It's good to be Andy Wong (
Andy, as he is known by most every starlet and pop diva in the Chinese-speaking world, is a hairdresser. Specifically, he is the creative director of Eros 04, Taiwan's highest-profile and most expensive salon, where he holds court with a retinue of chic, curiously-coifed young things who look up to their boss as if he were some mythic being.
PHOTO: SEAN CHAO, TAIPEI TIMES
"Andy will see you now," whispers a girl whose frozen hair looks as if she's standing with her back to a strong wind. Eros has a cool green color scheme, down to the polished cement floor. It's Spartan save for the cozily cushioned chairs and the mirrors that reflect famous faces.
PHOTO COURTESY OF L'OREAL
Clients sneak surreptitious glances at one another, trying to look sexy while draped in a plastic smock with tin foil in their hair. There is the slightly rancid scent of a perm in the air.
Andy's voice and handshake are both warm and strong. He exudes the confidence you'd expect of a person at the top of his game. He has designed for photo spreads in Vogue, Elle, Marie Claire and others. He jets between his salon in Taipei and another, Orient 04, in his native Hong Kong.
PHOTO COURTESY OF MARIE CLAIRE
His client list reads like the guest list of a Golden Horse or Golden Melody awards. He is surrounded by beautiful, wealthy and powerful people that come to him in supplication, pay him handsomely and heap praise on him. He has an assistant named Monkey.
PHOTO COURTESY OF MARIE CLAIRE
"Get us a cup of tea, Monkey," he says, and off Monkey scoots. He stares straight ahead while he speaks as if reading cue cards, though his answers sound
anything but rehearsed.
"Beauty is a person's ability to realize their most special characteristics and bring them to the surface," he says. "I only help them realize it, the clients do the real work."
The clients he's speaking of are the film and music personalities looked up to by a billion Chinese youth; Faith Yang (
"They're clients, yes, but I consider them to be friends first."
They're friends, he explains, because they come to him with split ends and ended relationships and he's able to mend both. "There is an amount of psychology to what I do. A new styling can be the same as a new mental perspective, or a new lease on life."
How much will a new lease on life set you back? A straightforward cut is NT$3,600; perming or dyeing can cost upwards of NT$5,000. It is, according to Sarah Chen (
Without a doubt, Andy is the most sought-after hairdresser, not just for individual clients, but for film and video production as well. By rough estimates, he makes upward of US$500,000 a year, which is an improvement over the HK$500 (NT$2,200) per month he made when he first began cutting hair 20 years ago.
But for all the success he's enjoyed in the salon, he is equally talented with a camera in hand as he is a pair scissors and comb. An exhibition of his photos, taken on a recent visit to Xianjiang, is currently on display on the fourth floor of the Asia World Department Store.
The 40-year-old has also chronicled his life in a new book, Andy in Eros (玩美), released by Crown Publishing. A limited amount of free copies are available to visitors of his
exhibition.
If Andy's definition of beauty is to bring that which is most special in person to the surface, then he is surely himself a beautiful person. His own special characteristic is to make people feel good about themselves and leave his salon in a lighter mood, albeit with a lighter pocketbook. None of them seem to mind.
"I love Andy," said one freshly coiffed beauty stepping lightly out of Eros.
Yes, it's definitely good to be Andy.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
RSS