The Chinese artist behind Beijing's spectacular new Olympic stadium has said he wants nothing to do with the propaganda for which it will be used during next year's games.
In an attack on the "disgusting" political conditions in the one-party state, Ai Weiwei (
"I would rather be disconnected or forgotten," said Ai, one of China's most prominent figures in the arts.
He conceived the stadium's steel-lattice design -- nicknamed the bird's nest -- with Swiss architects Herzog & de Meuron.
"I hate the kind of feeling stirred up by promotion or propaganda ... It's the kind of sentiment when you don't stick to the facts, but try to make up something, to mislead people away from a true discussion. It is not good for anyone."
He accused those choreographing the opening ceremony on Aug. 8 next year -- including filmmakers Steven Spielberg and Zhang Yimou (
"All the shitty directors in the world are involved. It's disgusting," Ai said. "I don't like anyone who shamelessly abuses their profession, who makes no moral judgment. It is mindless."
Recently, a Spielberg spokesman hinted the director might relinquish his Olympic role unless China dropped its opposition at the UN to an increased Darfur peacekeeping force; four days later, a deal on the force was announced in New York.
Although Ai's work, too, will be used as the stage for the Olympics' opening ceremony, he has no regrets.
"The joy of design is already there. The rest is rubbish," he said. "I was not hired by the state but by a design team in Switzerland. No one in the state here would ever hire me for a project like this."
With a family history of persecution by the communist government, Ai's involvement with the Olympic project raised eyebrows from the start. The artist spent much of his childhood in remote Xinjiang after his father, Ai Qing (
Such persecution, along with political murders, corruption and rampant land theft, remain taboo subjects in China. Ai is one of only a few prominent people living in Beijing to speak out.
"I very openly criticize the tendency to use culture for the purpose of propaganda, to dismiss the true function of art and the intellect," he said.
Ai's contemporary, Zhang -- whose family also had troubled times under the communists -- has been criticized at various points in his career by both the authorities and their opponents.
As for Spielberg, when he announced in April last year that he had been hired as a consultant on the opening and closing ceremonies for the Olympics, he said his overriding goal was "to give the world a taste of peace, friendship and understanding."
In recent months he has elaborated on his motives, after being criticized in the US for his involvement with Beijing when the government there stands accused of aiding Sudan's regime, despite the latter's promoting a genocide in Darfur.
In May, Spielberg set out his moral position on that issue when he published the text of a private letter he had sent to Chinese President Hu Jintao (
"I believe there is no greater crime against humanity than genocide. I feel strongly that every member of the world community has a moral and ethical responsibility to act to prevent such crimes," he said.
Spielberg said he hoped all sovereign nations "will work creatively to coexist with great peace and lasting prosperity and that they will treat their citizens with dignity and respect."
Ai dismissed concerns about repercussions from expressing his views.
"It is not opposition to the state, but rather in fighting for individualism and freedom of expression, freedom of human rights and justice ... If you read newspapers today you see the problems created by this structure and by the effort to maintain power. It is against everything that human society should be fighting for," he said.
In their New York Times bestseller How Democracies Die, Harvard political scientists Steven Levitsky and Daniel Ziblatt said that democracies today “may die at the hands not of generals but of elected leaders. Many government efforts to subvert democracy are ‘legal,’ in the sense that they are approved by the legislature or accepted by the courts. They may even be portrayed as efforts to improve democracy — making the judiciary more efficient, combating corruption, or cleaning up the electoral process.” Moreover, the two authors observe that those who denounce such legal threats to democracy are often “dismissed as exaggerating or
The Chinese Nationalist Party (KMT) caucus in the Legislative Yuan has made an internal decision to freeze NT$1.8 billion (US$54.7 million) of the indigenous submarine project’s NT$2 billion budget. This means that up to 90 percent of the budget cannot be utilized. It would only be accessible if the legislature agrees to lift the freeze sometime in the future. However, for Taiwan to construct its own submarines, it must rely on foreign support for several key pieces of equipment and technology. These foreign supporters would also be forced to endure significant pressure, infiltration and influence from Beijing. In other words,
“I compare the Communist Party to my mother,” sings a student at a boarding school in a Tibetan region of China’s Qinghai province. “If faith has a color,” others at a different school sing, “it would surely be Chinese red.” In a major story for the New York Times this month, Chris Buckley wrote about the forced placement of hundreds of thousands of Tibetan children in boarding schools, where many suffer physical and psychological abuse. Separating these children from their families, the Chinese Communist Party (CCP) aims to substitute itself for their parents and for their religion. Buckley’s reporting is
Last week, the Chinese Nationalist Party (KMT) and the Taiwan People’s Party (TPP), together holding more than half of the legislative seats, cut about NT$94 billion (US$2.85 billion) from the yearly budget. The cuts include 60 percent of the government’s advertising budget, 10 percent of administrative expenses, 3 percent of the military budget, and 60 percent of the international travel, overseas education and training allowances. In addition, the two parties have proposed freezing the budgets of many ministries and departments, including NT$1.8 billion from the Ministry of National Defense’s Indigenous Defense Submarine program — 90 percent of the program’s proposed