A selection from the TFAM's permanent collection offers a look at Taiwan's art over the last centuryTwo terrific shows currently running in Taipei sum up the 20th century in very different fashions. The first at Taipei Fine Arts Museum (TFAM) is an attempt to write Taiwan's art history, not in print, but in 117 master paintings from the institute's permanent collection. The second show is at Dimensions Art Center, where an assortment of 25 works showcase the diverse culture of Taiwan's contemporary art scene at the end of the last century.
TFAM's retrospective show, called "Highlights from the Permanent Collection," looks back at 100 years of art in Taiwan, covering ground-breaking material such as Huang Tu-shui's (
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
The exhibition is spread out over two floors of the museum, with eight halls on the second floor separated according to decade. Highlights of the show include masterpieces such as Liao Chi-chun's (
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
Most of the first floor artwork takes an angst-ridden look at society, challenging social norms and values through mixed media presentations that range from video installations to computer-aided print outs. Yao, for example, humorously touches upon the issue of the tense relationship across the Taiwan Strait, while Hung, centers his themes around Japanese comic characters that are the only company of many children of working parents. Provocative woodcuts by Hou Chun-ming's (侯俊明) and Huang Chih-yang's (黃志陽) Space Series (1992), which feature scrolls with images of beast-like humans, touch on taboos such as sex and morality. Touching on the issue of the media and society, Wang Jun-jien's (王俊傑) multimedia installation uses repeated images to issue a scathing critique of crass contemporary commercialism.
For your information
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
What: Highlights from the Permanent Collection
PHOTO: CHEN CHENG-CHANG, TIAIPEI TIMES
Where: Taipei fine arts museum, 181 Chung-shan N. Rd., Sec. 3, Taipei (台北美術館,台北市181中山北路3段)
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
When: First floor until March 25, second floor until July 8
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
At Dimensions Art Center, modern artists take a jaded look at the 20th century
"Passion for the Good Old Days" at Dimensions Art Center, with its 25 pieces, offers a sort of off-Broadway contrast to TFAM's retrospective exhibition.
This irreverent contemporary art show says goodbye to the 20th century by being fun and dynamic, and reminds one of the recently-closed Taipei Biennial at TFAM. Drawing from a variety of sources, this lively show displays the cultural mix evident in Taiwan's contemporary art. The only overlap with TFAM's Highlight show is a mixed-media installation depicting Japanese comic book characters by Hung Dung-lu (洪東祿).
The eight featured artists, each with their unique and idiosyncratic style, are placed under two categories: passion for childhood and passion of self. Some of the self-portraits are highly personal, sometimes verging on narcissistic, while others make sarcastic critiques of society and people.
Installation artist Hung Yi's (洪易) has created four-layered acrylic boxes, one of which is a model of a teahouse with the facade of a police station, suggesting that policemen prefer to sip tea, rather than patrol the streets.
Peng Hung-chih (彭弘智), another installation artist, made a dog sculpture which requires the viewer to kneel and look into its eyes. Inside the dog one sees a video of oneself as a dog eating dog food. At this point, the viewer recognizes the significance of the sound of a dog eating which is piped incessantly through the gallery's sound system.
Lee Yi-chuan (李宜全), a contemporary artist who recently returned from a two-month stay at the OMI art village in New York, made an enlarged board game which portrays commercialism and gambling as pervasive elements of our lives.
For your information
What: Passion For The Good Old Days
Where: Dimensions Art Center (帝門藝術中心), 2F, 341, Sec. 4, Jen Ai Rd., Taipei (臺北市仁愛路四段341號2樓)
When: Until Feb. 28
A jumbo operation is moving 20 elephants across the breadth of India to the mammoth private zoo set up by the son of Asia’s richest man, adjoining a sprawling oil refinery. The elephants have been “freed from the exploitative logging industry,” according to the Vantara Animal Rescue Centre, run by Anant Ambani, son of the billionaire head of Reliance Industries Mukesh Ambani, a close ally of Prime Minister Narendra Modi. The sheer scale of the self-declared “world’s biggest wild animal rescue center” has raised eyebrows — including more than 50 bears, 160 tigers, 200 lions, 250 leopards and 900 crocodiles, according to
They were four years old, 15 or only seven months when they were sent to Auschwitz-Birkenau, Bergen-Belsen, Buchenwald and Ravensbruck. Some were born there. Somehow they survived, began their lives again and had children, grandchildren and even great grandchildren themselves. Now in the evening of their lives, some 40 survivors of the Nazi camps tell their story as the world marks the 80th anniversary of the liberation of Auschwitz-Birkenau, the most notorious of the death camps. In 15 countries, from Israel to Poland, Russia to Argentina, Canada to South Africa, they spoke of victory over absolute evil. Some spoke publicly for the first
Due to the Lunar New Year holiday, from Sunday, Jan. 26, through Sunday, Feb. 2, there will be no Features pages. The paper returns to its usual format on Monday, Feb. 3, when Features will also be resumed. Kung Hsi Fa Tsai!
When 17-year-old Lin Shih (林石) crossed the Taiwan Strait in 1746 with a group of settlers, he could hardly have known the magnitude of wealth and influence his family would later amass on the island, or that one day tourists would be walking through the home of his descendants in central Taiwan. He might also have been surprised to see the family home located in Wufeng District (霧峰) of Taichung, as Lin initially settled further north in what is now Dali District (大里). However, after the Qing executed him for his alleged participation in the Lin Shuang-Wen Rebellion (林爽文事件), his grandsons were
RSS