Ang Lee (
Lee's relationship with the US has been as lengthy as that with Taiwan. He worked on Spike Lee's student short feature Joe's Bed-Stuy Barbershop: We Cut Heads in the early 1980s, before eventually finding financing for features back in Taiwan, including Eat Drink Man Woman, which remains one of modern Taiwanese film's most elegant and delightful entries.
Unlike master director Hou Hsiao-hsien (
But the subtexts of his films are no less challenging, if more subtle, than the politics of his country of birth. Lee has said that in Taiwan he felt like an outsider while growing up, a feeling that followed him to the US. Instead, film is his reality.
In his films, this subtle ache of isolation -- the tenuousness of filial piety, social estrangement and distress and the tensions that arise from competing objects of devotion -- is surely informed by his upbringing and the ethnic disjunctures that seem to have left Lee, a Mainlander, non-plussed about the role of politics in life.
Lee's significant contribution to film culture is his ability to get inside the cultures and characters he depicts and inject them with insight and maturity in a way that transcends stereotypes of Asian or Western film. It is an achievement that few who cross this "boundary" can claim; not even Hong Kong director John Woo (吳宇森), despite all of his intelligence and ferocious energy, has been able to look into the eyes of his characters and draw out such complexity.
All in all, Taiwan cannot claim credit for Lee's success, despite the memorable films he made here. Yet Lee's career is a model for all Taiwanese to follow: Embrace the world and all that it offers.
So there is a lesson in Lee's journey for those who care to consider it: Let Taiwanese shed their provincialism and self-doubt and cultivate individuality, talent and passion rather than meekly subject themselves to the agendas of government and political miscreants.
And let them also find comfort among their limitations and scars: Hulk, Lee's remarkable allegory of child abuse and healing, teaches us that there are times when people with dignity who have been horribly mistreated are allowed to become very, very angry before finding some kind of peace with themselves.
Labubu, an elf-like plush toy with pointy ears and nine serrated teeth, has become a global sensation, worn by celebrities including Rihanna and Dua Lipa. These dolls are sold out in stores from Singapore to London; a human-sized version recently fetched a whopping US$150,000 at an auction in Beijing. With all the social media buzz, it is worth asking if we are witnessing the rise of a new-age collectible, or whether Labubu is a mere fad destined to fade. Investors certainly want to know. Pop Mart International Group Ltd, the Chinese manufacturer behind this trendy toy, has rallied 178 percent
My youngest son attends a university in Taipei. Throughout the past two years, whenever I have brought him his luggage or picked him up for the end of a semester or the start of a break, I have stayed at a hotel near his campus. In doing so, I have noticed a strange phenomenon: The hotel’s TV contained an unusual number of Chinese channels, filled with accents that would make a person feel as if they are in China. It is quite exhausting. A few days ago, while staying in the hotel, I found that of the 50 available TV channels,
Kinmen County’s political geography is provocative in and of itself. A pair of islets running up abreast the Chinese mainland, just 20 minutes by ferry from the Chinese city of Xiamen, Kinmen remains under the Taiwanese government’s control, after China’s failed invasion attempt in 1949. The provocative nature of Kinmen’s existence, along with the Matsu Islands off the coast of China’s Fuzhou City, has led to no shortage of outrageous takes and analyses in foreign media either fearmongering of a Chinese invasion or using these accidents of history to somehow understand Taiwan. Every few months a foreign reporter goes to
There is no such thing as a “silicon shield.” This trope has gained traction in the world of Taiwanese news, likely with the best intentions. Anything that breaks the China-controlled narrative that Taiwan is doomed to be conquered is welcome, but after observing its rise in recent months, I now believe that the “silicon shield” is a myth — one that is ultimately working against Taiwan. The basic silicon shield idea is that the world, particularly the US, would rush to defend Taiwan against a Chinese invasion because they do not want Beijing to seize the nation’s vital and unique chip industry. However,