The clock is turned back to 1933. It is a time of big bands, ragtime jazz and ballroom dancing. The phonograph is all the rage. Even as China was caught in the grip of civil unrest, a new middle-class lifestyle was emerging in Taiwan. Fashionable people would sit along the boulevards drinking coffee, dancing the waltz and the fox trot and singing the new hit songs of a period.
Today, Grandma Ai-ai (
"It was a new world for us. Young people began to enjoy the freedom to meet and dance [instead of being confined by the family]," she said. "Men and women dubbed themselves `black cats' and `black dogs,' the equivalent of the `la-mei' [hot chicks] and `shuai-ke' [cool guys] who frequent Taipei's chic bars and restaurants today."
The life of these youngsters, so similar yet so different from youth culture today, is the subject of a new PTS documentary, A Dance Era (
"We wanted to present a Taiwan music history, complete with the atmosphere of that time, so that young people could come to grips with that period," said Lee Kun-cheng (
Seven years ago, Lee was working at the now-defunct Taipei Radio Station (
A Dance Era is basically the result of Lee's seven years collecting old records. In total, he has gathered more than 20,000 vinyl records dating back to the early 1900s, more than 100 antique phonographs.
"I was almost a mad man running around 200 towns in Taiwan, searching for old records. If an old house was to be demolished, I would rush down, driving through the night, to see what I could find there. I have developed a network of more than 200 informants, people in moving companies, interior design firms and antique buyers," said Lee.
In addition to collecting, Lee also learned how to wash, dry and preserve the records. He also learned from different experts how to fix the antique phonographs.
"I've become a traveler of Taiwan's past. A wanderer through its old memories," he said.
What he has called A Dance Era, is the period in which Taiwan's popular music flourished during the tail-end of the Japanese occupation period. It is the time between 1929 and 1940 when Taiwan had its own flourishing popular music industry.
A Dance Era was shot in 16mm film, directed by Jian Wei-si (簡偉斯) and Kuo Jen-ti (郭珍弟), edited by Chen Po-wen (陳博文) and with sound editing by Tu Duu-chih (杜篤之). The narration, in Taiwanese, which drips with nostalgia, is done by Chen Li-kuei (陳麗貴).
The turn of the century was a time of rapid modernization in which Taiwan began to enjoy the advantages of railways, electricity and running water. Men cut their queues and women stopped binding their feet. Cities like Taipei were eager for new types of entertainment. It was against this background that Japan's Columbia Records was established in Taiwan. From 1929, the company began to hire local songwriters and to publish local singers.
The song, A Dance Era, was written by Chen Chun-yu (
The program not only contains an abundance of old music. There is also Grandma Ai-ai, a former singer for Columbia records, recounting her experiences and the many stories of romantic affairs between the singers and the song writers, many of them young Taipei college students.
"It is these songs that established the basis of Taiwan's music industry. It also goes to prove that we had a local music industry long before the five major music labels set up here in the 1980s," Lee said.
The Dance Era came to an end with the war in the Pacific, but Lee believes that even from this period, there is still plenty more to collect. He is intending to publish more work about Taiwan's early music and also said that a number of record company's have since expressed interest in republishing these Taiwanese songs.
"If all goes well, people will be able to dance to this music again by September," said Lee excitedly.
For your information:
Episode 1 of A Dance Era will be screened on Public Television Service (PTS) tonight at 10pm. The second episode of the two-part series goes to air May 1 at 10pm. The program will be replayed Apr. 25 and May 2 at 10pm for Episodes 1 and 2 respectively.
Seven hundred job applications. One interview. Marco Mascaro arrived in Taiwan last year with a PhD in engineering physics and years of experience at a European research center. He thought his Gold Card would guarantee him a foothold in Taiwan’s job market. “It’s marketed as if Taiwan really needs you,” the 33-year-old Italian says. “The reality is that companies here don’t really need us.” The Employment Gold Card was designed to fix Taiwan’s labor shortage by offering foreign professionals a combined resident visa and open work permit valid for three years. But for many, like Mascaro, the welcome mat ends at the door. A
Last week gave us the droll little comedy of People’s Republic of China’s (PRC) consul general in Osaka posting a threat on X in response to Japanese Prime Minister Sanae Takaichi saying to the Diet that a Chinese attack on Taiwan may be an “existential threat” to Japan. That would allow Japanese Self Defence Forces to respond militarily. The PRC representative then said that if a “filthy neck sticks itself in uninvited, we will cut it off without a moment’s hesitation. Are you prepared for that?” This was widely, and probably deliberately, construed as a threat to behead Takaichi, though it
Nov. 17 to Nov. 23 When Kanori Ino surveyed Taipei’s Indigenous settlements in 1896, he found a culture that was fading. Although there was still a “clear line of distinction” between the Ketagalan people and the neighboring Han settlers that had been arriving over the previous 200 years, the former had largely adopted the customs and language of the latter. “Fortunately, some elders still remember their past customs and language. But if we do not hurry and record them now, future researchers will have nothing left but to weep amid the ruins of Indigenous settlements,” he wrote in the Journal of
If China attacks, will Taiwanese be willing to fight? Analysts of certain types obsess over questions like this, especially military analysts and those with an ax to grind as to whether Taiwan is worth defending, or should be cut loose to appease Beijing. Fellow columnist Michael Turton in “Notes from Central Taiwan: Willing to fight for the homeland” (Nov. 6, page 12) provides a superb analysis of this topic, how it is used and manipulated to political ends and what the underlying data shows. The problem is that most analysis is centered around polling data, which as Turton observes, “many of these