Maestro Henry Mazer doesn't talk when he's conducting. And he doesn't stop the flow of music for anything. He is nicknamed "cobra eyes" for his intense, sharp gaze that fixes on any musician who plays an errant note during rehearsal.
Intimidating? Not at all. For musicians at the Taipei Sinfonietta & Philharmonic Orchestra, music director and conductor Mazer is why they enjoy playing music so much. He doesn't impose his own standards. He doesn't put the musicians down. He doesn't create tension or stress.
"I believe in making them play. I don't like to force anything. They know what I want and I know what they can do," says Mazer, the music director and conductor of Taiwan's most successful orchestra.
A music critic once described Mazer as "an amusingly crusty character," which in some way is similar to the conductor's favorite cartoon character, Garfield. Anecdotes abound about the man, with a particular favorite being one about when Mazer first came to Taiwan in 1975. Living in Kaohsiung, he first led the city's orchestra. Whenever his musicians played badly during rehearsals, he would turn and bow to a picture of Sun Yat-sen or Chiang Kai-shek and humorously lament: "I am sorry to let you listen to this, sir."
At the age of 80, and after a lifetime of conducting, he says he feels like the luckiest man in the world. "I have had the most successful career here," says Mazer, who for a long time assisted American conductors William Steinberg and Georg Solti before taking the helm here.
The group Mazer leads is something to be proud of. It is by far the only private orchestra that usually packs the concert hall and it has enjoyed generous praise from international critics when on tour.
After a Boston performance in 1995, The Boston Globe recognized the orchestra as "extremely well trained by Mazer," and said the musicians "play with glowing sound, precision of intonation, absolute unanimity of impulse and rare commitment."
These days the humorous conductor is in an agile mood, which shows in the music he chose for Sunday's concert. It's all Beethoven, but Beethoven in happier times. "An evening of Beethoven" will highlight the composer's Symphony No 7 in A Major and Concerto for Piano No 4 in G Major. Both the conductor's favorite pieces, the symphony is happy, light and fun, and the piano concerto is easy-going and lovely.
Pianist Chen Pi-shien (陳必先) is another catch of the concert. She is very familiar to local classical music fans as an extremely hardworking and talented musician. Having been a resident of Germany for 41 years, Chen always appears quite nostalgic when she's back in town. She is contemporary in many ways, in terms of technique and spirit, and she is devoted to giving classical music a new life by imbuing it with modern interpretation.
As the biggest private orchestra in Taiwan, the Taipei orchestra is a major task for anyone to try to keep alive.
Taiwan doesn’t have a lot of railways, but its network has plenty of history. The government-owned entity that last year became the Taiwan Railway Corp (TRC) has been operating trains since 1891. During the 1895-1945 period of Japanese rule, the colonial government made huge investments in rail infrastructure. The northern port city of Keelung was connected to Kaohsiung in the south. New lines appeared in Pingtung, Yilan and the Hualien-Taitung region. Railway enthusiasts exploring Taiwan will find plenty to amuse themselves. Taipei will soon gain its second rail-themed museum. Elsewhere there’s a number of endearing branch lines and rolling-stock collections, some
The Democratic Progressive Party (DPP), Chinese Nationalist Party (KMT), and the country’s other political groups dare not offend religious groups, says Chen Lih-ming (陳立民), founder of the Taiwan Anti-Religion Alliance (台灣反宗教者聯盟). “It’s the same in other democracies, of course, but because political struggles in Taiwan are extraordinarily fierce, you’ll see candidates visiting several temples each day ahead of elections. That adds impetus to religion here,” says the retired college lecturer. In Japan’s most recent election, the Liberal Democratic Party lost many votes because of its ties to the Unification Church (“the Moonies”). Chen contrasts the progress made by anti-religion movements in
Could Taiwan’s democracy be at risk? There is a lot of apocalyptic commentary right now suggesting that this is the case, but it is always a conspiracy by the other guys — our side is firmly on the side of protecting democracy and always has been, unlike them! The situation is nowhere near that bleak — yet. The concern is that the power struggle between the opposition Chinese Nationalist Party (KMT) and their now effectively pan-blue allies the Taiwan People’s Party (TPP) and the ruling Democratic Progressive Party (DPP) intensifies to the point where democratic functions start to break down. Both
This was not supposed to be an election year. The local media is billing it as the “2025 great recall era” (2025大罷免時代) or the “2025 great recall wave” (2025大罷免潮), with many now just shortening it to “great recall.” As of this writing the number of campaigns that have submitted the requisite one percent of eligible voters signatures in legislative districts is 51 — 35 targeting Chinese Nationalist Party (KMT) caucus lawmakers and 16 targeting Democratic Progressive Party (DPP) lawmakers. The pan-green side has more as they started earlier. Many recall campaigns are billing themselves as “Winter Bluebirds” after the “Bluebird Action”
RSS