On Oct. 31, the National Concert Hall and the National Theater will turn 15. At a press conference last Tuesday, Chiang Kai-shek Cultural Foundation director Ju Jung-ching
Ju, the director of Taiwan's most highly regarded percussion ensemble who took over management of the National Theater and Concert Hall last year, said that an important aim of the nation's premier performance venues was to bring down the entry barrier for the appreciation of the arts. "It is for this reason that we have brought in corporate sponsorship for some events," he said, pointing primarily to the Jose Cura and Kathleen Battle recitals in November, where premium seats will be available for only NT$2,500 and prices going as low as NT$400. The event is being sponsored by the Delta Foundation (
Saying that he did not want to upset proceedings, he gained vocal support from an audience that included many of Taiwan's top performers when he pointed out that the corporate support that the CKS Cultural Foundation was so loudly promoting was only going to high-profile classical music concerts, with absolutely nothing for drama. Although ticket sales for The Aurora Borealis (
PHOTO: IAN BARTHOLOMEW, TAIPEI TIMES
In line with lowering the entry barrier for people who might not generally be regular theater-goers, a number of big shows have been scheduled for outdoor spaces around the theater and concert hall. This will include a massive outdoor performance of ketsai opera by the Ming Hwa Yuan Taiwanese Opera Company (明華園). Chen Sheng-fu (陳勝福), the president of Ming Hwa Yuan, promised to draw 200,000 for a free outdoor concert scheduled for Oct. 31, in a display of bravado that is well backed up by the company's strong commercial record. Overall, for indoor performances, CKS public relations chief Liu Jia-yu (劉家渝) said that there were at total of 120,000 tickets to be sold for the three month season of 107 performances.
In addition to Jose Cura and Kathleen Battle, the other major imported acts include a visit by cello virtuoso Misoslav Rostropovich (Sept. 7), the first and third groups of the Nederlands Dans Theater (Oct. 11-13 and Oct. 25-27) and the Choir of Westminster Abbey (Oct. 27). High-profile local premiers include Smoke by the Cloud Gate Theater and in the minor league, the launch of the Zhu Lu-hao Traditional Chinese Theater Company (朱陸豪京劇團), in which famed comedian Sung Shao-ching (宋少卿) in what is being billed as "new Chinese comic opera" (Oct. 17-20) and She is Walking, She is Smiling, by Performance Workshop directed by Chin Shih-jie (金士傑). On the music front, the National Symphony Orchestra, under Chien Wen-bin, will perform the complete Beethoven symphonies and piano concerti in five concerts in September.
Tickets are already on sale, and for the major events are selling well. More information about events can be found on the Web at http://www.ntch.edu.tw.
Jan. 6 to Jan. 12 Perhaps hoping to gain the blessing of the stone-age hunter-gatherers that dwelt along the east coast 30,000 years ago, visitors to the Baxian Caves (八仙洞) during the 1970s would grab a handful of soil to bring home. In January 1969, the nation was captivated by the excavation of pre-ceramic artifacts and other traces of human habitation in several caves atop a sea cliff in Taitung County. The majority of the unearthed objects were single-faced, unpolished flake tools fashioned from natural pebbles collected by the shore. While archaeologists had found plenty of neolithic (7,000 BC to 1,700
Famed Chinese demographer Yi Fuxian (易富賢) recently wrote for The Diplomat on the effects of a cross-strait war on demography. He contended that one way to deter the People’s Republic of China (PRC) is by putting the demographic issue front and center — last year total births in the PRC, he said, receded to levels not seen since 1762. Yi observes that Taiwan’s current fertility rate is already lower than Ukraine’s — a nation at war that is refusing to send its young into battle — and that its “demographic crisis suggests that Taiwan’s technological importance will rapidly decline, and
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Her greatest fear, dormant for decades, came rushing back in an instant: had she adopted and raised a kidnapped child? Peg Reif’s daughter, adopted from South Korea in the 1980s, had sent her a link to a documentary detailing how the system that made their family was rife with fraud: documents falsified, babies switched, children snatched off the street and sent abroad. Reif wept. She was among more than 120 who contacted The Associated Press this fall, after a series of stories and a documentary made with Frontline exposed how Korea created a baby pipeline, designed to ship children abroad as quickly as
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