Thirty years ago it looked as if cellist Mischa Maisky was set to become one of the Soviet Union's prize musicians. Born in 1948 in Riga, the capital of the then Soviet satellite-state of Latvia, Maisky was a grade-A student at the Riga Conservatory at the age of 17. In 1965 he moved to Leningrad, where more accolades awaited the young cellist.
Winning the Soviet Union's national cello competition and enjoying a highly acclaimed debut with the Leningrad Philharmonic that same year, Maisky was slowly, but surely gaining a reputation as one of the nation's most talented young cellists. Misfortune, however, was lurking just around the corner.
PHOTO COURTESY OF PARIS INTERNATIONAL
Moving to Moscow in the late 1960s in order to study at the Moscow Conservatory under the guidance of renowned cellist, Mstislav Rostropovich, Maisky's life took to a drastic turn for the worse after his sister left the Soviet Union for Israel.
He was targeted as a troublemaker and harassed by the state security police. Security forces finally arrested Maisky in 1970 for buying a tape recorder on the black market. He was sentenced to 18 months in a labor camp and denied the chance to graduate from the prestigious institute.
"Things changed rather drastically and for the last three years of `my first life,' as I like to call it, I didn't even see my cello, let alone play it," recalls Maisky. Two years in a Soviet labor camp didn't dampen Maisky's passion for the cello, however.
After completing his sentence in mid-1972, he attempted to re-enter the institute and finish the final year he missed due his incarceration.
Of a total of 65 examinations needed to graduate from the Moscow Conservatory, Maisky had completed 63. The two remaining tests were cello playing and a very euphonious sounding examination entitled "scientific communism."
"I contacted them after release in `72, but it was impossible for me to return to my studies in Russia," said Maisky. "I don't regret the things that happened to me because even though I never received a diploma from Moscow Conservatory I think I had a much more complete life education."
Maisky's "second life" began at the end of 1972. Now living in Israel, his sister petitioned Teddy Kollek, the mayor of Jerusalem at the time, to pressure Soviet authorities to allow Maisky to join the family in the Jewish state.
In order to leave the USSR, Maisky needed a sponsor, who was expected to compensate the state for his education. The amount of cash paid for Maisky's release was, as he puts it, "substantial." It was forthcoming, however, and by 1973 the young cellist was once again performing in front of audiences.
Making his US debut in 1973 at the Carneige Hall with the Pittsburgh Philharmonic under the baton of conductor William Steinberg, Maisky was chosen by Russia's other great cellist, Gregor Piatigorsky -- who was living in Los Angeles -- to be his student. This made Maisky the only cellist to study under both Rostropovich and Piatigorsky.
Throughout the 1970s and 1980s, Maisky continued to win both competitions and acclaim around the world. Performing to packed houses in Europe the US and Asia, and especially Japan where the artist still enjoys a strong following today, Maisky soon became one of the worlds' most in-demand cellists.
In 1995, Maisky returned to Russia for the first time since his departure in 1972. While initially feeling apprehensive about returning to the land where he was once incarcerated, his return proved favorable for both the cellist and post-Soviet audiences.
"I must confess it was not just like going anywhere else. It was different. I never felt any particular sentiments or nostalgia, God forbid, but I still remember growing up there," explains the cellist. "I had mixed feelings about the people but the audiences were very appreciative and I enjoyed playing there."
There he not only performed with the Russian National Orchestra but was also asked by the prestigious classical label, Deutsche Grammophon, to record a series of works by renowned Russian composers Sergei Prokofiev and Nikolai Miaskovsky. Maisky has recorded over 35 solo and collaborative albums for the Deutsche label to date, and is planning many more.
"I don't think I can yet point to one record as my favorite. I like to think that my next one will be, but I'm still growing and will continue to release albums until I have a favorite one," continues Maisky. "Which could take sometime."
While now based in Belgium, Maisky continues to travel extensively and perform both solo and with national orchestras. While orchestral performances are now part-and-parcel of his career, Maisky finds it rather restricting and prefers to perform with a more intimate number of performers.
"I don't really get on with orchestras. I find playing with a large group restricts me and doesn't allow me to create the sound I want," concludes Maisky.
For his upcoming shows in Kaohsiung and Taipei, local audiences will be treated to a, thankfully, unrestricted performance by Maisky. Joined on stage by Argentinean pianist Sergio Tiempo, the duo will be performing Mendelssohn's Sonata No.2 in D major, Shostakovich's Sonata in D minor and Chopin's Sonata in G minor.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern