A combination of best-selling illustrated book author Jimmy Liao (幾米), theater director Miguel Li (黎煥雄) and film star Wing Fan (范植偉) has ensured the success of Sound of Colors -- Jimmy's Subway Book, a Musical Journey (地下鐵), the latest play from Taipei's Creative Society
(創
Jimmy Liao's first stage presentation of one of his books -- which are popular in Taiwan, Hong Kong and China -- has created such a buzz that tickets for the six performances at the National Theater in Taipei, started yesterday, sold out two weeks ago.
PHOTO COURTESY OF LOCUS PUBLISHING
"I have been anticipating this for so long, like the audience, and want to see the result. I want to see the crew really bring out that flower in my heart," said Liao, in language that is characteristic of his books.
In the large ballet rehearsal room at the National Theater, the crew for Sound of Colors repeatedly rehearsed each scene. Chen Chien-chi (陳建騏), the composer, directed the musicians through the jolly and slightly sentimental songs, creating an ambience for the setting, which is imaginary subway stations.
Pop singer Chen Chi-chen (陳綺貞) plays the protagonist, a young blind girl who takes a bold adventure, going alone, into the unknown world of subway stations. Chen, putting on her props -- shades and a walking stick -- moved toward the center of the rehearsal room. Wing Fan, who plays the mysterious man in black, stayed in a corner, reciting his lines. Then, a group of singers and dancers, in their colorful costumes showed up at the front of the stage, while director Li called on his actors to position themselves. "Wing, now you take position!"
PHOTO COURTESY OF LOCUS PUBLISHING
Published three years ago, Sound of Colors is one of Jimmy Liao's most popular books. It is the second time one of Liao's stories has been adapted to a different media. A Chance of Sunshine (向左轉, 向右轉) was adapted into the movie Turn Left, Turn Right by Hong Kong director Jonny To (杜琪峰). The Warner Brothers group invested in the movie, which is scheduled to be released in
September.
The story of Sound of Colors describes a young lady who lost her eyesight in early childhood and decides to take a subway trip to her 15th birthday party, by walking aimlessly through different stations. In Liao's delicate, colorful and imaginary landscape, the girl's adventure turns out to be a journey that tests her courage and attitude toward life.
PHOTO COURTESY OF LOCUS PUBLISHING
"What can be seen, and what cannot be seen, and what is the departure and what is the destination all become unclear as the play unfolds," Liao said.
"The inspiration I had for the book was based on many of my memories of traveling. I've been to different subway stations and seen different scenes, all shifting and fleeting," Liao said.
"In the story, the blind girl could not see the world's scenery, but imagination has made her world broader and her life more free."
Liao said when he created Sound of Colors, he tried to present the life journey like a play, which happened in acts. So, he said, he was happy to see the book actually become a play. The director is Liao's good friend, director Miguel Li. As a music producer he has produced four albums based on the illustrated works of Liao. He said Jimmy's unique sensitivity and his clear and simple language, allied to the solid and original pictures, created a glamorous image. "This is the main reason why he [Liao] wanted to adapt the book into a play."
To give Jimmy Liao's prose style a clearer dramatic narrative, Li has created more roles for the play, including the mysterious angel in black played by Wing Fan, the girl's father, a gardener and a railway worker. There will also be penguins, elephants, butterflies, Death and a toy soldier with minor parts.
"Basically, the play is something between the fairytale Alice in Wonderland and the black existentialism of novelist Franz Kafka," Li said. "I will not start from the perspective of the blind girl, instead, I will come from the angle of the father, who views life in terms of uncertainty."
In terms of style, Li has made Sound of Colors into a hybrid of musical and play, which has given give pop singers Chen Chi-chen and Huang Shin-shin (黃心心) roles to play. As for Wing Fan, the up-and-coming star who gained fame in the film Best of Times (美麗時光) and Crystal Boys (孽子),this will be his maiden singing performance.
"I'm a bit nervous, but the whole process is a lot of fun," he said.
Wing Fan, who last year joined Wong Kar-wai's (王家衛) Jet Tone Production Co (澤東電影公司) and will feature in Wong's future films. His good looks and brooding personality is said to be the main reason Wong signed him up for Jet Tone. But in the play, director Li finds another trait in Wing Fan. "He is not that melancholy. In rehearsal, he is like a naughty kid, jumping around and talking a lot more.
Having overseen the rehearsal, Liao said he was excited about the play, and having Xia Yu (夏宇) -- the famous poet -- write the lyrics for the songs. "I'm just very satisfied," he said.
US President Donald Trump may have hoped for an impromptu talk with his old friend Kim Jong-un during a recent trip to Asia, but analysts say the increasingly emboldened North Korean despot had few good reasons to join the photo-op. Trump sent repeated overtures to Kim during his barnstorming tour of Asia, saying he was “100 percent” open to a meeting and even bucking decades of US policy by conceding that North Korea was “sort of a nuclear power.” But Pyongyang kept mum on the invitation, instead firing off missiles and sending its foreign minister to Russia and Belarus, with whom it
When Taiwan was battered by storms this summer, the only crumb of comfort I could take was knowing that some advice I’d drafted several weeks earlier had been correct. Regarding the Southern Cross-Island Highway (南橫公路), a spectacular high-elevation route connecting Taiwan’s southwest with the country’s southeast, I’d written: “The precarious existence of this road cannot be overstated; those hoping to drive or ride all the way across should have a backup plan.” As this article was going to press, the middle section of the highway, between Meishankou (梅山口) in Kaohsiung and Siangyang (向陽) in Taitung County, was still closed to outsiders
President William Lai (賴清德) has championed Taiwan as an “AI Island” — an artificial intelligence (AI) hub powering the global tech economy. But without major shifts in talent, funding and strategic direction, this vision risks becoming a static fortress: indispensable, yet immobile and vulnerable. It’s time to reframe Taiwan’s ambition. Time to move from a resource-rich AI island to an AI Armada. Why change metaphors? Because choosing the right metaphor shapes both understanding and strategy. The “AI Island” frames our national ambition as a static fortress that, while valuable, is still vulnerable and reactive. Shifting our metaphor to an “AI Armada”
The Chinese Communist Party (CCP) has a dystopian, radical and dangerous conception of itself. Few are aware of this very fundamental difference between how they view power and how the rest of the world does. Even those of us who have lived in China sometimes fall back into the trap of viewing it through the lens of the power relationships common throughout the rest of the world, instead of understanding the CCP as it conceives of itself. Broadly speaking, the concepts of the people, race, culture, civilization, nation, government and religion are separate, though often overlapping and intertwined. A government
RSS