Although its a party/arts event at Huashan organized by lao-wai, this is a far cry from the "foreigner head-shaking party" that tabloids enjoy getting steamed up about. It is, in fact, the Urban Nomad Film Festival (城市游牧影展), now back at Huashan for the second year.
This time round, a more complete selection of films will be shown, and these will be more focused on a single theme. In total, there will be 25 films (experimental, shorts, documentaries and mockumentaries) screening over two days.
PHOTO COURTESY OF URBAN NOMAD
The Friday event begins with three experimental shorts. Tony Wu (吳俊輝), from Taiwan, a frequent participant in international short film or experimental film festivals, will present his latest work Making Maps (製造地圖). Wu's experimental style makes use of found footage, animated images and optical printing.
In Making Maps, he uses these methods to talk about pornography, specifically blood and semen. For Wu, the pornographic images he weaves through this 21-minutes is a way of creating a physical and psychological map of human beings.
Another Taiwan entry is Lin Hongjohnn's (林宏璋) film about Taiwan's UFO cult. Lin, as the nephew of UFO cult leader, Chen Heng-ming, has unique access to the true believers.
The main event on Saturday is the Taiwan premiere of an underground film Redneck Vampire, a mockumentary by Mike Anderson. In the film, Anderson tracks down a man in central Alabama, who claims to be a redneck vampire, and explores his life of drugs, sex and immortality. The film proved a big hit on the Internet with its hilarious play on racial and class stereotypes. Even Ann Rice, the author of Interview with the Vampire, has signed on at the film's Web site.
The mockumentary is followed by the rockumentary session of three film. Dark Funeral, a film documenting the Taiwan performance of a Swedish black metal band. It explores their views on satanic cults and church burning. The film was previously selected for the 2002 New York Underground Film Festival.
For film-loving people, Urban Nomad will be an event to spot some innovative or odd creations of independent filmmaking. And for those who just want to chill out, there will be live music today and tomorrow nights, accompanied by film footage of surfing, punk rock concerts and a remix of Hitchcock's classic film Psycho.
The Urban Nomad Film Festival will run tonight and tomorrow at the Huashan Arts District (華山藝文特區) starting at 8pm. Huashan is located at 1 Pateh Rd., Sec. 1,Taipei (台北市八德路一段1號). Tickets are NT$200 for one day or NT$300 for both days. Tickets available at the door.
In Taiwan there are two economies: the shiny high tech export economy epitomized by Taiwan Semiconductor Manufacturing Co (TSMC, 台積電) and its outsized effect on global supply chains, and the domestic economy, driven by construction and powered by flows of gravel, sand and government contracts. The latter supports the former: we can have an economy without TSMC, but we can’t have one without construction. The labor shortage has heavily impacted public construction in Taiwan. For example, the first phase of the MRT Wanda Line in Taipei, originally slated for next year, has been pushed back to 2027. The government
July 22 to July 28 The Love River’s (愛河) four-decade run as the host of Kaohsiung’s annual dragon boat races came to an abrupt end in 1971 — the once pristine waterway had become too polluted. The 1970 event was infamous for the putrid stench permeating the air, exacerbated by contestants splashing water and sludge onto the shore and even the onlookers. The relocation of the festivities officially marked the “death” of the river, whose condition had rapidly deteriorated during the previous decade. The myriad factories upstream were only partly to blame; as Kaohsiung’s population boomed in the 1960s, all household
Allegations of corruption against three heavyweight politicians from the three major parties are big in the news now. On Wednesday, prosecutors indicted Hsinchu County Commissioner Yang Wen-ke (楊文科) of the Chinese Nationalist Party (KMT), a judgment is expected this week in the case involving Hsinchu Mayor Ann Kao (高虹安) of the Taiwan People’s Party (TPP) and former deputy premier and Taoyuan Mayor Cheng Wen-tsan (鄭文燦) of the Democratic Progressive Party (DPP) is being held incommunicado in prison. Unlike the other two cases, Cheng’s case has generated considerable speculation, rumors, suspicions and conspiracy theories from both the pan-blue and pan-green camps.
Stepping inside Waley Art (水谷藝術) in Taipei’s historic Wanhua District (萬華區) one leaves the motorcycle growl and air-conditioner purr of the street and enters a very different sonic realm. Speakers hiss, machines whir and objects chime from all five floors of the shophouse-turned- contemporary art gallery (including the basement). “It’s a bit of a metaphor, the stacking of gallery floors is like the layering of sounds,” observes Australian conceptual artist Samuel Beilby, whose audio installation HZ & Machinic Paragenesis occupies the ground floor of the gallery space. He’s not wrong. Put ‘em in a Box (我們把它都裝在一個盒子裡), which runs until Aug. 18, invites