Ang Lee (
Lee's relationship with the US has been as lengthy as that with Taiwan. He worked on Spike Lee's student short feature Joe's Bed-Stuy Barbershop: We Cut Heads in the early 1980s, before eventually finding financing for features back in Taiwan, including Eat Drink Man Woman, which remains one of modern Taiwanese film's most elegant and delightful entries.
Unlike master director Hou Hsiao-hsien (
But the subtexts of his films are no less challenging, if more subtle, than the politics of his country of birth. Lee has said that in Taiwan he felt like an outsider while growing up, a feeling that followed him to the US. Instead, film is his reality.
In his films, this subtle ache of isolation -- the tenuousness of filial piety, social estrangement and distress and the tensions that arise from competing objects of devotion -- is surely informed by his upbringing and the ethnic disjunctures that seem to have left Lee, a Mainlander, non-plussed about the role of politics in life.
Lee's significant contribution to film culture is his ability to get inside the cultures and characters he depicts and inject them with insight and maturity in a way that transcends stereotypes of Asian or Western film. It is an achievement that few who cross this "boundary" can claim; not even Hong Kong director John Woo (吳宇森), despite all of his intelligence and ferocious energy, has been able to look into the eyes of his characters and draw out such complexity.
All in all, Taiwan cannot claim credit for Lee's success, despite the memorable films he made here. Yet Lee's career is a model for all Taiwanese to follow: Embrace the world and all that it offers.
So there is a lesson in Lee's journey for those who care to consider it: Let Taiwanese shed their provincialism and self-doubt and cultivate individuality, talent and passion rather than meekly subject themselves to the agendas of government and political miscreants.
And let them also find comfort among their limitations and scars: Hulk, Lee's remarkable allegory of child abuse and healing, teaches us that there are times when people with dignity who have been horribly mistreated are allowed to become very, very angry before finding some kind of peace with themselves.
Chinese actor Alan Yu (于朦朧) died after allegedly falling from a building in Beijing on Sept. 11. The actor’s mysterious death was tightly censored on Chinese social media, with discussions and doubts about the incident quickly erased. Even Hong Kong artist Daniel Chan’s (陳曉東) post questioning the truth about the case was automatically deleted, sparking concern among overseas Chinese-speaking communities about the dark culture and severe censorship in China’s entertainment industry. Yu had been under house arrest for days, and forced to drink with the rich and powerful before he died, reports said. He lost his life in this vicious
In South Korea, the medical cosmetic industry is fiercely competitive and prices are low, attracting beauty enthusiasts from Taiwan. However, basic medical risks are often overlooked. While sharing a meal with friends recently, I heard one mention that his daughter would be going to South Korea for a cosmetic skincare procedure. I felt a twinge of unease at the time, but seeing as it was just a casual conversation among friends, I simply reminded him to prioritize safety. I never thought that, not long after, I would actually encounter a patient in my clinic with a similar situation. She had
A recent trio of opinion articles in this newspaper reflects the growing anxiety surrounding Washington’s reported request for Taiwan to shift up to 50 percent of its semiconductor production abroad — a process likely to take 10 years, even under the most serious and coordinated effort. Simon H. Tang (湯先鈍) issued a sharp warning (“US trade threatens silicon shield,” Oct. 4, page 8), calling the move a threat to Taiwan’s “silicon shield,” which he argues deters aggression by making Taiwan indispensable. On the same day, Hsiao Hsi-huei (蕭錫惠) (“Responding to US semiconductor policy shift,” Oct. 4, page 8) focused on
The election campaign for the Chinese Nationalist Party (KMT) chair is heating up, with only 10 days left before party members cast their ballots on Oct. 18. The campaign has revealed potential strengths for the party going into important elections next year and in 2028, particularly the desire among leading candidates to deepen cooperation with the Taiwan People’s Party (TPP). However, it has also exposed the party’s persistent weaknesses, especially in formulating a policy on cross-strait relations that can appeal to the majority of Taiwanese. Six candidates are registered: former Taipei mayor Hau Lung-bin (郝龍斌), 73; former legislator Cheng Li-wun