at the mercy of the CCP using just released AI technology. This isn’t being overly dramatic. The speed at which AI is improving is exponential as AI improves itself, and we are unprepared for this because we have never experienced anything like this before. For example, a few months ago music videos made on home computers began appearing with AI-generated people and scenes in them that were pretty impressive, but the people would sprout extra arms and fingers, food would inexplicably fly off plates into mouths and text on
On the final approach to Lanshan Workstation (嵐山工作站), logging trains crossed one last gully over a dramatic double bridge, taking the left line to enter the locomotive shed or the right line to continue straight through, heading deeper into the Central Mountains. Today, hikers have to scramble down a steep slope into this gully and pass underneath the rails, still hanging eerily in the air even after the bridge’s supports collapsed long ago. It is the final — but not the most dangerous — challenge of a tough two-day hike in. Back when logging was still underway, it was a quick,
From censoring “poisonous books” to banning “poisonous languages,” the Chinese Nationalist Party (KMT) tried hard to stamp out anything that might conflict with its agenda during its almost 40 years of martial law. To mark 228 Peace Memorial Day, which commemorates the anti-government uprising in 1947, which was violently suppressed, I visited two exhibitions detailing censorship in Taiwan: “Silenced Pages” (禁書時代) at the National 228 Memorial Museum and “Mandarin Monopoly?!” (請說國語) at the National Human Rights Museum. In both cases, the authorities framed their targets as “evils that would threaten social mores, national stability and their anti-communist cause, justifying their actions
In the run-up to World War II, Admiral Wilhelm Canaris, head of Abwehr, Nazi Germany’s military intelligence service, began to fear that Hitler would launch a war Germany could not win. Deeply disappointed by the sell-out of the Munich Agreement in 1938, Canaris conducted several clandestine operations that were aimed at getting the UK to wake up, invest in defense and actively support the nations Hitler planned to invade. For example, the “Dutch war scare” of January 1939 saw fake intelligence leaked to the British that suggested that Germany was planning to invade the Netherlands in February and acquire airfields