It's no secret that Hong Kong singer/actress Anita Mui (梅艷芳) has had some health problems of late, but Next Magazine (壹週刊) seems to be wandering onto thin legal ice in its latest issue by announcing that Mui is suffering from cervical cancer.
Mui has tried to silence the reports in the Hong Kong media about her health problems, to no avail, and threatened to sue anyone who writes erroneous stories on the subject. Never one to fear a lawsuit, Next references unnamed sources to back its claim that Mui has come down with the deadly disease. As evidence, the report says her family allegedly has been burning a lot of ghost money and carrying out various prayer rituals. Also, she's wearing black-bead bracelets that carry religious significance, and spent a night in hospital two weeks ago, where she received numerous mid-night hospital visits from famous friends like William So (蘇永康) and Nicholas Tse (謝霆鋒).
Mui said, however, that her hospital stay was not to treat anything as serious as the tabloids were suggesting. But so far, she hasn't clearly stated what ailment she is suffering from. The ominous element in the story is the fact that her sister died of cervical cancer three years ago at the age of 41.
Leaving the serious stuff behind and diving into the inane news that Pop Stop enjoys most, the gloves have come off and the claws are out in the battle between Sun Yanzi (孫燕姿) fans and S.H.E. fans after the g-music billboard chart was released last week. The chart showed that Yanzi had edged out the cutesy trio of Selina (S), Hebe (H) and Ella (E) to grab first place in sales and since then S.H.E. fans have been going for the jugular in online chat rooms. In the first week of its release on Aug. 22, Yanzi's album The Moment sold over 250,000 copies, just a few thousand more than S.H.E.
Selina and Hebe may have fed the flames of their fans' ire by telling media after the results came out that no matter what the chart says, "S.H.E.'s album will always be number one in our hearts and in the hearts of our fans."
The messages posted by rabid fans were so vitriolic, top executives for Yanzi and S.H.E.'s respective record labels tried to urge restraint from fans and praised their competitors. The calls for harmony are nice, but Pop Stop is really hoping for a rumble in Hsimenting between the two camps.
Leaving the pettiness of Taiwan teenie bopper fans behind, doe-eyed singer Jolin Tsai (蔡依林) took her show to Las Vegas, of all places, for a one-off concert last weekend at the Mandalay Bay resort and casino. It's not certain how many Chinese music fans made the trek to Las Vegas for the show, but she probably doesn't care, the one-hour show earned her a cool NT$2.5 million.
Also earning a quick American buck recently is Lee Hom Wang (王力宏), who signed up with McDonald's for the company's new international ad campaign. Lee Hom will be the voice in Chinese-speaking areas for the four-minute ditty composed by McDonald's headquarters. Just for recording the song, Lee Hom is reportedly raking in over seven figures, albeit in NT dollars.
Lee Hom will be performing in Taipei on Oct. 11 so if you haven't seen the ad on TV by then, you can probably hear the song at the show.
If we're to believe the Liberty Times (自由時報), the past week has seen an invasion of foreign stars looking to run off with Taiwanese people's money.
"If Taiwan's entertainment industry can't improve itself and create a larger space for the arts, then sooner or later, foreign artists will run away with our money," said the paper's column "Scissors" (剪刀) in its edition last Thursday. The column followed up on Tuesday in a piece titled "Korean stars aren't gods" by pillorying Korean TV star Han Jae-seok (韓在石) for failing to show up at a press conference. According to the column, the actor, who was reported to have had to attend an urgent meeting at the time, was not showing the proper respect to the Taiwanese press.
Pop Stop will be curious to see if "Scissors" has anything to say about Japanese E-cup porn star Asakawa Ran coming to Taiwan to launch a new career. Whatever she does, it won't be porn, because that's illegal here, and anyway, the market was cornered by that Taiwan Plumber (台灣水電工) movie that's all over the Web.
Most heroes are remembered for the battles they fought. Taiwan’s Black Bat Squadron is remembered for flying into Chinese airspace 838 times between 1953 and 1967, and for the 148 men whose sacrifice bought the intelligence that kept Taiwan secure. Two-thirds of the squadron died carrying out missions most people wouldn’t learn about for another 40 years. The squadron lost 15 aircraft and 148 crew members over those 14 years, making it the deadliest unit in Taiwan’s military history by casualty rate. They flew at night, often at low altitudes, straight into some of the most heavily defended airspace in Asia.
Beijing’s ironic, abusive tantrums aimed at Japan since Japanese Prime Minister Sanae Takaichi publicly stated that a Taiwan contingency would be an existential crisis for Japan, have revealed for all the world to see that the People’s Republic of China (PRC) lusts after Okinawa. We all owe Takaichi a debt of thanks for getting the PRC to make that public. The PRC and its netizens, taking their cue from the Chinese Communist Party (CCP), are presenting Okinawa by mirroring the claims about Taiwan. Official PRC propaganda organs began to wax lyrical about Okinawa’s “unsettled status” beginning last month. A Global
Taiwan’s democracy is at risk. Be very alarmed. This is not a drill. The current constitutional crisis progressed slowly, then suddenly. Political tensions, partisan hostility and emotions are all running high right when cool heads and calm negotiation are most needed. Oxford defines brinkmanship as: “The art or practice of pursuing a dangerous policy to the limits of safety before stopping, especially in politics.” It says the term comes from a quote from a 1956 Cold War interview with then-American Secretary of State John Foster Dulles, when he said: ‘The ability to get to the verge without getting into the war is
Like much in the world today, theater has experienced major disruptions over the six years since COVID-19. The pandemic, the war in Ukraine and social media have created a new normal of geopolitical and information uncertainty, and the performing arts are not immune to these effects. “Ten years ago people wanted to come to the theater to engage with important issues, but now the Internet allows them to engage with those issues powerfully and immediately,” said Faith Tan, programming director of the Esplanade in Singapore, speaking last week in Japan. “One reaction to unpredictability has been a renewed emphasis on
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