At the closing ceremony of the Taipei Film Festival (TFF) last night, winners in the competition categories of the festival were announced and awarded their prizes. The main categories included local commercial releases, local independent releases, the Citizen Film and Video Competition and the Golden Lion International Student Film Festival.
The main event of the evening was the award of substantial cash prizes for the best achievements in independent film making -- films made without studio assistance and without commercial release. The Grand Prize of NT$1 million went to Birdland (
On receiving the prize, Huang told Taipei Times he would use the prize money to help repay debts accrued in the making of the NT$1.7 million feature about an illegal immigrant from China who first finds himself mistaken for another man and then finds an old lover while wandering about in Taipei.
Winners in other categories were awarded a cash prize of NT$200,000. Among the winners were Chen Hsin-yi (
And she wasn't (
In the commercial release category, the Best Film award went to Mirror Image (
The other winner of Most Promising Director this year was Chen Yi-hsiung (陳義雄) for his debut Sunny Doll (晴天娃), a film about high school life. Chen's most recent achievement was the script for Chang Chih-yung's (張志勇) Lament of Sand River (沙河悲歌), which was one of the dark horses to emerge from the Golden Horse this year.
The Citizen Film and Video Competition (
The Golden Lion Award for international student films went to Photographer by Alexander Kott, from Russia. The silver and bronze lion awards went to Night Course by Bui Thac Chuyen from Vietnam and The Magic Bell by Auriel Klimt from the Chech Republic, respectively.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern
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